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Displaying 1 - 49  of 49 (Bibliography: WIKINDX Master Bibliography)
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Anderson, Kane. "V for Occupy: Transmedial Theatricality, V for Vendetta, and the Occupy Movement." International Journal of Comic Art 14.(2012): 143–68.   
Added by: Deleted user 25/06/2013, 11:53
Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur Funktion von Musik in V for Vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47.   
Added by: joachim 19/06/2014, 22:05
Beer, Andreas. "Just(ice) Smiling? Masks and Masking in the Occupy-Wall Street Protests." European Journal of American Studies 13.4 2018. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/13982>.   
Added by: joachim 25/02/2022, 11:18
Brown, Kieron Michael. "Musical Sequences in Comics." The Comics Grid 3.9 2013. Accessed 26 Jun. 2014. <http://www.comicsgrid.com/article/view/cg.aj>.   
Last edited by: joachim 20/06/2016, 19:37
Butler, Isaac. "V For Vile." The Hooded Utilitarian 2012. Accessed 9 Jul. 2018. <http://www.hoodedutilit ... com/2012/09/v-for-vile/>.   
Added by: joachim 09/07/2018, 11:57
Carretero González, Margarita. "Sympathy for the Devil: The Hero is a Terrorist in V for Vendetta." Promoting and Producing Evil. Ed. Nancy Billias. At the Interface, Probing the Boundaries. Amsterdam [etc.]: Rodopi, 2010. 207–18.   
Last edited by: joachim 06/04/2014, 13:53
Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012.   
Last edited by: joachim 10/11/2018, 18:11
Comer, Todd E. "Body Politics: Unearthing an Embodied Ethics in V for Vendetta." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 100–10.   
Added by: joachim 23/04/2012, 21:43
Davidson, Rjurik. "Vagaries & Violence in V for Vendetta." Screen Education (2007): 157–62.   
Added by: joachim 09/01/2014, 11:27
Di Liddo, Annalisa. Alan Moore: Comics as Performance, Fiction as Scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009.   
Last edited by: joachim 20/05/2019, 17:38
Dibiasi, Alexander. Wolverine wird Abgeordneter: Zum politischen Potential von Comicverfilmungen. Filmwissenschaft. Berlin [etc.]: LIT, 2012.   
Added by: joachim 03/08/2014, 16:49
Gifford, Denis and Orion Ussner Kidder. "Alan Moore and Anarchist Praxis in Form: Bibliography, Remediation, and Aesthetic Form in V for Vendetta and Black Dossier." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 94–125.   
Added by: joachim 01/05/2018, 17:01
Gray, Maggie. "‘Fascism knows only one superman: the state’: Alan Moore's V for Vendetta vs the Iron Lady." Object (2008).   
Last edited by: joachim 05/03/2014, 11:53
Gray, Maggie. "‘A fistful of dead roses …’ Comics as cultural resistance: Alan Moore and David Lloyd’s V for Vendetta." Journal of Graphic Novels and Comics 1.(2010): 31–49.   
Last edited by: joachim 19/06/2014, 22:20
Greenblatt, Jordana. "I for Integrity: (Inter)Subjectivities and Sidekicks in Alan Moore's V for Vendetta and Frank Miller’s Batman: The Dark Knight Returns." ImageTexT 4.3 2009. Accessed 9 Dec. 2009. <http://www.english.ufl. ... chives/v4_3/greenblatt/>.   
Added by: Deleted user 09/12/2009, 14:03
Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining Superheroes in Post–9/11 Hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44.   
Last edited by: joachim 10/12/2010, 02:21
Keller, James R. V For Vendetta As Cultural Pastiche: A Critical Study of the Graphic Novel and Film. Jefferson, London: McFarland, 2008.   
Last edited by: joachim 06/04/2014, 10:01
Kikendall, Stacey. "Learning “Stuff” and Using V for Vendetta in the Composition Classroom." SANE journal 1.2 2011. Accessed 21 Aug. 2017. <http://digitalcommons.unl.edu/sane/vol1/iss2/4>.   
Added by: joachim 21/08/2017, 14:16
Koch, Christina Maria. "Occupying Popular Culture: Anonymous, Occupy Wall Street, and the Guy Fawkes Mask as a Political Icon." REAL. Yearbook of Research in English and American Literature 30.(2014): 445–82.   
Added by: joachim 11/05/2018, 16:09
Kohns, Oliver. "Guy Fawkes, 2011: Ein Beitrag zur politischen Ikonographie des Aufstands." kultuRRevolution (2012): 19–26.   
Added by: joachim 04/10/2012, 17:52
Kohns, Oliver. "Guy Fawkes in the 21st Century: A Contribution to the Political Iconography of Revolt." Image [&] Narrative 14.1 2013. Accessed 1 Jun. 2013. <http://www.imageandnarr ... ve/article/view/300/251>.   
Added by: joachim 01/06/2013, 16:20
Lamm, Spencer and Sharon Bray, eds. V for Vendetta: From Script to Film. New York: Universe, 2006.   
Added by: joachim 21/06/2014, 15:33
Lapointe, André-Philippe. "Gunm [sic] et V pour Vendetta: Des sociétés dépassées." Pop en stock 2012. Accessed 16 May. 2016. <http://popenstock.ca/do ... -des-societes-depassees>.   
Added by: joachim 16/05/2016, 15:34
Leogrande, Cathy. "Alan Moore and David Lloyd’s V for Vendetta." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 108–22.   
Added by: joachim 23/02/2017, 18:11
Little, Ben. "Constructing the Reader’s Perspective in V for Vendetta." International Journal of Comic Art 11.(2009): 182–202.   
Added by: joachim 25/09/2012, 15:54
McCall, Jessica. "V for Vendetta: A Graphic Retelling of Macbeth." Popular Culture Review 20.(2009): 45–60.   
Last edited by: joachim 19/01/2016, 10:29
Moffett, Paul. "U for Utopia: the dystopian and eutopian visions in Alan Moore and David Lloyd’s V for Vendetta." Journal of Graphic Novels and Comics 8.(2017): 46–58.   
Last edited by: joachim 18/07/2020, 18:32
Moody, Kyle Andrew. "“Why So Serious?”: Comics, Film and Politics, or the Comic Book Film as the Answer to the Question of Identity and Narrative in a Post-9/11 World." Thesis Master of Arts. Miami University, 2009.   
Added by: joachim 22/06/2011, 00:24
Moreira, Pedro. "Overthrowing Vengeance: The Role of Visual Elements in V for Vendetta." Spaces of Utopia 4 2007. Accessed 15 Nov. 2019. <https://ler.letras.up.p ... oads/ficheiros/3903.pdf>.   
Last edited by: joachim 15/11/2019, 02:38
Muñoz, Joaquin. "“I Think About That Story A Lot, Actually”: V for Vendetta and Philosophy in a Community College Reading Course." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 121–34.   
Last edited by: joachim 24/08/2020, 10:43
Nestler, Sebastian and Rainer Winter. "Utopie im Film." Gesellschaft im Film. Ed. Markus Schroer. Konstanz: UVK, 2007. 309–32.   
Added by: joachim 13/08/2010, 18:31
Nisley, Clara. "V for Vendetta as Philosophy: Victory Through the Virtues of Anarchy." The Palgrave Handbook of Popular Culture as Philosophy 2021. Accessed 11 Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_97-1>.   
Last edited by: joachim 11/01/2024, 12:35
de Oliveira, Alysson Tadeu Alves. "Prisões que escolhemos para viver." Orson 5 2013. Accessed 12 Sept. 2014. <http://orson.ufpel.edu. ... 02_alysson_oliveira.pdf>.   
Added by: joachim 12/09/2014, 10:31
Oppolzer, Markus. "Gothic Liminality in V for Vendetta." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 103–17.   
Added by: joachim 22/06/2014, 11:46
Ott, Brian L. "The Visceral Politics of V for Vendetta: On Political Affect in Cinema." Critical Studies in Media Communication 27.(2010): 39–54.   
Added by: joachim 04/03/2014, 10:40
Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Minneapolis: Univ. of Minnesota Press, 2010.   
Added by: joachim 26/04/2011, 09:45
Post, Marco R. S. "R for Reason Gone Rampant? The Intricate Interplay between Madness and Rationality in the Graphic Novel V for Vendetta." International Journal of Comic Art 16.(2014): 339–66.   
Added by: joachim 20/06/2014, 00:51
Power, Aidan. "Invasion of the Brit-Snatchers: National Identity in Contemporary Science Fiction Cinema." British Science Fiction Film and Television. Critical Essays. Eds. Thomas Hochscherf and James Leggott. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2011. 143–55.   
Added by: joachim 06/04/2014, 13:40
Reynolds, James. "‘KILL ME SENTIMENT’: V For Vendetta and comic-to-film adaptation." Journal of Adaptation in Film & Performance 2.(2009): 121–36.   
Last edited by: joachim 03/08/2010, 00:55
Romero-Jódar, Andrés. "A hammer to shape reality: Alan Moore’s graphic novels and the avant-gardes." Studies in Comics 2.(2011): 39–56.   
Added by: joachim 03/12/2012, 19:21
Schopp, Andrew. "Interrogating the Manipulation of Fear: V for Vendetta, Batman Begins, Good Night, and Good Luck, and America’s “War on Terror”." The War on Terror and American Popular Culture. September 11 and Beyond. Eds. Andrew Schopp and Matthew B. Hill. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2009. 259–86.   
Last edited by: joachim 06/04/2014, 10:30
Shadrack, Jasmine. "V versus Hollywood: A discourse on polemic thievery." Studies in Comics 2.(2011): 195–205.   
Last edited by: joachim 03/12/2012, 19:58
de Sousa Caetano, Joana Catarina. "Memories are Forever: Transhumanism and Cultural Memory in V for Vendetta, Oblivion and The Giver." Via Panorâmica 5 2016. Accessed 21 Oct. 2021. <https://ojs.letras.up.p ... hp/VP/article/view/3009>.   
Last edited by: joachim 22/10/2021, 00:40
Summers, Tim. "‘Sparks of Meaning’: Comics, Music and Alan Moore." Journal of the Royal Musical Association 140.(2015): 121–62.   
Last edited by: joachim 07/09/2016, 08:55
Vanderbeke, Dirk and Marie Vanderbeke. "Graphic Dystopia: Watchmen (Moore/Gibbons, 1986–1987) and V for Vendetta (Moore/Lloyd, 1982–1989)." Dystopia, Science Fiction, Post-Apocalypse. Classics – New Tendencies – Model Interpretations. Eds. Eckart Voigts and Alessandra Boller. Trier: Wissenschaftlicher Verlag Trier, 2015. 201–20.   
Added by: joachim 04/12/2015, 11:26
Veith, Natalie. "Distorted Voices: Counter-Narratives in the Works of Alan Moore." Magisterarbeit M.A. Johann Wolfgang Goethe-Universität, 2013.   
Last edited by: joachim 03/08/2014, 22:21
Venezia, Tony. "Seduction of the Innocent: V for Vendetta as Gothic (Graphic) Novel." Gothic Bastards. Genre, Innovation and Contemporary Fictions. Eds. Fred Botting and Catherine Spooner. Manchester, New York: Manchester Univ. Press, 2015.   
Added by: joachim 04/08/2014, 17:19
Whittaker, Jason. "From Hell: Blake and Evil in Popular Culture." Blake, Modernity and Popular Culture. Ed. Steve Clark. New York [etc.]: Palgrave Macmillan, 2007. 192–204.   
Last edited by: joachim 12/08/2020, 14:59
Wüllner, Daniel. "Gelebte Apokalypse: Endzeiten in den britischen Comicmagazinen der 1980er Jahre." Comicgate Magazin (2012): 57–60.   
Added by: joachim 18/02/2014, 17:38
WIKINDX 6.8.2 | Total resources: 14514 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)