Blake, Charlie. "Pirate multiplicities: Aion, chronos and magical inscription in the graphic novels of Alan Moore." Studies in Comics 2. (2011): 121–34. |
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Bultena, John. "Aperture for a Storyteller: An Interview with JH Williams III." Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works. Ed. Tara Prescott. Jefferson: McFarland, 2015. 195–215. |
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Carney, Sean. "The Tides of History: Alan Moore’s Historiographic Vision." ImageTexT 2. 2 2006. Accessed 5Oct. 2009. <http://www.english.ufl. ... t/archives/v2_2/carney/>. |
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Di Liddo, Annalisa. Alan Moore: Comics as Performance, Fiction as Scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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Green, Matthew J. A. "‘She Brings Apocalypse’: Sex, Imagination and Redemptive Transgression in William Blake and the Graphic Novels of Alan Moore." Literature Compass 8. 10 2011. Accessed 14Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2011.00839.x>. |
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Hanegraaff, Wouter J. "Alan Moore’s Promethea: Countercultural Gnosis and the End of the World." Gnosis 1. (2016): 234–58. |
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Howell, Tracee L. "The Monstrous Alchemy of Alan Moore: Promethea as Literacy Narrative." Studies in the Novel 47. (2015): 381–98. |
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Hume, Kathryn. "Psychology made visual: the sandman overture by Neil Gaiman, J.H. Williams III and Dave Stewart." Journal of Visual Literacy 37. (2018): 103–18. |
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Kidder, Orion Ussner. "Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis." PhD Thesis. University of Alberta, 2010. |
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Kidder, Orion Ussner. "Self-Conscious Sexuality in Promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 177–88. |
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Kraemer, Christine Hoff. "The Undying Fire: Erotic Love as Divine Grace in Promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 150–62. |
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Kraemer, Christine Hoff and J. Lawton Winslade. "“The Magic Circus of the Mind”: Alan Moore’s Promethea and the Transformation of Consciousness through Comics." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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Lewis, A. David. American Comics, Literary Theory, and Religion: The Superhero Afterlife. New York [etc.]: Palgrave Macmillan, 2014. |
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Lioi, Anthony. "The Radiant City: New York as Ecotopia in Promethea, Book V." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 150–62. |
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Marchetto Santorun, María Cecilia. "‘Terrible monsters Sin-bred’: Blakean monstrosity in Alan Moore’s graphic novels." Palgrave Communications 6. 91 2020. Accessed 17Jan. 2021. <https://www.nature.com/articles/s41599-020-0451-2>. |
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Means-Shannon, Hannah. "Seeing double: The transforming personalities of Alan Moore’s Promethea and the Ulster Cycle’s Cuchulain." Journal of Graphic Novels and Comics 1. (2010): 93–104. |
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Petrovic, Paul. "Queer resistance, gender performance, and ‘coming out’ of the panel borders in Greg Rucka and J.H. Williams III’s Batwoman: Elegy." Journal of Graphic Novels and Comics 2. (2011): 67–76. |
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Petrovic, Paul. "“It Came Out of Nothing Except Our Love”: Queer Desire and Transcendental Love in Promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 163–76. |
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Prescott, Tara. "Warming Up the Strings." Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works. Ed. Tara Prescott. Jefferson: McFarland, 2015. 216–31. |
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Ricker, Aaron. "Sex Magic, Kabbalah, and Feminist Imagination in Alan Moore’s Promethea." ImageTexT 9. 1 2017. Accessed 11Aug. 2018. <http://www.english.ufl. ... t/archives/v9_1/ricker/>. |
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Singer, Marc. "Dark Genesis: Falls from language and returns to Eden from ‘Pog’ to Promethea." Studies in Comics 2. (2011): 93–104. |
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Zullo, Valentino L. "J.H. Williams III’s Batwoman and the depth of the surface: Visualizing a new definition of identity as embedded in the skin." Journal of Graphic Novels and Comics 5. (2014): 137–53. |
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