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| Friant-Kessler, Brigitte. "Unidentified Graphic Objects? Eccentricity and Graphic Afterlives in Contemporary British Graphic Novels (Martin Rowson; Bryan Talbot)." Leaves 6 2018. Accessed 15Jan. 2021. <https://climas.u-bordea ... brigitte-friant-kessler>. |
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| Friant-Kessler, Brigitte and Sandra Lasne. "La Lettre, l’esprit et l’image: Tristram Shandy de Martin Rowson entre texte(s), contexte(s) et hors-texte(s)." Bulletin de la Société d’Études Anglo-Américaines des XVIIe et XVIIIe Siècles 62. (2006): 241–60. |
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| McHale, Brian. "Narrativity and Segmentivity, or, Poetry in the Gutter." Intermediality and Storytelling. Eds. Marina Grishakova and Marie-Laure Ryan. Narratologia. Berlin u. New York: de Gruyter, 2010. 27–48. |
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| Richter, David. "Narrativity and Stasis in Martin Rowson’s Tristram Shandy." The Shandean 11. (1999–2000): 70–89. |
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| Rowson, Martin. "Hyperboling Gravity’s Ravelin: A Comic Book Version of Tristram Shandy." The Shandean 7. (1995): 62–86. |
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| Rowson, Martin. "Re Richter’s Rowson." The Shandean 11. (1999–2000): 90–91. |
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| Schmitz-Emans, Monika. "Kanonische Werke und ihre graphische Nacherzählung: Der Literaturcomic und die Diskussion über Hoch- und Populärkultur." Zwischen Kanon und Unterhaltung. Interkulturelle und intermediale Aspekte von hoher und niederer Literatur. Between Canon and Entertainment. Intercultural and Intermedial Aspects of Highbrow and Lowbrow Literature. Eds. Annie Bourguignon, Konrad Harrer and Franz Hintereder-Emde. Berlin: Frank & Timme, 2016. 25–43. |
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| Tabachnick, Stephen E. "The Gothic Modernism of T.S. Eliot’s Waste Land and What Martin Rowson’s Graphic Novel Tells Us about It and Other Matters." Readerly/Writerly Texts 8. (2000): 79–92. |
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| Tran-Gervat, Yen-Mai. "Intercultural and Interartistic Transfers of Shandean Humour in the Twentieth and Twenty-First Centuries." The Palgrave Handbook of Humour, History, and Methodology. Eds. Daniel Derrin and Hannah Burrows. New York [etc.]: Palgrave Macmillan, 2020. 443–57. |
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| Venezia, Tony. "“He do the police in different voices”: Martin Rowson’s Pulp Modernism." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 106–09. |
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| Williams, Frederick and Edward Brunner. "Eliot with an Epic, Rowson with a Comic: Recycling Foundational Narratives." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 179–99. |
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