| Adams, Jeff: Documentary Graphic Novels and Social Realism. (Cultural Interactions, 7.) Oxford [etc.]: Peter Lang, 2008. (214 S.) |
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| ---: "The pedagogy of the image text. Nakazawa, Sebald and Spiegelman recount social traumas." In: Discourse 29 (2008), S. 35–49. |
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| Amihay, Ofra: "Passing under separation. Comics representations of the Holocaust and the Berlin Wall." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 278–296. |
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| Anderson, John C. und Bradly Katz: "Read Only Memory. Maus and Its Marginalia on CD-Rom." In: Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Hrsg. v. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003, S. 159–174. |
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| Last edited by: joachim 2009-07-29 14:06 |
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| De Angelis, Richard: "Of Mice and Vermin. Animals as Absent Referent in Art Spiegelman’s Maus." In: International Journal of Comic Art 7.1 (2005), S. 230–249. |
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| Baccolini, Raffaella und Federico Zanettin: "The Language of Trauma. Art Spiegelman’s Maus and its Translations." In: Comics in Translation. Hrsg. v. Federico Zanettin. Manchester: St. Jerome, 2008, S. 99–132. |
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| Bachmann, Michael: Der abwesende Zeuge. Autorisierungsstrategien in Darstellungen der Shoah. (Mainzer Forschungen zu Drama und Theater, 42.) Tübingen: Francke, 2010. (301 S.) |
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| Bachmann, Christian A. "Von Masken und Mäusen. Zu Masken in Superhelden- und autobiographischen Comics." In: Masken. Hrsg. v. Kurt Röttgers und Monika Schmitz-Emans. Essen: Blaue Eule, 2009, S. 210–232. |
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| Added by: joachim 2012-07-18 13:04 |
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| Banner, Gillian: Holocaust Literature. Schulz, Levi, Spiegelman and the Memory of the Offence. (Parkes-Wiener series on Jewish studies.) London: Vallentine Mitchell, 2000. (206 S.) |
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| Barr, Terry: "Teaching Maus to a Holocaust Class." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 76–83. |
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| Basile, Emanuele: "Maus. Questioni di narrabilità storica." In: Fictions 9 (2010), S. 81–98. |
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| Beaty, Bart: Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. (274 S.) |
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| Becker, Thomas: "Vom Bubblegum zum Holocaust. Art Spiegelmans MAUS." In: Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Hrsg. v. Markus Joch et al. Tübingen: Niemeyer, 2009, S. 309–330. |
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| Berger, Alan L. Children of Job. American Second-Generation Witnesses to the Holocaust. Albany: SUNY Pr. 1997. (241 S.) |
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| Berlatsky, Eric: "The Limits of Postmodern Memory. Kundera’s The Book of Laughter and Forgetting and Spiegelman’s Maus." (2009). |
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| ---: "Memory as Forgetting. The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." In: Cultural Critique 55 (2003), S. 101–151. |
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| ---: The Real, The True, and the Told. Postmodern Historical Narrative and the Ethics of Representation. (Theory and Interpretation of Narrative.) Columbus: Ohio State University Libraries, 2011. (250 S.) |
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| Bock, Marek: Die Darstellung des Holocaust im Comic: Maus, Die Suche, Auschwitz, Yossel. BA (Bachelorarbeit), RWTH Aachen 2009 (44 S.). |
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| Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013). |
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| Boler, Megan: "The Risks of Empathy. Interrogating Multiculturalism’s Gaze." In: Cultural Studies 11 (1997), S. 253–273. |
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| Bosmaijan, Hamida: "The Orphaned Voice in Art Spiegelman’s Maus." In: Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Hrsg. v. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003, S. 26–43. |
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| Last edited by: joachim 2011-10-02 12:30 |
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| ---: "The Orphaned Voice in Art Spiegelman’s Maus I & II." In: Literature and Psychology 44.1–2 (1998), S. 1–22. |
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| Last edited by: joachim 2013-01-12 11:14 |
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| Bredehoft, Thomas A. The Visible Text. Textual Production and Reproduction from Beowulf to Maus. (Oxford Textual Perspectives.) New York: Oxford Univ. Press, 2014. (182 S.) |
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| Brown, Joshua: "Of Mice and Memory." In: Oral History Review 16.1 (1988), S. 91–109. |
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| Budick, Emily Miller: "Forced Confessions. The Case of Art Spiegelman’s Maus." In: Prooftexts 21.3 (2001), S. 379–398. |
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| Cavalieri, Joey, Gary Groth und Kim Thompson: "Art Spiegelman and Françoise Mouly." In: The New Comics. Interviews from the pages of The Comics Journal. Hrsg. v. Gary Groth und Robert Fiore. New York: Berkley, 1988, S. 185–203. |
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| Charlson, Joshua L. "Framing the Past. Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." In: Arizona Quarterly 57.3 (2001), S. 91–120. |
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| Chivington, Lauren Elyse: "The Girl, the Man, and the Maus. Holocaust Narratives in Controversial Media." In: International Journal of Comic Art 20.1 (2018), S. 615–648. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners. Teaching Maus." In: Journal of Adolescent & Adult Literacy 53.2 (2009), S. 144–153. |
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| Chute, Hillary: "Comics as Archives. MetaMetaMaus." In: emisférica 9.1–2 (2012). |
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| ---: Disaster Drawn. Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. (359 S.) |
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| Last edited by: joachim 2016-02-19 18:28 |
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| ---: "Literal Forms. Narrative Structures in Maus." In: Indy Magazine Winter (2005). |
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| ---: "“The Shadow of a Past Time”. History and Graphic Representation in Maus." In: Twentieth Century Literature 52 (2006), S. 199–230. |
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| Last edited by: joachim 2013-01-20 20:26 |
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| Cogan, Brian: "Art Spiegelman’s Maus: A Survivor’s Tale." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 69–81. |
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| Last edited by: joachim 2017-02-24 10:41 |
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| Copley, Jessica: "Modes of Representing the Holocaust. A Discussion of the Use of Animation in Art Spiegelman’s Maus and Oryl Yadin and Sylvie Bringas’s Silence." In: Opticon1826 9 (2010). |
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| Couser, G. Thomas: Memoir. An Introduction. New York: Oxford Univ. Press, 2012. (206 S.) |
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| Crisóstomo Gálvez, Raquel: Maus d’Art Spiegelman. Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual.(Tesi Doctoral), Universitat Pompeu Fabra, Departament d’Humanitats 2011 (350 S.). |
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| Dauber, Jeremy: "Modern Marvels. Jewish Adventures in the Graphic Novel." In: Let's Talk About It! (2004), S. 1–10. |
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| Dawidowski, Christian: "Die literarische Darstellung des Holocaust. Ein semiologisches Modell zum Beschreiben und Erfassen von Typologien." In: Zeitschrift für deutsche Philologie 4 (2009), S. 591–613. |
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| Delannoy, Pierre Alban: "L’instabilité stylistique d’Art Spiegelman." In: MEI 26 (2007), S. 207–219. |
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| ---: MAUS d’Art Spiegelman. Bande dessinée et shoah. (Champs visuels.) Paris: L’Harmattan, 2002. (189 S.) |
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| Doherty, Thomas: "Art Spiegelman’s Maus. Graphic Art and the Holocaust." In: American Literature 68 (1996), S. 69–84. |
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| Dohm, Annekatrin: Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. (Oldenburger Vor-Drucke, 392.) Oldenburg: ZpB, 1999. (87 S.) |
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| Drucker, Johanna: "What is Graphic about Graphic Novels?" In: English Language Notes 46.2 (2008), S. 39–55. |
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| Dunker, Axel: "»Time Flies«. Mediale Selbstreflexität in Art Spiegelmans Holocaust-Comic Maus." In: Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Hrsg. v. Matías Martínez. (Schrift und Bild in Bewegung, 9.) Bielefeld: Aisthesis, 2004, S. 79–98. |
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| Eaglestone, Robert: "Madness or Modernity? The Holocaust in Two Anglo-American Comics." In: Rethinking History 6 (2002), S. 319–330. |
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| Eakin, Paul John: How Our Lives Become Stories. Making Selves. Ithaca: Cornell Univ. Press, 1999. (207 S.) |
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| ---: "Reading Comics. Art Spiegelman on CD-ROM." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 13–16. |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. (234 S.) |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After”. The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." In: Biography 27.4 (2004), S. 691–720. |
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| Etter, Lukas: Distinctive Styles and Authorship in Alternative Comics. (Anglia, 70.) Berlin u. Boston: de Gruyter, 2020. (220 S.) |
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| Ewert, Jeanne C. "Art Spiegelman’s Maus and the Graphic Narrative." In: Narrative Across Media. The Languages of Storytelling. Hrsg. v. Marie-Laure Ryan. Lincoln: Univ. of Nebraska Press, 2004, S. 178–194. |
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| ---: "Reading Visual Narrative. Art Spiegelman's Maus." In: Narrative 8 (2000), S. 87–103. |
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| Findlay, Laura: "In the Shadow of No Towers. The anxiety of expression and images of past trauma in Art Spiegelman’s graphic novel." In: Studies in Comics 5.1 (2014), S. 187–203. |
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| Frahm, Ole: "Art Spiegelman, der inhaftierte Künstler. Ein Versuch über die Grenzen souveräner Performanz." In: Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Hrsg. v. Maike Christadler und Hilla Frübis. Marburg: Jonas Verl. 1997, S. 28–36. |
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| ---: Figurale Darstellung im Comic, untersucht am Beispiel von Art Spiegelmans ›Maus‹. M.A. (Magisterarbeit), Universität Hamburg 1997 (154 S.). |
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| ---: Genealogie des Holocaust. Art Spiegelmans MAUS – A Survivor’s Tale. München: Fink, 2006. (301 S.) |
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| Frahm, Ole und Michael Hein: "Hilflose Täter. Was Auschwitz in einigen Comic-Geschichten verloren hat." In: Comic Almanach (1993), S. 90–105. |
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| Frahm, Ole: "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." In: Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Hrsg. v. Dorothee Römhild. Opladen: Westdeutscher Verl. 1999, S. 222–244. |
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| Last edited by: joachim 2009-08-19 10:20 |
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| ---: Lebendige Masken. Die Darstellung rassifizierter Identitäten in Art Spiegelmans Comic MAUS.(Magisterarbeit), Universität Hamburg 1997 (154 S.). |
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| Frahm, Ole und Michael Hein: "MAUS." In: Lexikon der Comics. Hrsg. v. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Added by: joachim 2014-05-10 07:38 |
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| Frahm, Ole: "“These papers had too many memories. So I burned them”. Genealogical Remembrance in Art Spiegelman's Maus. A Survivors Tale." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 61–78. |
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| Last edited by: joachim 2010-02-16 01:22 |
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| ---: "Das weiße M. Zur Genealogie von MAUS(CHWITZ)." In: Überlebt und unterwegs. Jüdische Displaced Persons im Nachkriegsdeutschland. (Jahrbuch zur Geschichte und Wirkung des Holocaust, 2.) Frankfurt am Main: Campus, 1997, S. 303–340. |
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| Friedman, Elisabeth R. "Spiegelman’s magic box. MetaMaus and the archive of representation." In: Studies in Comics 3.2 (2012), S. 275–291. |
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| Geis, Deborah R. (Hrsg.): Considering Maus. Approaches to Art Spiegelman's »Survivor's tale« of the Holocaust. Tuscaloosa: Univ. of Alabama Press, 2003. |
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| Germanà, Monica: "The Coming of Age of Graphic Narratives." In: The Bloomsbury Introduction to Popular Fiction. Hrsg. v. Christine Berberich. New York: Bloomsbury, 2015, S. 163–180. |
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| Gidion, Jürgen: "»Du sollst dir kein Bildnis machen …«. Zur Darstellung des Holocaust mit künstlerischen Mitteln." In: Die Gegenwart des Holocaust. »Erinnerung« als religionspädagogische Herausforderung. Hrsg. v. Michael Wermke. (Grundlegungen, 1.) Berlin [etc.]: LIT, 1997, S. 109–134. |
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| Glass, Susannah Ketchum: "Witnessing the Witness. Narrative slippage in Art Spiegelman’s Maus." In: Life Writing 3.2 (2006), S. 3–24. |
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| Gonshak, Henry: "Beyond Maus. Other Holocaust Graphic Novels." In: Shofar 28.1 (2009), S. 55–79. |
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| Gordon, Ian: "Making Comics Respectable. How Maus Helped Redefine a Medium." In: The Rise of the American Comics Artist. Creators and Contexts. Hrsg. v. Paul Williams und James Lyons. Jackson: Univ. Press of Mississippi, 2010, S. 179–193. |
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| Gordon, Joan: "Surviving the Survivor. Art Spiegelman’s Maus." In: Journal of the Fantastic in the Arts 5.2 (1993), S. 81–89. |
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| Grabau, Christian: "Helden ohne glänzende Rüstung. Neuere Spielformen von Comics im Deutschunterricht am Beispiel von Art Spiegelmans Maus." In: Comics und Animationsfilme. Hrsg. v. Klaus Maiwald und Petra Josting. (Jahrbuch Medien im Deutschunterricht, 2009.) München: kopaed, 2010, S. 66–79. |
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| Greenbaum, Andrea: The Tropes of War. Visual Hyperbole and Spectacular Culture. New York [etc.]: Palgrave Macmillan, 2015. (72 S.) |
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| de Groot, Jerome: Consuming History. Historians and Heritage in Contemporary Popular Culture. London, New York: Routledge, 2008. (292 S.) |
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| Hatfield, Charles: Alternative Comics. An Emerging Literature. Jackson: Univ. Press of Mississippi, 2005. (182 S.) |
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| Hathaway, Rosemary V. "Reading Art Spiegelman’s Maus as Postmodern Ethnography." In: Journal of Folklore Research 48.3 (2011), S. 249–267. |
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| Heller, Dana A. "Memory's Architecture. American Studies and the Graphic Novels of Art Spiegelman." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 155–162. |
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| Herr, Peter: "Gespenster im Comic und in der Holocaust(re)präsentation." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 153–164. |
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| Hirsch, Marianne: "Family Pictures. Maus, Mourning and Post-Memory." In: Discourse 15.2 (1992), S. 3–29. |
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| Added by: Deleted user 2009-12-10 14:41 |
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| ---: "Mourning and Postmemory." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 17–44. |
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| Horstkotte, Silke und Nancy Pedri: "Focalization in Graphic Narrative." In: Narrative 19 (2011), S. 330–357. |
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| Hungerford, Amy: The Holocaust of Texts. Genocide, Literature, and Personification. Chicago: Univ. of Chicago Press, 2003. (232 S.) |
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| Hutcheon, Linda: "Literature Meets History. Counter-Discoursive “Comix”." In: Anglia 117 (1999), S. 4–14. |
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| Hutton, Robert: "A Mouse in the Bookstore. Maus and the Publishing Industry." In: South Central Review 32.3 (2015), S. 30–44. |
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| Huyssen, Andreas: "Von Mauschwitz in die Catskills und zurück. Art Spiegelmans Holocaust-Comic »Maus«." In: Bilder des Holocaust. Literatur – Film – Bildende Kunst. Hrsg. v. Manuel Köppen und Klaus R. Scherpe. (Literatur – Kultur – Geschlecht, 10.) Köln, Weimar, Wien: Böhlau, 1997, S. 171–189. |
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| Last edited by: joachim 2011-07-02 16:42 |
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| Iadonisi, Rick: "Bleeding History and Owning His [Father's] Story. Maus and Collaborative Autobiography." In: The College English Association Critic 57.1 (1994), S. 41–56. |
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| Jones, Matthew T. "Construction of Social Memory through Strategies of Reflexivity. A Case Study in Three Texts by Art Spiegelman." In: International Journal of Comic Art 9.2 (2007), S. 373–395. |
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| Kannenberg, Jr., Gene: Form, Function, Fiction. Text and Image in the Comics Narratives of Winsor McCay, Art Spiegelman, and Chris Ware. Dr. (Dissertation), University of Connecticut 2002 (225 S.). |
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| ---: "“I looked just like Rudolph Valentino”. Identity and Representation in Maus." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 79–89. |
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| Kaplan, Arie: From Krakow to Krypton. Jews and Comic Books. Philadelphia: The Jewish Publication Society, 2008. (225 S.) |
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| Kaplan, Alice Yaeger: "Theweleit and Spiegelman: Of Men and Mice." In: Remaking History. Hrsg. v. Barbara Kruger und Phil Mariani. (Discussions in Contemporary Culture, 4.) New York: New Press, 1989, S. 151–172. |
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| Kaufmann, Daniela: "Art Spiegelmans Maus. Vom Suchen und Finden (k)einer Metapher." In: Notwendige Unzulänglichkeit. Künstlerische und mediale Repräsentationen des Holocaust. Hrsg. v. Nina Heindl und Véronique Sina. Berlin [etc.]: LIT, 2017, S. 127–142. |
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| Klappert, Annina: "Ernster Comic, komische Wissenschaft. Art Spiegelmans Maus." In: Soziale Räume und kulturelle Praktiken. Über den strategischen Gebrauch von Medien. Hrsg. v. Georg Mein und Markus Rieger-Ladich. Bielefeld: Transcript, 2004, S. 203–234. |
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| Klimek, Julia: "Art Spiegelman's Maus. Drawing out the Implications of Witnessing in a Father/Son Relationship." In: Mit den Augen eines Kindes. Children in the holocaust. Children in exile. Children under fascism. Hrsg. v. Viktoria Hertling. Amsterdam [etc.]: Rodopi, 1998, S. 192–206. |
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| Knörer, Ekkehard: "Geschichte Schreiben. Anmerkungen zu Enki Bilals/Pierre Christins ›Treibjagd‹ und Art Spiegelmans ›Maus‹." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 110–127. |
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| Kolář, Stanislav: "Animal Imagery in Kosinski’s The Painted Bird and Spiegelman’s Maus." In: Theory and Practice in English Studies 2 (2004). |
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| ---: "Intergenerational Transmission of Trauma in Spiegelman’s Maus." In: Brno Studies in English 39.1 (2013). |
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| ---: Seven Responses to the Holocaust in American Fiction. (Edice Universum.) Ostrava: Ostravská univerzita, Nakladatelství Tilia, 2004. (199 S.) |
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| Kolb, Johannes: Der Holocaust im Comic? Art Spiegelmans »Maus« im Geschichtsunterricht. Hamburg: Diplomica, 2013. (84 S.) |
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| Added by: joachim 2013-07-22 23:55 |
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| Korenman, Alicia R. Princesses, Mothers, Heroes, and Superheroes. Images of Jewish Women in Comic Books and Graphic Novels. M.S. (Master's paper), University of North Carolina, School of Information and Library Science 2006 (45 S.). |
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| Last edited by: joachim 2020-03-03 00:31 |
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