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Displaying 1 - 13 of 13 (Bibliography: WIKINDX Master Bibliography)
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Keyword:  Millar. Mark
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Ahmed, Maaheen und Martin Lund: "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." In: Scan. Journal of media arts culture 9.1 (2012)().  
Added by: joachim 2013-05-04 10:36
Constandinides, Costas: From Film Adaptation to Post-Celluloid Adaptation. Rethinking the Transition of Popular Narratives and Characters across Old and New Media. London, New York: Continuum, 2010. (166 S.)  
Last edited by: joachim 2011-02-14 18:20
de la Iglesia, Martin: "Authorship, Collaboration, and Art Geography." In: CLCWeb: Comparative Literature and Culture 12.3 (2010)().  
Last edited by: joachim 2015-10-11 12:01
---: "Presence in Comics." In: Studies in Visual Arts and Communication 1.2 (2014)().  
Last edited by: joachim 2015-06-11 16:40
Lund, Martin: "Persons of Mass Destruction. The War on Terror in Mark Millar’s Ultimates Comic Books." In: Americana 15.2 (2016)().  
Added by: joachim 2016-11-21 10:11
Miczo, Nathan: "Aging Superheroes. Retirement and Return in Kingdom Come and Old Man Logan." In: Aging Heroes. Growing Old in Popular Culture. Hrsg. v. Norma Jones und Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2015, S. 143–155.  
Last edited by: joachim 2015-10-11 11:25
Nehrlich, Thomas und Joanna Nowotny: "“We’re not fighting for the people anymore … We’re just fighting”. US-American Superhero Comics between Criticisms of Community and Critical Communities." In: SPELL 35 (2017), S. 223–241 ().  
Last edited by: joachim 2020-08-10 11:27
Preußer, Heinz Peter: "Mythos als Meta- und Konnotationsnarrativ. Antikenrezeption und Popkultur im Kino seit dem Jahr 2000." In: Transmediale Texturen. Lektüren zum Film und angrenzenden Künsten. (Schriftenreihe zur Textualität des Films, 2.) Marburg: Schüren, 2013, S. 388–413.  
Last edited by: joachim 2021-10-23 19:28
Round, Julia: "“The Apocalypse of Adolescence”. Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen." In: Graven Images. Religion in Comic Books & Graphic Novels. Hrsg. v. A. David Lewis und Christine Hoff Kraemer. London, New York: Continuum, 2010.  
Added by: joachim 2011-08-27 12:40
Sina, Véronique: Comic – Film – Gender. Zur (Re-)Medialisierung von Geschlecht im Comicfilm. (Edition Medienwissenschaft.) Bielefeld: Transcript, 2016. (304 S.)  
Last edited by: joachim 2016-02-09 20:19
Spahr, Clemens: "Widersprüchliche Superhelden. Erzählung und Gesellschaft in Kick-Ass und Unbreakable." In: Medien. Erzählen. Gesellschaft. Transmediales Erzählen im Zeitalter der Medienkonvergenz. Hrsg. v. Karl N. Renner und Dagmar von Hoff. (Media Convergence / Medienkonvergenz, 2.) Berlin u. Boston: de Gruyter, 2013, S. 139–162.  
Last edited by: joachim 2022-03-25 14:42
Taylor, James: "Kick-Ass Version 2.0. The Superhero’s Navigation of Comic Books, Film and Digital Media." In: Writing Visual Culture 7 (2015)().  
Added by: joachim 2016-09-28 01:15
Weston, Gavin: "Superheroes and comic-book vigilantes versus real-life vigilantes. An anthropological answer to the Kick-Ass paradox." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 223–234.  
Last edited by: joachim 2015-08-22 07:13
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