| Adams, Jeff. Documentary Graphic Novels and Social Realism. Cultural Interactions. Oxford [etc.]: Peter Lang, 2008. |
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| Amihay, Ofra. "Passing under separation: Comics representations of the holocaust and the berlin wall." Journal of Graphic Novels and Comics 4.(2013): 278–96. |
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| Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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| Baccolini, Raffaella and Federico Zanettin. "The Language of Trauma: Art spiegelman’s maus and its translations." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. 99–132. |
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| Bachmann, Christian A. "Von Masken und Mäusen: Zu masken in superhelden- und autobiographischen comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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| Barr, Terry. "Teaching Maus to a Holocaust Class." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 76–83. |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9.(2010): 81–98. |
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| Becker, Thomas. "Vom Bubblegum zum Holocaust: Art spiegelmans maus." Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Eds. Markus Joch, et al.. Tübingen: Niemeyer, 2009. 309–30. |
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| Berlatsky, Eric. "The Limits of Postmodern Memory: Kundera’s the book of laughter and forgetting and spiegelman’s maus." 2009. Accessed 4 February. 2012. <http://www.vanderbilt.e ... center/pdfs/BERLAT1.PDF>. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Chute, Hillary, ed. Maus Now: Selected writing. New York: Pantheon, 2022. |
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| Dauber, Jeremy. "Modern Marvels: Jewish adventures in the graphic novel." Let's Talk About It! 2004. Accessed 26 April. 2009. |
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| De Angelis, Richard. "Of Mice and Vermin: Animals as absent referent in art spiegelman’s maus." International Journal of Comic Art 7.(2005): 230–49. |
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| de Groot, Jerome. Consuming History: Historians and heritage in contemporary popular culture. London, New York: Routledge, 2008. |
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| Delannoy, Pierre Alban. MAUS d’Art Spiegelman: Bande dessinée et shoah. Champs visuels. Paris: L’Harmattan, 2002. |
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| Delannoy, Pierre Alban. "L’instabilité stylistique d’Art Spiegelman." MEI (2007): 207–19. |
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| Doherty, Thomas. "Art Spiegelman’s Maus: Graphic art and the holocaust." American Literature 68.(1996): 69–84. |
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| Eaglestone, Robert. "Madness or Modernity? The holocaust in two anglo-american comics." Rethinking History 6.(2002): 319–30. |
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| Eakin, Paul John. How Our Lives Become Stories: Making selves. Ithaca: Cornell Univ. Press, 1999. |
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| Eakin, Paul John. "Reading Comics: Art spiegelman on cd-rom." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 13–16. |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After” The transformation of trauma between the generations in art spiegelman’s maus: a survivor's tale." Biography 27.(2004): 691–720. |
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| Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020. |
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| Ewert, Jeanne C. "Art Spiegelman’s Maus and the Graphic Narrative." Narrative Across Media. The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln: Univ. of Nebraska Press, 2004. 178–94. |
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| Findlay, Laura. "In the Shadow of No Towers: The anxiety of expression and images of past trauma in art spiegelman’s graphic novel." Studies in Comics 5.(2014): 187–203. |
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| Frahm, Ole. "Lebendige Masken: Die darstellung rassifizierter identitäten in art spiegelmans comic maus." Magisterarbeit Universität Hamburg, 1997. |
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| Frahm, Ole. "Das weiße M. Zur Genealogie von MAUS(CHWITZ)." Überlebt und unterwegs. Jüdische Displaced Persons im Nachkriegsdeutschland. Jahrbuch zur Geschichte und Wirkung des Holocaust. Frankfurt am Main: Campus, 1997. 303–40. |
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| Frahm, Ole. Genealogie des Holocaust: Art spiegelmans maus – a survivor’s tale. München: Fink, 2006. |
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| Frahm, Ole. "“These papers had too many memories. So I burned them” Genealogical remembrance in art spiegelman's maus. a survivors tale." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 61–78. |
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| Frahm, Ole. "Art Spiegelman, der inhaftierte Künstler Ein versuch über die grenzen souveräner performanz." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl, 1997. 28–36. |
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| Frahm, Ole and Michael Hein. "Hilflose Täter: Was auschwitz in einigen comic-geschichten verloren hat." Comic Almanach (1993): 90–105. |
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| Frahm, Ole and Michael Hein. "MAUS." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Frahm, Ole. "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Ed. Dorothee Römhild. Opladen: Westdeutscher Verl, 1999. 222–44. |
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| Gordon, Ian. "Making Comics Respectable: How maus helped redefine a medium." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 179–93. |
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| Grabau, Christian. "Helden ohne glänzende Rüstung: Neuere spielformen von comics im deutschunterricht am beispiel von art spiegelmans maus." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 66–79. |
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| Greenbaum, Andrea. The Tropes of War: Visual hyperbole and spectacular culture. New York [etc.]: Palgrave Macmillan, 2015. |
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| Hatfield, Charles. Alternative Comics. An Emerging Literature. Jackson: Univ. Press of Mississippi, 2005. |
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| Hathaway, Rosemary V. "Reading Art Spiegelman’s Maus as Postmodern Ethnography." Journal of Folklore Research 48.(2011): 249–67. |
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| Hirsch, Marianne. "Family Pictures: Maus, mourning and post-memory." Discourse 15.(1992): 3–29. |
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| Horstkotte, Silke and Nancy Pedri. "Focalization in Graphic Narrative." Narrative 19.(2011): 330–57. |
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| Hungerford, Amy. The Holocaust of Texts: Genocide, literature, and personification. Chicago: Univ. of Chicago Press, 2003. |
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| Hutcheon, Linda. "Literature Meets History: Counter-discoursive “comix”." Anglia 117.(1999): 4–14. |
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| Hutton, Robert. "A Mouse in the Bookstore: maus and the publishing industry." South Central Review 32.(2015): 30–44. |
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| Huyssen, Andreas. "Von Mauschwitz in die Catskills und zurück: Art spiegelmans holocaust-comic »maus«." Bilder des Holocaust. Literatur – Film – Bildende Kunst. Eds. Manuel Köppen and Klaus R. Scherpe. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 1997. 171–89. |
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| Iadonisi, Rick. "Bleeding History and Owning His [Father's] Story: maus and collaborative autobiography." The College English Association Critic 57.(1994): 41–56. |
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| Jones, Matthew T. "Construction of Social Memory through Strategies of Reflexivity: A case study in three texts by art spiegelman." International Journal of Comic Art 9.(2007): 373–95. |
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| Kannenberg, Jr., Gene. "Form, Function, Fiction Text and image in the comics narratives of winsor mccay, art spiegelman, and chris ware." Dissertation Dr. University of Connecticut, 2002. |
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| Kannenberg, Jr., Gene. "“I looked just like Rudolph Valentino”: Identity and representation in maus." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 79–89. |
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| Kaufmann, Daniela. "Art Spiegelmans Maus: Vom suchen und finden (k)einer metapher." Notwendige Unzulänglichkeit. Künstlerische und mediale Repräsentationen des Holocaust. Eds. Nina Heindl and Véronique Sina. Berlin [etc.]: LIT, 2017. 127–42. |
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| Klappert, Annina. "Ernster Comic, komische Wissenschaft Art spiegelmans maus." Soziale Räume und kulturelle Praktiken. Über den strategischen Gebrauch von Medien. Eds. Georg Mein and Markus Rieger-Ladich. Bielefeld: Transcript, 2004. 203–34. |
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| Klimek, Julia. "Art Spiegelman's Maus: Drawing out the implications of witnessing in a father/son relationship." Mit den Augen eines Kindes. Children in the holocaust. Children in exile. Children under fascism. Ed. Viktoria Hertling. Amsterdam [etc.]: Rodopi, 1998. 192–206. |
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| Knörer, Ekkehard. "Geschichte Schreiben: Anmerkungen zu enki bilals/pierre christins ›treibjagd‹ und art spiegelmans ›maus‹." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 110–27. |
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| Kolář, Stanislav. "Animal Imagery in Kosinski’s The Painted Bird and Spiegelman’s Maus." Theory and Practice in English Studies 2 2004. Accessed 14 August. 2013. <http://www.phil.muni.cz ... thepes/thepes_02_12.pdf>. |
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