Armour, Robert A. "Comic Strips, Theatre, and Early Narrative Films 1895–1904." In: Studies in Popular Culture 10.1 (1987), S. 14–26. |
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Baraniak-Hirata, Zuzanna und Agata Włodarczyk: "Bending Gender in Japanese Arts. Queering Girls Culture, Takarazuka Revue and Boys’ Love Manga." In: Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Hrsg. v. Barbara Braid, Ewa Glapka und Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ. 2019, S. 295–316. |
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Bremgartner, Mathias: Comics im Theater. Schauplätze – Spielarten – Fallstudien. (Bildnarrative, 8.) Berlin: Ch.A. Bachmann, 2020. (312 S.) |
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Added by: joachim 2020-10-16 11:17 |
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Bremgartner, Mathias P. "Performing ‘Readings’. The Interplay of Theatre And Digital Comics In Tezuka." In: Networking Knowledge 8.4 (2015). |
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Bremgartner, Mathias: "Performing ‘Readings’. The Interplay of Theatre And Digital Comics In Tezuka." In: Networking Knowledge 8.4 (2015), S. 1–12, . |
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Brysbaert, Xavier: Le théâtre chez Marc-Antoine Mathieu. Master (Mémoire), EESI Angoulême / UFR lettres et langues Poitiers 2009/2010 (105 S.). |
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D’Arcy, Geraint: Mise en scène, Acting, and Space in Comics. (Palgrave Studies in Comics and Graphic Novels.) Cham: Palgrave Pivot, 2020. (136 S.) |
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Dittrich, Iris: Wayang Kulit. Mythos und Provokation im indonesischen Schattentheater. (Europäische Hochschulschriften: Reihe 30, Theater-, Film- und Fernsehwissenschaften, 77.) Frankfurt am Main [etc.]: Peter Lang, 2001. (195 S.) |
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Added by: joachim 2011-04-11 18:14 |
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Gras, Isabelle: "Dual Audience Literature. The Child’s Gaze in The Comical Tragedy or Tragical Comedy of Mr. Punch by Neil Gaiman and Dave McKean." In: Leaves 2 (2016), S. 37–51, . |
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Hahn, Annegret und Berit Schuck (Hrsg.): Comic Meets Theatre. Berlin: Theater der Zeit, 2006. (283 S.) |
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Haider, Hans: Der Bissige Bleistift. Erich Gold – Goltz – Peters. Karikaturen in Berlin, Wien, New York. Berlin: Ch.A. Bachmann, 2020. (224 S.) |
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Hand, Richard J. und Michael Wilson: "Transatlantic Terror! French Horror Theater and American Pre-Code Comics." In: Journal of Popular Culture 45.2 (2012), S. 301–319. |
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Added by: joachim 2012-05-29 18:54 |
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Jürgens, A.-S. "Batman’s Joker, a neo-modern clown of violence." In: Journal of Graphic Novels and Comics 5.4 (2014), S. 441–454. |
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Kaenel, Philippe: "Paradoxe sur le comédien. Rodolphe Töpffer, la physiognomonie et le théâtre." In: De la rhétorique des passions à l’expression du sentiment. (Cahiers du musée, 4.) Paris: Cité de la Musique, 2003, S. 131–141. |
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Meyer, Christina: "Medial transgressions. Comics – sheet music – theatre – toys." In: Journal of Graphic Novels and Comics 7.3 (2016), S. 293–305. |
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Platthaus, Andreas: "Bühnenbildung. Was der Comic vom Theater gelernt hat." In: Comic Meets Theatre. Hrsg. v. Annegret Hahn und Berit Schuck. Berlin: Theater der Zeit, 2006, S. 216–223. |
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Saunders, Andy: Jane. A Pinup at War. Barnsley: Leo Cooper, 2004. (164 S.) |
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Schmitz-Emans, Monika: "Papiertheater. Über Bühnen aus Papier, Bühnen im Buch und Pop-ups." In: Germanoslawica 25.2 (2015), S. 12–31. |
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Simon, Robin: "Hogarth and the popular theatre." In: Renaissance and Modern Studies 22.1 (1978), S. 13–25. |
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Smith, Philip: "Drawing Vladek, staging Shylock. Art Spiegelman’s Maus in American Holocaust discourse." In: Journal of Graphic Novels and Comics 10.2 (2019), S. 197–209. |
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Spaulding, Amy E. The Page as a Stage Set. Storyboard Picture Books. Metuchen: Scarecrow Pr. 1995. (282 S.) |
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Thistle, Lindsay: "Making up History. A Look at Johnny Canuck from the Comic Page to the Dramatic Stage." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 103–118. |
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Thomson, George H. "The Four Story Forms: Drama, Film, Comic Strip, Narrative." In: College English 3 (1975), S. 265–280. |
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Verstappen, Nicolas: "Prayoon Chanyawongse’s Cartoon Likay. Amalgamating Likay Theatrical Form and Comics into a Unique Thai Genre." In: The Comics Grid 8.9 (2018). |
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Winchester, Mark D. Cartoon Theatricals from 1896 to 1927. Gus Hill’s Cartoon Shows for the American Road Theatre. PhD (Diss.), Ohio State University, Dept. of Theatre 1995 (306 S.). |
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Added by: joachim 2012-09-27 14:58 |
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---: George McManus, Comic Strip Theatricals, and Vaudeville. Master of Arts (Thesis), Ohio State University 1990 (148 S.). |
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