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| Bedenbecker, Karina. "Im Schatten keiner Türme: Art spiegelmans künstlerisch-literarische auseinandersetzung mit dem terroranschlag 9/11." Krieg und Literatur / War and Literature 25.(2019): 7–46. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11. |
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| Chute, Hillary. "Temporality and Seriality in Spiegelman’s In the Shadow of No Towers." American Periodicals 17.(2007): 228–44. |
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| Claudio, Esther. "Ergodic texts: In the Shadow of No Towers." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 10–12. |
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| Davo, Yves. "Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers." E-rea 9.1 2011. Accessed 26 January. 2015. <http://erea.revues.org/2117>. |
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| Engelmann, Jonas. "»The Sky is Falling« − Der 11. September in den Comics von Art Spiegelman und Peter Kuper." 9/11 als kulturelle Zäsur. Repräsentationen des 11. September 2001 in kulturellen Diskursen, Literatur und visuellen Medien. Eds. Sandra Poppe, Thorsten Schüller and Sascha Seiler. Bielefeld: Transcript, 2009. 297–316. |
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| Espiritu, Karen. "‘Putting Grief into Boxes’: Trauma and the crisis of democracy in art spiegelman’s in the shadow of no towers." Review of Education, Pedagogy, and Cultural Studies 28.(2006): 179–201. |
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| Findlay, Laura. "In the Shadow of No Towers: The anxiety of expression and images of past trauma in art spiegelman’s graphic novel." Studies in Comics 5.(2014): 187–203. |
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| Frahm, Ole. "Dreierlei Schwarz: Art spiegelmans und elein fleiss’ interpretationen des 11. september ’01." Narrative des Entsetzens. Künstlerische, mediale und intellektuelle Deutungen des 11. September 2001. Ed. Matthias N. Lorenz. Film – Medium – Diskurs. 2004. 169–82. |
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| Friederich, Ute. "Fragmentarische Strukturen: Wie art spiegelman und w.g. sebald zeugenschaft und trauma erzählbar machen." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 209–20. |
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| Gauthier, Tim. "9/11, image control, and the graphic narrative Spiegelman, rehr, torres." Literature, Migration and the ‘War on Terror’. Eds. Fiona Tolan, et al.. London, New York: Routledge, 2012. 115–26. |
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| Glejzer, Richard. "Witnessing 9/11: Art spiegelman and the persistence of trauma." Literature after 9/11. Eds. Ann Keniston and Jeanne Follansbee Quinn. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2008. 99–122. |
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| Heller, Dana A. "Memory's Architecture: American studies and the graphic novels of art spiegelman." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 155–62. |
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| Jenkins, Henry. "Archival, Ephemeral, and Residual The functions of early comics in art spiegelman’s in the shadow of no towers." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 301–22. |
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| McGlothlin, Erin. "“When time stands still”: Traumatic immediacy and narrative organization in art spiegelman's maus and in the shadow of no towers." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 94–110. |
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| Meyer, Christina. "“After all, disaster is my muse” Art spiegelman's in the shadow of no towers." American Studies as Media Studies. Eds. Frank Kelleter and Daniel Stein. American Studies. Heidelberg: Winter, 2008. 107–17. |
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| Möller, Frank. "Von Mäusen und Kapuzenmännern: »banaler militarismus«, visuelle repräsentationen und kollektive erinnerung." Banal Militarism. Zur Veralltäglichung des Militärischen im Zivilen. Eds. Tanja Thomas and Fabian Virchow. Bielefeld: Transcript, 2006. 49–63. |
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| Pines, Davida. "History, Memory, and Trauma Confronting dominant interpretations of 9/11 in alissa torres’s american widow and art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 185–206. |
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| Porcelli, Stefania. "In the Shadow of the Holocaust: Art spiegelman’s representation of trauma in the comic-book form." Translating America. The Circulation of Narratives, Commodities, and Ideas between Italy, Europe, and the United States. Eds. Marina Camboni, et al.. Transatlantic Aesthetics and Culture. Bern [etc.]: Peter Lang, 2011. 199–216. |
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| Reiser, Julie. "‘Thinking in cartoons’: Reclaiming spiegelman’s in the shadow of no towers." Journal of Graphic Novels and Comics (2013). |
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| Schmidtgall, Thomas. Traumatische Erfahrung im Mediengedächtnis: Zur struktur und interkulturellen rezeption fiktionaler darstellungen des 11. september 2001 in deutschland, frankreich und spanien. Saarbrücker Beiträge zur Vergleichenden Literatur- und Kulturwissenschaft. Würzburg: Königshausen & Neumann, 2014. |
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| Simonetti, Paolo. "Why Are Comics No Longer Comic? Graphic narratives in contemporary america." Democracy and Difference. The US in Multidisciplinary and Comparative Perspectives. Eds. Giovanna Covi and Lisa Marchi. Labirinti. Trento: Università degli Studi di Trento, 2012. 289–99. |
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| Stamant, Nicole. "Collections of “Old Comic Strips” in Art Spiegelman’s In the Shadow of No Towers." South Central Review 32.(2015): 70–87. |
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| Talanow, Katharina. "Illustrationen des Grauens – Zur Traumadarstellung im Medium Comic." Bachelorarbeit BA. Universität Bonn, 2015. |
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