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| Bachmann, Christian A. "Von Masken und Mäusen. Zu Masken in Superhelden- und autobiographischen Comics." In: Masken. Hrsg. v. Kurt Röttgers und Monika Schmitz-Emans. Essen: Blaue Eule, 2009, S. 210–232. |
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| Beer, Andreas: "Just(ice) Smiling? Masks and Masking in the Occupy-Wall Street Protests." In: European Journal of American Studies 13.4 (2018). |
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| Brophy, Philip: "Osamu Tezuka's Gekiga. Behind the Mask of Manga." In: Manga. An Anthology of Global and Cultural Perspectives. Hrsg. v. Toni Johnson-Woods. London, New York: Continuum, 2010, S. 128–136. |
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| Brownie, Barbara und Danny Graydon: The Superhero Costume. Identity and Disguise in Fact and Fiction. New York: Bloomsbury, 2016. (175 S.) |
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| Bukatman, Scott: "Secret Identity Politics." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 109–125. |
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| Coughlan, David: "The Naked Hero and Model Man. Costumed Identity in Comic Book Narratives." In: Heroes of Film, Comics and American Culture. Essays on Real and Fictional Defenders of Home. Hrsg. v. Lisa M. De Tora. Jefferson, London: McFarland, 2009, S. 234–252. |
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| Cremins, Brian: "“Why have you allowed me to see you without your mask?”. Captain America #133 and the Great American (Protest) Novel." In: International Journal of Comic Art 4.1 (2002), S. 239–247. |
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| Donovan, Sarah K. und Nicholas P. Richardson: "Under the Mask. How Any Person Can Become Batman." In: Batman and Philosophy. The Dark Knight of the Soul. Hrsg. v. Mark D. White und Robert Arp. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2008, S. 129–141. |
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| Dubbati, Barkuzar: "The Woman in Hijab as a Freak. Super(Muslim)woman in Deena Mohamed’s Webcomic Qahera." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 433–449. |
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| Dudenhoeffer, Larrie: "Masks of Infamy. The About-faces in Christopher Nolan’s The Dark Knight." In: FORUM 12 (2011). |
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| Geczy, Adam und Vicki Karaminas: "‘Daddy’s Lil Monster’. Suicide Squad, Third-Wave Feminism and the Pornification and Queering of Harley Quinn." In: Film, Fashion & Consumption 8.2 (2019), S. 171–188. |
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| Gn, Joel: "Queer simulation. The practice, performance and pleasure of cosplay." In: Continuum 25.4 (2011), S. 583–593. |
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| Groombridge, Nic: "Stepping off the page. ‘British Batman’ as legal superhero." In: Graphic Justice. Intersections of Comics and Law. Hrsg. v. Thomas Giddens. London, New York: Routledge, 2015, S. 164–179. |
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| Guillaume, Isabelle. "Dramatis personae. Valeurs symboliques du masque dans Sandman et The Invisibles". Masques, identités et bande dessinée: Lyons, 20. Mai, 2014. |
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| Henry King, Lorraine: "Black skin as costume in Black Panther." In: Film, Fashion & Consumption 10.1 (2021), S. 265–276. |
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| Hilgers, Thomas: "Helden, Freaks und dunkle Ritter. Batman in Hollywood." In: Hollywood im Zeitalter des Post Cinema. Eine kritische Bestandsaufnahme. Hrsg. v. Lisa Gotto und Sebastian Lederle. Bielefeld: Transcript, 2020, S. 177–214. |
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| von Holzen, Aleta-Amirée: "If They Only Knew. Die Doppelidentität maskierter Superhelden zwischen Täuschung und Authentizität." In: Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung (2019), S. 91–104, . |
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| ---: "Marvel-lous Masked Men. Doppelidentitäten in Superheldenfilmen." In: Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Hrsg. v. Lars Schmeink und Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012, S. 187–202. |
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| ---: "Der maskierte Held im Spannungsfeld von Maskerade und Identität." In: Perspektiven der Kinder- und Jugendmedienforschung. Hrsg. v. Ingrid Tomkowiak. (Beiträge zur Kinder- und Jugendmedienforschung, 1.) Zürich: Chronos, 2011, S. 205–225. |
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| ---: Maskierte Helden. Zur Doppelidentität in Pulp-Novels und Superheldencomics. (Populäre Literaturen und Medien, 13.) Zürich: Chronos, 2019. (417 S.) |
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| Jeffries, Dru H. "From the Top of the Cowl to the Tip of the Cape. The Cinematic Superhero Costume as Impossible Garment." In: Cinephile 9.2 (2013), S. 30–37. |
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| Kahler, Jason: "The many masks of Dr Henry Pym. Alter ego, identity, disability and personality of a founding Avenger." In: Film, Fashion & Consumption 10.1 (2021), S. 299–311. |
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| Koch, Christina Maria: "Occupying Popular Culture. Anonymous, Occupy Wall Street, and the Guy Fawkes Mask as a Political Icon." In: REAL. Yearbook of Research in English and American Literature 30 (2014), S. 445–482. |
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| Kohns, Oliver: "Guy Fawkes, 2011. Ein Beitrag zur politischen Ikonographie des Aufstands." In: kultuRRevolution 61/62 (2012), S. 19–26. |
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| ---: "Guy Fawkes in the 21st Century. A Contribution to the Political Iconography of Revolt." In: Image [&] Narrative 14.1 (2013), S. 89–104, . |
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| Liu, Yen-Lian: "The Masculine Masquerade of Superheroes in Watchmen." In: Gender Forum 62 (2017), S. 39–65, . |
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| Lunning, Frenchy: "Cosplay, Drag, and the Performance of Abjection." In: Mangatopia. Essays on Manga and Anime in the Modern World. Hrsg. v. Timothy Perper und Martha Cornog. Santa Barbara: Libraries Unlimited, 2011, S. 71–88. |
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| Matloob Haghanikar, Taraneh: "The Character in the Mask. An Analysis of Mask in Art Spiegelman’s Maus." In: Good Grief! Children and Comics. Hrsg. v. Michelle Abate und Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016, S. 121–144. |
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| Morris, Tom: "What’s Behind the Mask? The Secret of Secret Identities." In: Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Hrsg. v. Tom Morris und Matt Morris. (Popular Culture and Philosophy, 13.) Chicago: Open Court, 2005, S. 250–266. |
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| Mountfort, Paul, Anne Peirson-Smith und Adam Geczy: Planet Cosplay. An Interdisciplinary Investigation into the Global Practice of Costume Play. Bristol, Chicago: Intellect Books, 2019. |
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| Nehrlich, Thomas: "Wenn Identität mittels einer Maske sichtbar wird. Zu Geschichte, Wesen und Ästhetik von Superhelden." In: Ästhetischer Heroismus. Konzeptionelle und figurative Paradigmen des Helden. Hrsg. v. Nikolas Immer und Mareen van Marwyck. Bielefeld: Transcript, 2013, S. 107–128. |
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| Norris, Craig und Jason Bainbridge: "Selling Otaku? Mapping the Relationship between Industry and Fandom in the Australian Cosplay Scene." In: Intersections 20 (2009). |
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| Okello, Wilson Kwamogi: "It’s Not Magic. The Black Body as an Aesthetic Site and Sight." In: Africology 11.9 (2018), S. 68–72, . |
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| Otto, Daniela: "Zur Symbolik der Maske und Genderpolitik des Bösen in Christopher Nolans The Dark Knight Rises." In: Medienobservationen (13. Aug. 2012). |
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| Peirson-Smith, Anne: "Fashioning the Fantastical Self. An Examination of the Cosplay Dress-up Phenomenon in Southeast Asia." In: Fashion Theory 17.1 (2013), S. 77–111. |
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| Rahman, Osmud, Liu Wing-Sun und Brittany Hei-man Cheung: "“Cosplay”. Imaginative Self and Performing Identity." In: Fashion Theory 16.3 (2012), S. 317–341. |
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| Roy, Suddhabrata Deb: "The Indian Superheroine costume. Analysing Indian comics’ first superheroine." In: Film, Fashion & Consumption 10.1 (2021), S. 313–324. |
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| Russell, Vanessa: "The Mild-Mannered Reporter. How Clark Kent Surpassed Superman." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 216–232. |
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| Schmidt, Sarah: "Die Masken des Orpheus oder Wie man in die Unterwelt steigt, um am Leben zu bleiben. Überlegungen zum intermedialen Bilderwerk Leben? oder Theater? von Charlotte Salomon." In: Kultur & Gespenster 7 (2008), S. 177–189. |
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| Schwartz, Alvin: "The Real Secret of Superman’s Identity." In: Children’s Literature 5 (1976), S. 117–129. |
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| Smith, Greg M. "The Superhero as Labor. The Corporate Secret Identity." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 126–144. |
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| Söll, Änne und Friedrich Weltzien: "Spider-Mans Heldenmaske. Kampf um Männlichkeit im Superhelden-Genre." In: Männlichkeit als Maskerade. Kulturelle Inszenierungen vom Mittelalter bis zur Gegenwart. Hrsg. v. Claudia Benthien und Inge Stephan. (Literatur – Kultur – Geschlecht, 18.) Köln, Weimar, Wien: Böhlau, 2003, S. 296–315. |
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| Uricchio, William und Roberta E. Pearson: "I’m Not Fooled by that Cheap Disguise." In: Many More Lives of the Batman. Hrsg. v. Roberta E. Pearson, William Uricchio und Will Brooker. London: BFI Palgrave, 2015, S. 205–236. |
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| ---: "“I’m Not Fooled By That Cheap Disguise”." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 182–213. |
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| Wagner, Travis: "“My Suits … They’re Part Of Me”. Considering Disability in the Iron Man Trilogy." In: Cinephile 9.2 (2013), S. 4–11. |
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| Weltzien, Friedrich: "Masque-ulinities. Changing Dress as a Display of Masculinity in the Superhero Genre." In: Fashion Theory 9.2 (2005), S. 229–250. |
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| Winge, Therèsa M. Costuming Cosplay. Dressing the Imagination. (Dress, Body, Culture.) New York: Bloomsbury Academic, 2018. |
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