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| ---: "Marvel-lous Masked Men. Doppelidentitäten in Superheldenfilmen." In: Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Hrsg. v. Lars Schmeink und Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012, S. 187–202. |
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| ---: "Der maskierte Held im Spannungsfeld von Maskerade und Identität." In: Perspektiven der Kinder- und Jugendmedienforschung. Hrsg. v. Ingrid Tomkowiak. (Beiträge zur Kinder- und Jugendmedienforschung, 1.) Zürich: Chronos, 2011, S. 205–225. |
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| ---: Maskierte Helden. Zur Doppelidentität in Pulp-Novels und Superheldencomics. (Populäre Literaturen und Medien, 13.) Zürich: Chronos, 2019. (417 S.) |
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| Liu, Yen-Lian: "The Masculine Masquerade of Superheroes in Watchmen." In: Gender Forum 62 (2017), (20. Mai 2019) |
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| Lunning, Frenchy: "Cosplay, Drag, and the Performance of Abjection." In: Mangatopia. Essays on Manga and Anime in the Modern World. Hrsg. v. Timothy Perper und Martha Cornog. Santa Barbara: Libraries Unlimited, 2011, S. 71–88. |
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| Matloob Haghanikar, Taraneh: "The Character in the Mask. An Analysis of Mask in Art Spiegelman’s Maus." In: Good Grief! Children and Comics. Hrsg. v. Michelle Abate und Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016, S. 121–144. |
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| Morris, Tom: "What’s Behind the Mask? The Secret of Secret Identities." In: Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Hrsg. v. Tom Morris und Matt Morris. (Popular Culture and Philosophy, 13.) Chicago: Open Court, 2005, S. 250–266. |
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| Norris, Craig und Jason Bainbridge: "Selling Otaku? Mapping the Relationship between Industry and Fandom in the Australian Cosplay Scene." In: Intersections 20 (2009), (26. Juli 2014) |
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| Otto, Daniela: "Zur Symbolik der Maske und Genderpolitik des Bösen in Christopher Nolans The Dark Knight Rises." In: Medienobservationen (13. Aug. 2012), (20. Febr. 2014) |
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| Peirson-Smith, Anne: "Fashioning the Fantastical Self. An Examination of the Cosplay Dress-up Phenomenon in Southeast Asia." In: Fashion Theory 17.1 (2013), S. 77–111. |
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| Schmidt, Sarah: "Die Masken des Orpheus oder Wie man in die Unterwelt steigt, um am Leben zu bleiben. Überlegungen zum intermedialen Bilderwerk Leben? oder Theater? von Charlotte Salomon." In: Kultur & Gespenster 7 (2008), S. 177–189. |
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| Söll, Änne und Friedrich Weltzien: "Spider-Mans Heldenmaske. Kampf um Männlichkeit im Superhelden-Genre." In: Männlichkeit als Maskerade. Kulturelle Inszenierungen vom Mittelalter bis zur Gegenwart. Hrsg. v. Claudia Benthien und Inge Stephan. (Literatur – Kultur – Geschlecht, 18.) Köln, Weimar, Wien: Böhlau, 2003, S. 296–315. |
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| Uricchio, William und Roberta E. Pearson: "I’m Not Fooled by that Cheap Disguise." In: Many More Lives of the Batman. Hrsg. v. Roberta E. Pearson, William Uricchio und Will Brooker. London: BFI Palgrave, 2015, S. 205–236. |
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| ---: "“I’m Not Fooled By That Cheap Disguise”." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 182–213. |
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| Winge, Therèsa M. Costuming Cosplay. Dressing the Imagination. (Dress, Body, Culture.) New York: Bloomsbury Academic, 2018. |
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