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Bordeaux, Joel. "The Dark Knight of the Soul: Death as Initiatory Ordeal in Grant Morrison’s Batman R.I.P.." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 219–46. |
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Brooker, Will. "Containing Batman: Rereading Fredric Wertham and the Comics of the 1950s." Containing America. Cultural Production and Consumption in 50s America. Eds. Nathan Abrams and Julie Hughes. Birmingham: Univ. of Birmingham Press, 2000. 151–67. |
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Brooker, Will. "Batgirl." Barthes’ Mythologies Today. Readings of Contemporary Culture. Eds. Pete Bennett and Julian McDougall. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2013. 27–31. |
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Brooker, Will. "Batman: One life, many faces." Adaptations. From Text to Screen, Screen to Text. Eds. Deborah Cartmell and Imelda Welehan. London, New York: Routledge, 1999. 185–98. |
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Brooker, Will. "The Best Batman Story: The Dark Knight Returns." Beautiful Things in Popular Culture. Ed. Alan McKee. Hoboken: Wiley, 2006. 33–48. |
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Brooker, Will. "Batgirl: Continuity, Crisis and Feminism." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 134–52. |
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Brooker, Will. "Fifth Dimensional Batman: An Interview with Grant Morrison." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 43–52. |
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Brown, Jeffrey A. Batman and the Multiplicity of Identity: The Contemporary Comic Book Superhero as Cultural Nexus. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. |
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Bryan, Peter Cullen. "Purple healing rays and paralysis: Intersections of disability and gender theory in comics." Journal of Fandom Studies 7. (2019): 21–34. |
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Bundrick, Christopher. "The Dark Knight Errant: Power and Authority in Frank Miller’s Batman: The Dark Knight Returns." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 24–40. |
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Byrne, Craig. The Dark Knight: Featuring Production Art and Full Shooting Script. New York: Universe, 2008. |
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Callahan, Timothy. "Notes on Bat-Camp." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 76–83. |
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Carmichael, Stephanie. "Dark Knight, White Knight, and the King of Anarchy." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 54–69. |
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Cha, Julian. "The Fiendish Plots of Dr. Fu Manchu in the Twenty-First Century: The Yellow Peril in Christopher Nolan’s Dark Knight Trilogy." Americana 12. 1 2013. Accessed 21Nov. 2016. <http://www.americanpopu ... les/spring_2013/cha.htm>. |
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Christen, Matthias. "Düstere Clowns: Figuren des Schreckens im Kino der Transgression." Über den Clown. Künstlerische und theoretische Perspektiven. Ed. Richard Weihe. Bielefeld: Transcript, 2016. 203–42. |
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Chudoliński, Michał. "Neurotyczny Rycerz: Reminiscencja Azylu Arkham Granta Morrisona i Dave’a McKeana." Kultura popularna 61. (2019): 86–103. |
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Cocca, Carolyn. "Re-booting Barbara Gordon: Oracle, Batgirl, and Feminist Disability Theories." ImageTexT 7. 4 2014. Accessed 4Jan. 2015. <http://www.english.ufl. ... xt/archives/v7_4/cocca/>. |
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Cogan, Brian. "I’m Batman! Bwah ha ha! Comedy in the Grim ’n’ Gritty Eighties." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 121–30. |
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Comerford, Chris. "The hero we need, not the one we deserve: Vigilantism and the state of exception in Batman Incorporated." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 183–200. |
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Comiskey, Andrea. "The Hero We Read: The Dark Knight, Popular Allegoresis, and Blockbuster Ideology." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 124–46. |
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Connors, Sean P. "Designing Meaning: A Multimodal Perspective on Comics Reading." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 13–29. |
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Cook, Roy T. "Do Comics Require Pictures? Or Why Batman #663 Is a Comic." Journal of Aesthetics and Art Criticism 69. (2011): 285–96. |
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Cortiel, Jeanne and Laura Oehme. "The Dark Knight’s Dystopian Vision: Batman, Risk, and American National Identity." European Journal of American Studies 10. 2 2015. Accessed 15Aug. 2015. <http://ejas.revues.org/10916>. |
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Cremers, Martin. "Gotham City: A Dystopian Comic Book World as an Arena of Modern Myths." Real Virtuality. About the Destruction and Multiplication of World (with a Preface by Gerd Stern). Eds. Ulrich Gehmann and Martin Reiche. Bielefeld: Transcript, 2014. 141–58. |
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Dixon, Chuck. "“Known Super-Criminals Still at Large”: Villainy in Batman." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 121–43. |
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Doise, Eric. "Two Lunatics: Sanity and Insanity in The Killing Joke." ImageTexT 8. 1 2015. Accessed 29Mar. 2017. <http://www.english.ufl. ... xt/archives/v8_1/doise/>. |
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Drennig, Georg. "Otherness and the European as Villain and Antihero in American Comics." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 127–39. |
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