| Adams, Jeff: Documentary Graphic Novels and Social Realism. (Cultural Interactions, 7.) Oxford [etc.]: Peter Lang, 2008. (214 S.) |
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| ---: "The pedagogy of the image text. Nakazawa, Sebald and Spiegelman recount social traumas." In: Discourse 29 (2008), S. 35–49. |
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| Amihay, Ofra: "Passing under separation. Comics representations of the Holocaust and the Berlin Wall." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 278–296. |
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| Anderson, John C. und Bradly Katz: "Read Only Memory. Maus and Its Marginalia on CD-Rom." In: Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Hrsg. v. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003, S. 159–174. |
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| De Angelis, Richard: "Of Mice and Vermin. Animals as Absent Referent in Art Spiegelman’s Maus." In: International Journal of Comic Art 7.1 (2005), S. 230–249. |
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| Baccolini, Raffaella und Federico Zanettin: "The Language of Trauma. Art Spiegelman’s Maus and its Translations." In: Comics in Translation. Hrsg. v. Federico Zanettin. Manchester: St. Jerome, 2008, S. 99–132. |
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| Bachmann, Michael: Der abwesende Zeuge. Autorisierungsstrategien in Darstellungen der Shoah. (Mainzer Forschungen zu Drama und Theater, 42.) Tübingen: Francke, 2010. (301 S.) |
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| Bachmann, Christian A. "Von Masken und Mäusen. Zu Masken in Superhelden- und autobiographischen Comics." In: Masken. Hrsg. v. Kurt Röttgers und Monika Schmitz-Emans. Essen: Blaue Eule, 2009, S. 210–232. |
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| Added by: joachim 2012-07-18 13:04 |
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| Banner, Gillian: Holocaust Literature. Schulz, Levi, Spiegelman and the Memory of the Offence. (Parkes-Wiener series on Jewish studies.) London: Vallentine Mitchell, 2000. (206 S.) |
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| Baroni, Raphaël: "Of Mice as Men. A Transmedial Perspective on Fictionality." In: Narrative 29.1 (2021), S. 91–113. |
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| Barr, Terry: "Teaching Maus to a Holocaust Class." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 76–83. |
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| Basile, Emanuele: "Maus. Questioni di narrabilità storica." In: Fictions 9 (2010), S. 81–98. |
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| Beaty, Bart: Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. (274 S.) |
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| Becker, Thomas: "Vom Bubblegum zum Holocaust. Art Spiegelmans MAUS." In: Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Hrsg. v. Markus Joch et al. Tübingen: Niemeyer, 2009, S. 309–330. |
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| Berger, Alan L. Children of Job. American Second-Generation Witnesses to the Holocaust. Albany: SUNY Pr. 1997. (241 S.) |
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| Berlatsky, Eric: "The Limits of Postmodern Memory. Kundera’s The Book of Laughter and Forgetting and Spiegelman’s Maus." (2009). |
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| ---: "Memory as Forgetting. The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." In: Cultural Critique 55 (2003), S. 101–151. |
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| ---: The Real, The True, and the Told. Postmodern Historical Narrative and the Ethics of Representation. (Theory and Interpretation of Narrative.) Columbus: Ohio State University Libraries, 2011. (250 S.) |
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| Bock, Marek: Die Darstellung des Holocaust im Comic: Maus, Die Suche, Auschwitz, Yossel. BA (Bachelorarbeit), RWTH Aachen 2009 (44 S.). |
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| Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013). |
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| Boler, Megan: "The Risks of Empathy. Interrogating Multiculturalism’s Gaze." In: Cultural Studies 11 (1997), S. 253–273. |
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| Bosmaijan, Hamida: "The Orphaned Voice in Art Spiegelman’s Maus." In: Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Hrsg. v. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003, S. 26–43. |
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| Last edited by: joachim 2011-10-02 12:30 |
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| ---: "The Orphaned Voice in Art Spiegelman’s Maus I & II." In: Literature and Psychology 44.1–2 (1998), S. 1–22. |
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| Bredehoft, Thomas A. The Visible Text. Textual Production and Reproduction from Beowulf to Maus. (Oxford Textual Perspectives.) New York: Oxford Univ. Press, 2014. (182 S.) |
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| Brown, Joshua: "Of Mice and Memory." In: Oral History Review 16.1 (1988), S. 91–109. |
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| Budick, Emily Miller: "Forced Confessions. The Case of Art Spiegelman’s Maus." In: Prooftexts 21.3 (2001), S. 379–398. |
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| Cavalieri, Joey, Gary Groth und Kim Thompson: "Art Spiegelman and Françoise Mouly." In: The New Comics. Interviews from the pages of The Comics Journal. Hrsg. v. Gary Groth und Robert Fiore. New York: Berkley, 1988, S. 185–203. |
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| Charlson, Joshua L. "Framing the Past. Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." In: Arizona Quarterly 57.3 (2001), S. 91–120. |
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| Chivington, Lauren Elyse: "The Girl, the Man, and the Maus. Holocaust Narratives in Controversial Media." In: International Journal of Comic Art 20.1 (2018), S. 615–648. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners. Teaching Maus." In: Journal of Adolescent & Adult Literacy 53.2 (2009), S. 144–153. |
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| Chute, Hillary: "Comics as Archives. MetaMetaMaus." In: emisférica 9.1–2 (2012). |
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| ---: Disaster Drawn. Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. (359 S.) |
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| Last edited by: joachim 2016-02-19 18:28 |
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| ---: "Literal Forms. Narrative Structures in Maus." In: Indy Magazine Winter (2005). |
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| ---: "“The Shadow of a Past Time”. History and Graphic Representation in Maus." In: Twentieth Century Literature 52 (2006), S. 199–230. |
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| Last edited by: joachim 2013-01-20 20:26 |
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| Cogan, Brian: "Art Spiegelman’s Maus: A Survivor’s Tale." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 69–81. |
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| Copley, Jessica: "Modes of Representing the Holocaust. A Discussion of the Use of Animation in Art Spiegelman’s Maus and Oryl Yadin and Sylvie Bringas’s Silence." In: Opticon1826 9 (2010). |
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| Couser, G. Thomas: Memoir. An Introduction. New York: Oxford Univ. Press, 2012. (206 S.) |
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| Crisóstomo Gálvez, Raquel: Maus d’Art Spiegelman. Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual.(Tesi Doctoral), Universitat Pompeu Fabra, Departament d’Humanitats 2011 (350 S.). |
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| Dauber, Jeremy: "Modern Marvels. Jewish Adventures in the Graphic Novel." In: Let's Talk About It! (2004), S. 1–10. |
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| Dawidowski, Christian: "Die literarische Darstellung des Holocaust. Ein semiologisches Modell zum Beschreiben und Erfassen von Typologien." In: Zeitschrift für deutsche Philologie 4 (2009), S. 591–613. |
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| Delannoy, Pierre Alban: "L’instabilité stylistique d’Art Spiegelman." In: MEI 26 (2007), S. 207–219. |
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| ---: MAUS d’Art Spiegelman. Bande dessinée et shoah. (Champs visuels.) Paris: L’Harmattan, 2002. (189 S.) |
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| Doherty, Thomas: "Art Spiegelman’s Maus. Graphic Art and the Holocaust." In: American Literature 68 (1996), S. 69–84. |
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| Dohm, Annekatrin: Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. (Oldenburger Vor-Drucke, 392.) Oldenburg: ZpB, 1999. (87 S.) |
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| Drucker, Johanna: "What is Graphic about Graphic Novels?" In: English Language Notes 46.2 (2008), S. 39–55. |
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| Dunker, Axel: "»Time Flies«. Mediale Selbstreflexität in Art Spiegelmans Holocaust-Comic Maus." In: Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Hrsg. v. Matías Martínez. (Schrift und Bild in Bewegung, 9.) Bielefeld: Aisthesis, 2004, S. 79–98. |
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| Eaglestone, Robert: "Madness or Modernity? The Holocaust in Two Anglo-American Comics." In: Rethinking History 6 (2002), S. 319–330. |
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| Eakin, Paul John: How Our Lives Become Stories. Making Selves. Ithaca: Cornell Univ. Press, 1999. (207 S.) |
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| ---: "Reading Comics. Art Spiegelman on CD-ROM." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 13–16. |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. (234 S.) |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After”. The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." In: Biography 27.4 (2004), S. 691–720. |
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| Etter, Lukas: Distinctive Styles and Authorship in Alternative Comics. (Anglia, 70.) Berlin u. Boston: de Gruyter, 2020. (220 S.) |
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| Ewert, Jeanne C. "Art Spiegelman’s Maus and the Graphic Narrative." In: Narrative Across Media. The Languages of Storytelling. Hrsg. v. Marie-Laure Ryan. Lincoln: Univ. of Nebraska Press, 2004, S. 178–194. |
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| ---: "Reading Visual Narrative. Art Spiegelman's Maus." In: Narrative 8 (2000), S. 87–103. |
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| Findlay, Laura: "In the Shadow of No Towers. The anxiety of expression and images of past trauma in Art Spiegelman’s graphic novel." In: Studies in Comics 5.1 (2014), S. 187–203. |
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| Frahm, Ole: "Art Spiegelman, der inhaftierte Künstler. Ein Versuch über die Grenzen souveräner Performanz." In: Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Hrsg. v. Maike Christadler und Hilla Frübis. Marburg: Jonas Verl. 1997, S. 28–36. |
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| ---: Figurale Darstellung im Comic, untersucht am Beispiel von Art Spiegelmans ›Maus‹. M.A. (Magisterarbeit), Universität Hamburg 1997 (154 S.). |
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| ---: Genealogie des Holocaust. Art Spiegelmans MAUS – A Survivor’s Tale. München: Fink, 2006. (301 S.) |
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| Frahm, Ole und Michael Hein: "Hilflose Täter. Was Auschwitz in einigen Comic-Geschichten verloren hat." In: Comic Almanach (1993), S. 90–105. |
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| Frahm, Ole: "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." In: Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Hrsg. v. Dorothee Römhild. Opladen: Westdeutscher Verl. 1999, S. 222–244. |
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| Last edited by: joachim 2009-08-19 10:20 |
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| ---: Lebendige Masken. Die Darstellung rassifizierter Identitäten in Art Spiegelmans Comic MAUS.(Magisterarbeit), Universität Hamburg 1997 (154 S.). |
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| Frahm, Ole und Michael Hein: "MAUS." In: Lexikon der Comics. Hrsg. v. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Frahm, Ole: "“These papers had too many memories. So I burned them”. Genealogical Remembrance in Art Spiegelman's Maus. A Survivors Tale." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 61–78. |
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| Last edited by: joachim 2010-02-16 01:22 |
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| ---: "Das weiße M. Zur Genealogie von MAUS(CHWITZ)." In: Überlebt und unterwegs. Jüdische Displaced Persons im Nachkriegsdeutschland. (Jahrbuch zur Geschichte und Wirkung des Holocaust, 2.) Frankfurt am Main: Campus, 1997, S. 303–340. |
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| Freitag, Kornelia: "Die Verarbeitung des Holocaust im Comic. Die Bilderwelt des Art Spiegelman " In: Jüdische Literatur und Kultur in Großbritannien und den USA nach 1945. Hrsg. v. Beate Neumeier. (Jüdische Kultur, 3.) München: Harassowitz, 1998, S. 171–188. |
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| Friedman, Elisabeth R. "Spiegelman’s magic box. MetaMaus and the archive of representation." In: Studies in Comics 3.2 (2012), S. 275–291. |
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| Geis, Deborah R. (Hrsg.): Considering Maus. Approaches to Art Spiegelman's »Survivor's tale« of the Holocaust. Tuscaloosa: Univ. of Alabama Press, 2003. |
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| Germanà, Monica: "The Coming of Age of Graphic Narratives." In: The Bloomsbury Introduction to Popular Fiction. Hrsg. v. Christine Berberich. New York: Bloomsbury, 2015, S. 163–180. |
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| Gidion, Jürgen: "»Du sollst dir kein Bildnis machen …«. Zur Darstellung des Holocaust mit künstlerischen Mitteln." In: Die Gegenwart des Holocaust. »Erinnerung« als religionspädagogische Herausforderung. Hrsg. v. Michael Wermke. (Grundlegungen, 1.) Berlin [etc.]: LIT, 1997, S. 109–134. |
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| Glass, Susannah Ketchum: "Witnessing the Witness. Narrative slippage in Art Spiegelman’s Maus." In: Life Writing 3.2 (2006), S. 3–24. |
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| Gonshak, Henry: "Beyond Maus. Other Holocaust Graphic Novels." In: Shofar 28.1 (2009), S. 55–79. |
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| Gordon, Ian: "Making Comics Respectable. How Maus Helped Redefine a Medium." In: The Rise of the American Comics Artist. Creators and Contexts. Hrsg. v. Paul Williams und James Lyons. Jackson: Univ. Press of Mississippi, 2010, S. 179–193. |
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| Gordon, Joan: "Surviving the Survivor. Art Spiegelman’s Maus." In: Journal of the Fantastic in the Arts 5.2 (1993), S. 81–89. |
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| Grabau, Christian: "Helden ohne glänzende Rüstung. Neuere Spielformen von Comics im Deutschunterricht am Beispiel von Art Spiegelmans Maus." In: Comics und Animationsfilme. Hrsg. v. Klaus Maiwald und Petra Josting. (Jahrbuch Medien im Deutschunterricht, 2009.) München: kopaed, 2010, S. 66–79. |
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| Greenbaum, Andrea: The Tropes of War. Visual Hyperbole and Spectacular Culture. New York [etc.]: Palgrave Macmillan, 2015. (72 S.) |
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| de Groot, Jerome: Consuming History. Historians and Heritage in Contemporary Popular Culture. London, New York: Routledge, 2008. (292 S.) |
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| Hatfield, Charles: Alternative Comics. An Emerging Literature. Jackson: Univ. Press of Mississippi, 2005. (182 S.) |
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| Hathaway, Rosemary V. "Reading Art Spiegelman’s Maus as Postmodern Ethnography." In: Journal of Folklore Research 48.3 (2011), S. 249–267. |
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| Heller, Dana A. "Memory's Architecture. American Studies and the Graphic Novels of Art Spiegelman." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 155–162. |
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| Herr, Peter: "Gespenster im Comic und in der Holocaust(re)präsentation." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 153–164. |
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| Hirsch, Marianne: "Family Pictures. Maus, Mourning and Post-Memory." In: Discourse 15.2 (1992), S. 3–29. |
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| Added by: Deleted user 2009-12-10 14:41 |
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| ---: "Mourning and Postmemory." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 17–44. |
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| Horstkotte, Silke und Nancy Pedri: "Focalization in Graphic Narrative." In: Narrative 19 (2011), S. 330–357. |
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| Hungerford, Amy: The Holocaust of Texts. Genocide, Literature, and Personification. Chicago: Univ. of Chicago Press, 2003. (232 S.) |
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| Hutcheon, Linda: "Literature Meets History. Counter-Discoursive “Comix”." In: Anglia 117 (1999), S. 4–14. |
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| Hutton, Robert: "A Mouse in the Bookstore. Maus and the Publishing Industry." In: South Central Review 32.3 (2015), S. 30–44. |
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| Huyssen, Andreas: "Von Mauschwitz in die Catskills und zurück. Art Spiegelmans Holocaust-Comic »Maus«." In: Bilder des Holocaust. Literatur – Film – Bildende Kunst. Hrsg. v. Manuel Köppen und Klaus R. Scherpe. (Literatur – Kultur – Geschlecht, 10.) Köln, Weimar, Wien: Böhlau, 1997, S. 171–189. |
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| Last edited by: joachim 2011-07-02 16:42 |
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| Iadonisi, Rick: "Bleeding History and Owning His [Father's] Story. Maus and Collaborative Autobiography." In: The College English Association Critic 57.1 (1994), S. 41–56. |
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| Jones, Matthew T. "Construction of Social Memory through Strategies of Reflexivity. A Case Study in Three Texts by Art Spiegelman." In: International Journal of Comic Art 9.2 (2007), S. 373–395. |
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| Kannenberg, Jr., Gene: Form, Function, Fiction. Text and Image in the Comics Narratives of Winsor McCay, Art Spiegelman, and Chris Ware. Dr. (Dissertation), University of Connecticut 2002 (225 S.). |
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| Added by: joachim 2010-11-08 18:53 |
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| ---: "“I looked just like Rudolph Valentino”. Identity and Representation in Maus." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 79–89. |
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| Kaplan, Arie: From Krakow to Krypton. Jews and Comic Books. Philadelphia: The Jewish Publication Society, 2008. (225 S.) |
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| Kaplan, Alice Yaeger: "Theweleit and Spiegelman: Of Men and Mice." In: Remaking History. Hrsg. v. Barbara Kruger und Phil Mariani. (Discussions in Contemporary Culture, 4.) New York: New Press, 1989, S. 151–172. |
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| Kaufmann, Daniela: "Art Spiegelmans Maus. Vom Suchen und Finden (k)einer Metapher." In: Notwendige Unzulänglichkeit. Künstlerische und mediale Repräsentationen des Holocaust. Hrsg. v. Nina Heindl und Véronique Sina. Berlin [etc.]: LIT, 2017, S. 127–142. |
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| Klappert, Annina: "Ernster Comic, komische Wissenschaft. Art Spiegelmans Maus." In: Soziale Räume und kulturelle Praktiken. Über den strategischen Gebrauch von Medien. Hrsg. v. Georg Mein und Markus Rieger-Ladich. Bielefeld: Transcript, 2004, S. 203–234. |
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| Klimek, Julia: "Art Spiegelman's Maus. Drawing out the Implications of Witnessing in a Father/Son Relationship." In: Mit den Augen eines Kindes. Children in the holocaust. Children in exile. Children under fascism. Hrsg. v. Viktoria Hertling. Amsterdam [etc.]: Rodopi, 1998, S. 192–206. |
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| Last edited by: joachim 2009-09-28 15:53 |
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| Knörer, Ekkehard: "Geschichte Schreiben. Anmerkungen zu Enki Bilals/Pierre Christins ›Treibjagd‹ und Art Spiegelmans ›Maus‹." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 110–127. |
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| Kolář, Stanislav: "Animal Imagery in Kosinski’s The Painted Bird and Spiegelman’s Maus." In: Theory and Practice in English Studies 2 (2004). |
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| Added by: joachim 2013-08-14 10:39 |
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| ---: "Intergenerational Transmission of Trauma in Spiegelman’s Maus." In: Brno Studies in English 39.1 (2013). |
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| Last edited by: joachim 2013-08-14 10:35 |
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| ---: Seven Responses to the Holocaust in American Fiction. (Edice Universum.) Ostrava: Ostravská univerzita, Nakladatelství Tilia, 2004. (199 S.) |
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| Added by: joachim 2010-12-03 11:16 |
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