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| Bremgartner, Mathias: "Performing ‘Readings’. The Interplay of Theatre And Digital Comics In Tezuka." In: Networking Knowledge 8.4 (2015), S. 1–12, . |
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| Dittrich, Iris: Wayang Kulit. Mythos und Provokation im indonesischen Schattentheater. (Europäische Hochschulschriften: Reihe 30, Theater-, Film- und Fernsehwissenschaften, 77.) Frankfurt am Main [etc.]: Peter Lang, 2001. (195 S.) |
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| Gras, Isabelle: "Dual Audience Literature. The Child’s Gaze in The Comical Tragedy or Tragical Comedy of Mr. Punch by Neil Gaiman and Dave McKean." In: Leaves 2 (2016), S. 37–51, . |
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| Kaenel, Philippe: "Paradoxe sur le comédien. Rodolphe Töpffer, la physiognomonie et le théâtre." In: De la rhétorique des passions à l’expression du sentiment. (Cahiers du musée, 4.) Paris: Cité de la Musique, 2003, S. 131–141. |
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| Platthaus, Andreas: "Bühnenbildung. Was der Comic vom Theater gelernt hat." In: Comic Meets Theatre. Hrsg. v. Annegret Hahn und Berit Schuck. Berlin: Theater der Zeit, 2006, S. 216–223. |
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| Saunders, Andy: Jane. A Pinup at War. Barnsley: Leo Cooper, 2004. (164 S.) |
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| ---: George McManus, Comic Strip Theatricals, and Vaudeville. Master of Arts (Thesis), Ohio State University 1990 (148 S.). |
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