| Abate, Michelle Ann: Funny Girls. Guffaws, Guts, and Gender in Classic American Comics. Jackson: Univ. Press of Mississippi, 2019. (201 S.) |
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| Bajac-Carter, Maja, Norma Jones und Bob Batchelor (Hrsg.): Heroines of Comic Books and Literature. Portrayals in Popular Culture. Lanham [etc.]: Rowman & Littlefield, 2014. (258 S.) |
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| Billard, Thomas J. und Brian L. MacAuley: "“It’s a Bird! It’s a Plane! It’s a Transgender Superhero!”. Transgender Characters in Marvel, DC, and Image Comics." In: Heroes, Heroines, and Everything in Between. Challenging Gender and Sexuality Stereotypes in Children's Entertainment Media. Hrsg. v. CarrieLynn D. Reinhard und Christopher J. Olson. Lanham [etc.]: Lexington, 2017. |
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| Brown, Jeffrey A. Batman and the Multiplicity of Identity. The Contemporary Comic Book Superhero as Cultural Nexus. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. (226 S.) |
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| du Chatenet, Aymar: Le Dictionnaire Goscinny. Paris: JC Lattès, 2003. (1248 S.) |
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| d’Humières, Catherine: "L’épreuve du labyrinthe et la rencontre avec le Minotaure, figures héroïques et problèmes existentiels dans la bande dessinée." In: Mythe et bande dessinée. Hrsg. v. Danielle Corrado und Viviane Alary. (Littératures.) Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006, S. 291–305. |
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| D’Arcy, Geraint: Mise en scène, Acting, and Space in Comics. (Palgrave Studies in Comics and Graphic Novels.) Cham: Palgrave Pivot, 2020. (136 S.) |
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| Dennis, Geoffrey und Avi S. Dennis: "Vampires and Witches and Commandos, Oy Vey. Comic Book Appropriations of Lilith." In: Shofar 32.3 (2014), S. 72–101. |
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| Donoso Munita, José Agustín und Mariano Alejandro Penafiel Durruty: "Transmedial Transduction in the Spider-Verse." In: Palabra Clave 20.3 (2017), S. 763–787. |
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| Duncan, Randy und Matthew J. Smith (Hrsg.): Icons of the American Comic Book. From Captain America to Wonder Woman. Bd. 1–2. (Greenwood Icons.) Santa Barbara: Greenwood, 2013. (920 S.) |
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| Eder, Barbara: "Niegewesen und Niegedacht? Figurationen der Non-Person in Graphic Novels mit Fluchtnarrativen." In: Non-Person. Grenzen des Humanen und Humanitären in Literatur, Kultur und Medien. Hrsg. v. Stephanie Catani und Stephanie Waldow. München: Fink, 2019, S. 145–164. |
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| Elder, Robert K. Hemingway in Comics. Kent: Kent State Univ. Press, 2020. |
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| Ella, Jan-Erik: "Expanding Worlds. Neo-Victorianism, Fan Fiction, and the Death of the Author." In: Convergence Culture Reconsidered. Media – Participation – Environments. Hrsg. v. Claudia Georgi und Brigitte Johanna Glaser. (Göttinger Schriften zur Englischen Philologie, 9.) Göttingen: Universitätsverl. Göttingen, 2015, S. 111–122. |
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| Erhart, Itir und Hande Eslen-Ziya: "Janissary. An Orientalist Heroine or a Role Model for Muslim Women?" In: Heroines of Comic Books and Literature. Portrayals in Popular Culture. Hrsg. v. Maja Bajac-Carter, Norma Jones und Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2014, S. 95–106. |
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| Feige, Marcel: Das große Comic-Lexikon. Von Asterix und Akira über Donald Duck und Dan Dare bis Superman und Yps. Die Welt der Bildergeschichten, ihre Zeichner & Autoren, Magazine & Figuren. Berlin: Schwarzkopf & Schwarzkopf, 2004. (599 S.) |
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| ---: Das kleine Comic-Lexikon. Die schönsten Comics, die besten Zeichner, die witzigsten Texter. Ein Streifzug durch Superhelden-Kosmos, Marcinelle-Schule, Ligne Clair und deutsch-deutsche Comic-Geschichte. Berlin: Schwarzkopf & Schwarzkopf, 2005. (821 S.) |
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| Fink, Moritz: "Of Maus and Gen. Author Avatars in Nonfiction Comics." In: International Journal of Comic Art 20.1 (2018), S. 267–296. |
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| Fossati, Franco: Fumetto. Milano: Mondadori, 1992. (287 S.) |
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| ---: Das große illustrierte Ehapa Comic Lexikon. Stuttgart: Ehapa, 1993. (288 S.) |
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| Fresnault-Deruelle, Pierre: "Le personnage de bande dessinée et ses langages." In: Langue française 28.1 (1975), S. 101–111. |
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| Fricke, Hannes: "Notwendig-unlösbare Personenkonstellationen. Batman und Joker, Mythologisierung, Alternativlosigkeit und politische Brisanz." In: Dioskuren, Konkurrenten und Zitierende. Paarkonstellationen in Sprache, Kultur und Literatur. Hrsg. v. Jan Cölln und Annegret Middeke. Göttingen: Vandenhoeck & Ruprecht, 2014, S. 133–159. |
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| Gardner, Jared: "Antebellum Popular Serialities and the Transatlantic Birth of “American” Comics." In: Media of Serial Narrative. Hrsg. v. Frank Kelleter. (Theory and Interpretation of Narrative.) Columbus: Ohio State Univ. Press, 2017, S. 37–52. |
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| Geraghty, Lincoln: "“Realities … blending as one!”. Film Texts and Intertexts in the Star Trek/X-Men Crossover Comics." In: Extrapolation 28.1 (2007), S. 108–119. |
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| ---: "Transmedia Character Building. Textual Crossovers in the Star Wars Universe." In: Star Wars and the History of Transmedia Storytelling. Hrsg. v. Sean A. Guynes und Dan A. Hassler-Forest. (Transmedia, 3.) Amsterdam: Amsterdam Univ. Press, 2018, S. 117–128. |
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| Goodrum, Michael: "‘Oh c’mon, those stories can’t count in continuity!’. Squirrel Girl and the problem of female power." In: Studies in Comics 5.1 (2014), S. 97–115. |
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| Harris, Jason Marc: "We All Live in Fabletown. Bill Willingham’s Fables—A Fairy-Tale Epic for the 21st Century." In: Humanities 5.2 (2016), S. 180–211. |
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| Helfand, Michael Todd: "When Mickey Mouse Is as Strong as Superman. The Convergence of Intellectual Property Laws to Protect Fictional Literary and Pictorial Characters." In: Stanford Law Review 44.3 (1992), S. 623–674. |
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| Hernández Nieto, Laura Nallely: "From the Post-revolutionary Mexico to the American Way of Life. Analyzing Los Superlocos by Gabriel Vargas." In: International Journal of Comic Art 20.1 (2018), S. 229–241. |
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| Hibbett, Mark: "In Search of Doom. Tracking a Wandering Character Through Data." In: IMAGE 29.1 (2019), S. 81–97, . |
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| Hilgers, Thomas: "Helden, Freaks und dunkle Ritter. Batman in Hollywood." In: Hollywood im Zeitalter des Post Cinema. Eine kritische Bestandsaufnahme. Hrsg. v. Lisa Gotto und Sebastian Lederle. Bielefeld: Transcript, 2020, S. 177–214. |
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| von Holzen, Aleta-Amirée: Maskierte Helden. Zur Doppelidentität in Pulp-Novels und Superheldencomics. (Populäre Literaturen und Medien, 13.) Zürich: Chronos, 2019. (417 S.) |
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| Horstkotte, Silke und Nancy Pedri: Experiencing Visual Storyworlds. Focalization in Comics. (Theory and Interpretation of Narrative.) Columbus: Ohio State Univ. Press, 2022. |
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| Hume, Kathryn: "Psychology made visual. The Sandman Overture by Neil Gaiman, J.H. Williams III and Dave Stewart." In: Journal of Visual Literacy 37.2 (2018), S. 103–118. |
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| Kagelmann, H. Jürgen: Who’s who im Comic. München: dtv, 1997. (326 S.) |
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| Kainz, Barbara: "Ansichten und Entwürfe über Heldinnen-Figuren in Comicverfilmungen." In: Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Hrsg. v. Barbara Kainz. Wien: Löcker, 2009, S. 93–123. |
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| ---: Antihelden in Comicverfilmungen. Transformationsanalyse ausgewählter Graphic Novels und deren Verfilmungen.(Diplomarbeit), Universität Wien 2006. |
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| ---: From Hell – Vom Comic zum Film. Analyse des Antihelden Abberline und intermediale Faktoren. München: Grin, 2006. (40 S.) |
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| Klein, Christian: "Gezeichnete Helden? Figurendarstellungen in graphischer Umwelt- und Klimawandelliteratur." In: Komparatistik online 2 (2015), S. 69–83, . |
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| Knight, Rhonda: "Author/Character. Persepolis as a Gateway to Reading Metafictional Novels." In: Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Hrsg. v. Matthew L. Miller. Jefferson: McFarland, 2015, S. 181–194. |
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| Knopf, Christina M. "War is Hell. The (Super)nature of War in the Works of Mike Mignola." In: The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Hrsg. v. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019, S. 144–155. |
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| Kuechenmeister, Elizabeth: "The Quest of Lois. From Lois Lane to Mrs. Superman in Comics (1986–1996)." In: Examining Lois Lane. The Scoop on Superman’s Sweetheart. Hrsg. v. Nadine Farghaly. Lanham: Scarecrow, 2013. |
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| Laigaard, Jens und Finn Wraae Poulsen: Personskildring i tegneserier. Teori og analyser. 2. Aufl. Odense: Stavnsager, 1984. (117 S.) |
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| Leshem, Bar: "From God to Superhero. The Reception of Mercury in Comics." In: Question 4 (2019), S. 10–19. |
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| Lewis, A. David: American Comics, Literary Theory, and Religion. The Superhero Afterlife. New York [etc.]: Palgrave Macmillan, 2014. (192 S.) |
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| Lindsay, Ryan K. Blind Dates and Broken Hearts. The Tragic Loves of Matthew Murdock. Edwardsville: Sequart Research & Literacy Organization, 2013. (66 S.) |
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| MacLeod, Catriona: Invisible Presence. The Representation of Women in French-Language Comics. Bristol, Chicago: Intellect Books, 2021. |
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| Maeder, Jay: Dick Tracy. The Official Biography. New York: Penguin, 1990. (218 S.) |
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| Meinrenken, Jens: "Figurenkonzepte im Comic." In: Formen der Figur. Figurenkonzepte in Künsten und Medien. Hrsg. v. Rainer Leschke und Henriette Heidbrink. Konstanz: UVK, 2010, S. 229–246. |
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| Meyer, Christina: "Serial Entertainment / Serial Pleasure. The Yellow Kid." In: Media of Serial Narrative. Hrsg. v. Frank Kelleter. (Theory and Interpretation of Narrative.) Columbus: Ohio State Univ. Press, 2017, S. 74–89. |
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| Mikkonen, Kai: The Narratology of Comic Art. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2017. (300 S.) |
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| Mulas, Alessandra: "All’ombra di Marlowe. Aspetti titanici nel Daredevil di Frank Miller." In: Fictions 9 (2010), S. 99–120. |
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| Nevins, Jr., Francis M. "Copyright + Character = Catastrophe." In: Journal of the Copyright Society of the U.S.A. 39.4 (1992), S. 303–344. |
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| Nichols, Michael: "“I Think You and I Are Destined to Do This Forever”. A Reading of the Batman/Joker Comic and Film Tradition through the Combat Myth." In: Journal of Religion and Popular Culture 23.2 (2011), S. 236–250. |
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| Niehaus, Michael: "Stehende Figur. Mikro-Narration und Serialität im frühen Comic Strip." In: Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien. Hrsg. v. Sabiene Autsch, Claudia Öhlschläger und Leonie Süwolto. München: Fink, 2014, S. 265–281. |
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| Nolan, Val: "Break free. Understanding, reimagining and reclaiming stories in Grant Morrison’s Seven Soldiers of Victory." In: Journal of Graphic Novels and Comics 6.1 (2015), S. 42–58. |
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| Nouailhat, René: Olrik ou le secret du mystère Jacobs. Saint-Egrève: Mosquito, 2014. (112 S.) |
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| Ó Méalóid, Pádraig: Poisoned Chalice. The Extremely Long and Incredibly Complex Story of Marvelman (and Miracleman). Poisoned Chalice, 2018. (318 S.) |
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| Parezanović, Tijana: "Dream a Little Dream of Will. Shakespeare as a Character in Neil Gaiman’s The Sandman." In: Philologist / Филолог 5 (2012), S. 67–77, . |
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| Pitkethly, Clare: "A Rubble of Fragments. Disintegration into Panels in Grant Morrison’s Comics." In: ImageTexT 8.2 (2015). |
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| Reed, Shon M. und Breanna Boppre: "“Could You Introduce Me as Joker?”. An Application of Labeling Theory to Explain the Creation of the Clown Prince of Crime." In: Theories of Crime Through Popular Culture. Hrsg. v. Sarah E. Daly. New York [etc.]: Palgrave Macmillan, 2021, S. 173–183. |
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| Rusek, Adam: Leksykon polskich bohaterów i serii komiksowych. 2. Aufl. Poznań: Centrala Mądre Komiksy, 2010. (320 S.) |
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| Scherr, Rebecca: "Drawing Ground in the Graphic Novel." In: a/b: Auto/Biography Studies 35.2 (2020), S. 475–479. |
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| Shutt, Craig: "The Long Running Comic (Book) Career of Jerry Lewis." In: Hogan’s Alley 22 (2020), S. 16–27. |
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| Sweeney, David: "From Stories to Worlds. The Continuity of Marvel Superheroes from Comics to Film." In: Intensities: The Journal of Cult Media 5 (2013), S. 133–151, . |
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| Tseng, Chiao-I, Jochen Laubrock und Jana Pflaeging: "Character Developments in Comics and Graphic Novels. A Systematic Analytical Scheme." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 154–175. |
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| Van Gorpa, Baldwin und Els Rommes: "Scientists in Belgian comics. Typology, chronology and origins." In: Journal of Graphic Novels and Comics 5.2 (2014), S. 154–169. |
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| Varis, Essi: A Frame of You. Construction of Characters in Graphic Novels. Licentiate Thesis University of Jyväskylä, Dept. of Art and Culture Studies 2013 (192 S.). |
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| ---: "Something Borrowed. Interfigural Characterisation in Anglo-American Fantasy Comics." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 113–122. |
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| Wells, Bonnie: More than Human. A Critical Evaluation of the Intersection of Character and Theme in Mike Mignola’s Hellboy. Undergraduate Honors Thesis/Project Western Oregon University, Honors Program 2014 (57 S.). |
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| Wilde, Lukas R. A. Im Reich der Figuren. Meta-narrative Kommunikationsfiguren und die ›Mangaisierung‹ des japanischen Alltags. Köln: Halem, 2018. (449 S.) |
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| ---: "Kingdom of Characters. Die ›Mangaisierung‹ des japanischen Alltags aus bildtheoretischer Perspektive." In: Visual Past 3.1 (2016), S. 615–648, . |
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| ---: "Meta-narrative Knotenpunkte der Medienkonvergenz. Zu den medienwissenschaftlichen Potenzialen des japanischen kyara-Begriffs." In: Zur Ästhetik des Gemachten in Animation und Comic. Berlin: de Gruyter, 2018, S. 109–149. |
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| ---: "Recontextualizing Characters. Media Convergence and Pre-/Meta-Narrative Character Circulation." In: IMAGE 29 (2019), S. 3–21, . |
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| ---: "Recontexualizing Characters. Media Convergence and Pre-/Meta-Narrative Character Circulation." In: IMAGE 29.1 (2019), S. 3–21, . |
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