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| Added by: joachim 04/27/2017 05:28:22 PM |
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| Baraniak-Hirata, Zuzanna und Agata Włodarczyk: "Bending Gender in Japanese Arts. Queering Girls Culture, Takarazuka Revue and Boys’ Love Manga." In: Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Hrsg. v. Barbara Braid, Ewa Glapka und Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ. 2019, S. 295–316. |
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| Added by: joachim 01/25/2021 09:02:06 PM |
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| Bremgartner, Mathias: Comics im Theater. Schauplätze – Spielarten – Fallstudien. (Bildnarrative, 8.) Berlin: Ch.A. Bachmann, 2020. (312 S.) |
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| Added by: joachim 10/16/2020 11:17:25 AM |
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| Bremgartner, Mathias P. "Performing ‘Readings’. The Interplay of Theatre And Digital Comics In Tezuka." In: Networking Knowledge 8.4 (2015), (14. Aug. 2015) |
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| Last edited by: joachim 08/14/2015 06:47:00 AM |
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| Bremgartner, Mathias: "Performing ‘Readings’. The Interplay of Theatre And Digital Comics In Tezuka." In: Networking Knowledge 8.4 (2015), (15. Apr. 2021) |
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| Added by: joachim 04/15/2021 03:13:53 PM |
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| Brysbaert, Xavier: Le théâtre chez Marc-Antoine Mathieu. Master (Mémoire), EESI Angoulême / UFR lettres et langues Poitiers 2009/2010 (105 S.). |
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| D’Arcy, Geraint: Mise en scène, Acting, and Space in Comics. (Palgrave Studies in Comics and Graphic Novels.) Cham: Palgrave Pivot, 2020. (136 S.) |
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| Dittrich, Iris: Wayang Kulit. Mythos und Provokation im indonesischen Schattentheater. (Europäische Hochschulschriften: Reihe 30, Theater-, Film- und Fernsehwissenschaften, 77.) Frankfurt am Main [etc.]: Peter Lang, 2001. (195 S.) |
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| Added by: joachim 04/11/2011 06:14:13 PM |
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| Gras, Isabelle: "Dual Audience Literature. The Child’s Gaze in The Comical Tragedy or Tragical Comedy of Mr. Punch by Neil Gaiman and Dave McKean." In: Leaves 2 (2016), (15. Jan. 2021) |
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| Last edited by: joachim 01/15/2021 12:17:01 AM |
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| Hahn, Annegret und Berit Schuck (Hgg.): Comic Meets Theatre. Berlin: Theater der Zeit, 2006. (283 S.) |
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| Last edited by: joachim 08/11/2018 11:32:24 AM |
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| Haider, Hans: Der Bissige Bleistift. Erich Gold – Goltz – Peters. Karikaturen in Berlin, Wien, New York. Berlin: Ch.A. Bachmann, 2020. (224 S.) |
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| Added by: joachim 10/16/2020 11:39:51 AM |
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| Hand, Richard J. und Michael Wilson: "Transatlantic Terror! French Horror Theater and American Pre-Code Comics." In: Journal of Popular Culture 45.2 (2012), S. 301–319. |
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| Added by: joachim 05/29/2012 06:54:56 PM |
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| Jürgens, A.-S. "Batman’s Joker, a neo-modern clown of violence." In: Journal of Graphic Novels and Comics 5.4 (2014), S. 441–454. |
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| Added by: joachim 07/30/2015 05:37:53 PM |
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| Kaenel, Philippe: "Paradoxe sur le comédien. Rodolphe Töpffer, la physiognomonie et le théâtre." In: De la rhétorique des passions à l’expression du sentiment. (Cahiers du musée, 4.) Paris: Cité de la Musique, 2003, S. 131–141. |
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| Meyer, Christina: "Medial transgressions. Comics – sheet music – theatre – toys." In: Journal of Graphic Novels and Comics 7.3 (2016), S. 293–305. |
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| Platthaus, Andreas: "Bühnenbildung. Was der Comic vom Theater gelernt hat." In: Comic Meets Theatre. Hrsg. v. Annegret Hahn und Berit Schuck. Berlin: Theater der Zeit, 2006, S. 216–223. |
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| Added by: joachim 11/11/2014 12:41:55 PM |
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| Saunders, Andy: Jane. A Pinup at War. Barnsley: Leo Cooper, 2004. (164 S.) |
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| Last edited by: joachim 06/06/2020 04:16:54 PM |
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| Schmitz-Emans, Monika: "Papiertheater. Über Bühnen aus Papier, Bühnen im Buch und Pop-ups." In: Germanoslawica 25.2 (2015), S. 12–31. |
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| Added by: joachim 07/04/2015 06:27:11 AM |
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| Simon, Robin: "Hogarth and the popular theatre." In: Renaissance and Modern Studies 22.1 (1978), S. 13–25. |
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| Added by: joachim 10/06/2015 02:18:04 PM |
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| Smith, Philip: "Drawing Vladek, staging Shylock. Art Spiegelman’s Maus in American Holocaust discourse." In: Journal of Graphic Novels and Comics 10.2 (2019), S. 197–209. |
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| Spaulding, Amy E. The Page as a Stage Set. Storyboard Picture Books. Metuchen: Scarecrow Pr. 1995. (282 S.) |
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| Thistle, Lindsay: "Making up History. A Look at Johnny Canuck from the Comic Page to the Dramatic Stage." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 103–118. |
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| Added by: joachim 05/15/2018 11:12:19 AM |
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| Thomson, George H. "The Four Story Forms: Drama, Film, Comic Strip, Narrative." In: College English 3 (1975), S. 265–280. |
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| Verstappen, Nicolas: "Prayoon Chanyawongse’s Cartoon Likay. Amalgamating Likay Theatrical Form and Comics into a Unique Thai Genre." In: The Comics Grid 8.9 (2018), (20. Aug. 2018) |
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| Last edited by: joachim 08/20/2018 11:14:45 AM |
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| Winchester, Mark D. Cartoon Theatricals from 1896 to 1927. Gus Hill’s Cartoon Shows for the American Road Theatre. PhD (Diss.), Ohio State University, Dept. of Theatre 1995 (306 S.). |
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| Added by: joachim 09/27/2012 02:58:45 PM |
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| ---: George McManus, Comic Strip Theatricals, and Vaudeville. Master of Arts (Thesis), Ohio State University 1990 (148 S.). |
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| Added by: joachim 07/10/2011 02:13:43 PM |
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