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| Aman, Robert. "Swedish Colonialism, Exotic Africans and Romantic Anti-Capitalism: Notes on the Comic Series Johan Vilde." Third Text 30. (2016): 60–75. |
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| Banhold, Lars. "Authentifizierung und Narration in Reinhard Kleists Cash – I See a Darkness." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 119–35. |
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| Boykin, Jessica. "Filling in the Gutters: Graphic Biographies Disrupting Dominant Narratives of the Civil Rights Movement." Journal of Multimodal Rhetorics 3. 1 2019. Accessed 29May. 2019. <http://journalofmultimo ... cs.com/3-1-issue-boykin>. |
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| Clark, J. Spencer. "“Your Credibility Could Be Shot”: Preservice Teachers’ Thinking about Nonfiction Graphic Novels, Curriculum Decision Making, and Professional Acceptance." The Social Studies 104. (2013): 38–45. |
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| Cutrara, Samantha. "Drawn out of History: The Representation of Women in Chester Brown’s Louis Riel: A Comic Strip Biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 121–43. |
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| Czerwiec, MK. and Michelle N. Huang. "Hospice Comics: Representations of Patient and Family Experience of Illness and Death in Graphic Novels." Journal of Medical Humanities 38. (2017): 95–113. |
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| Dauth, Lisa. "»Eines Tages werde ich dir alles erzählen«: Die biografische Graphic Novel Der Boxer zwischen Wahrheit und Fiktion." Germanica 70. (2022): 49–62. |
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| Figueira, Dorothy. "One Modern Indian Hero, B.R. Ambedkar, and His Afterlife as an Action Figure." Heroes Anywhere and Forever. From a German, Indian and American Perspective. Ed. Sieghild Bogumil-Notz. Bochum: Ch.A. Bachmann, 2015. 35–48. |
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| Frahm, Ole. "Die Geschichte meines Lebens: Comicversionen von Helen Kellers berühmter Autobiographie." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 65–86. |
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| Giesa, Felix. "Graphische Künstlermythen: Comicbiographien über Künstler." kjl&m 15. (2015). |
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| Gomes, Mario and Jan Peuckert. "Memento Mori: A Portuguese Style of Melancholy." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 116–26. |
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| Groensteen, Thierry. "Biographies of Famous Painters in Comics: What Becomes of the Paintings?." ImageTexT 9. 2 2017. Accessed 19Oct. 2020. <http://imagetext.englis ... chives/v9_2/groensteen/>. |
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| Grünewald, Dietrich. "Das Rätsel des Künstlers: Künstlerbiografie als Comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 303–24. |
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| Hansen, Bert. "Medical History’s Graphic Power in American True-Adventure Comic Books of the 1940s." Handbook of Popular Culture and Biomedicine. Knowledge in the Life Sciences as Cultural Artefact. Eds. Arno Görgen, German Alfonso Nunez and Heiner Fangerau. Cham: Springer, 2019. 179–94. |
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| Herget, Miriam. "Die Figur Hitler im japanischen Manga: Mizuki Shigerus Gekika Hittorâ." Magisterarbeit M.A. Goethe-Universität Frankfurt a.M. 2011. |
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| Hiebler, Heinz. "Wer rasiert den Barbier? Paradoxien der (auto)biografischen Wissensvermittlung in der Graphic Novel Logicomix." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 337–56. |
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| Hübner, Lea. "Aus politischen Gründen – Simón Radowitzkys Erfahrung mit Migration und Misshandlung: Zum Umgang mit Merkmalen eines Traumatextes beim Comicübersetzen." Transposition, Migration und KörperGrenzen in der Romania. Eds. Mariana Maia Simoni, Berit Callsen and Jasmin Wrobel. Romania Viva. Berlin [etc.]: Peter Lang, 2024. 145–66. |
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| Johnson, Fred and Janine J. Darragh. "Poverty Lines: Visual Depictions of Poverty and Social Class Realities in Comics." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 113–31. |
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| Kaur, Guneet. "Community Narrative as a Borderlands Praxis: Anzaldúa’s Mestiza Consciousness as Explored in Cortez’s Sexile." Journal of Medical Humanities 43. (2022): 319–33. |
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| Klappert, Annina. "Comic und Kulturpolitik: Der »Hitler«-Comic als Hitler-Denkmal." Narrative der Shoa. Repräsentationen der Vergangenheit in Historiographie, Kunst und Politik. Eds. Susanne Düwell and Matthias Schmidt. Studien zu Judentum und Christentum. Paderborn: Schöningh, 2002. 143–69. |
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| Klingenböck, Ursula. "Lebens-Bilder: Überlegungen zum biographischen Narrativ bei Birgit Weyhe." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Eds. Susanne Hochreiter and Ursula Klingenböck. Bielefeld: Transcript, 2014. 121–48. |
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| Lanzendörfer, Tim. "Biographiction: Narratological Aspects of Chester Brown’s Louis Riel." Zeitschrift für Anglistik und Amerikanistik 59. (2011): 27–40. |
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| Lefèvre, Pascal. "Die Modi dokumentarischer Comics." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 31–49. |
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| Lefèvre, Pascal. "The Modes of Documentary Comics." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 50–60. |
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| Leroux, Marie-Caroline. "Tina Modotti d’Ángel De la Calle: Un imaginaire (auto)(bio)graphique." Itinéraires 2017-1 2018. Accessed 9Jun. 2021. <https://journals.openedition.org/itineraires/3739>. |
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| Leroy, Fabrice. "Painting the Painter: Meta-Representation and Magic Realism in Joann Sfar’s Chagall en Russie." European Comic Art 5. (2012): 8–22. |
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| Lesk, Andrew. "Redrawing nationalism: Chester Brown’s Louis Riel: a comic-strip biography." Journal of Graphic Novels and Comics 1. (2010): 63–81. |
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| Levitan, Alan. "Aether/Ore: The Dreamworld Descends to Earth." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 97–113. |
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| MacDonald, Tanis. "Voice of the Gutter: Comics in the Academy." From Text to Txting. New Media in the Classroom. Eds. Paul Budra and Clint Burnham. Bloomington: Indiana Univ. Press, 2012. 43–68. |
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| Magirius, Marco. "Formsprachen biografischer Graphic Novels am Beispiel Alan Turings." kjl&m 72. (2020): 41–48. |
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| Marcoux, Jean-Philippe. "“To Night the Ensilenced World”: The Challenges of Intervocal Representation in Second-Generation Narratives of Witnessing." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 199–212. |
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| McLain, Karline. "Who Shot the Mahatma? Representing Gandhian Politics in Indian Comic Books." South Asia Research 27. (2007): 57–77. |
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| McNicol, Sarah. "Telling migrant women’s life stories as comics." Journal of Graphic Novels and Comics (2018): 1–14. |
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| Mickwitz, Nina. "Introduction: Discursive Contexts, “Voice,” and Empathy in Graphic Life Narratives of Migration and Exile." a/b: Auto/Biography Studies 35. (2020): 459–65. |
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| Mihăilescu, Dana. "Mapping transgenerational memory of the Shoah in third generation graphic narratives: On Amy Kurzweil’s Flying Couch (2016)." Journal of Modern Jewish studies 17. (2018): 93–110. |
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| Morisson, Valérie. "Histoire, histoires …: Blood Upon the Rose de Gerry Hunt et Louis Riel. A Comic Strip Biography de Chester Brown." Comicalités 2011. Accessed 11Nov. 2012. <http://comicalites.revues.org/603>. |
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| Munari Domingos, Ana Cláudia and José Arlei Rodrigues Cardoso. "Media Representation and Transmediation: Indexicality in Journalism Comics and Biography Comics." Beyond Media Borders, Vol. 2: Intermedial Relations among Multimodal Media. Ed. Lars Elleström. New York [etc.]: Palgrave Macmillan, 2021. 79–115. |
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| Nappi, Paolino. "Between memory, didacticism and the Jewish revival: The Holocaust in Italian comic books." Journal of Modern Jewish studies 17. (2018): 51–63. |
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| Nayar, Pramod K. "Towards a postcolonial critical literacy: Bhimayana and the Indian graphic novel." Studies in South Asian Film and Media 3. (2011): 3–21. |
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| Nayar, Pramod K. "Communicable Diseases: Graphic Medicine and the Extreme." Journal of Creative Communications 10. (2015): 161–75. |
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| Nayar, Pramod K. "Radical Graphics: Martin Luther King., Jr., BR Ambedkar and Comics Auto/biography." Biography 39. (2016): 147–71. |
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| Nayar, Pramod K. "Graphic Science: Trinity and the Art of the Atomic Bomb." Rhizomes 34 2018. Accessed 4Aug. 2018. <https://doi.org/10.20415/rhiz/034.e08>. |
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| Nayar, Pramod K. "South of the Graphics: Mandela, Gandhi, and Telling Lives." The Global South and Literature. Ed. Russell West-Pavlov. Cambridge Critical Concepts. Cambridge [etc.]: Cambridge Univ. Press, 2018. 235–49. |
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| Oberhaus, Lars and Mareile Oetken. "Rock den Comic: Leben und Werk von Elvis als Comicerzählung." Farbe, Klang, Reim, Rhythmus. Interdisziplinäre Zugänge zur Musik im Bilderbuch. Eds. Lars Oberhaus and Mareile Oetken. Bielefeld: Transcript, 2017. 127–58. |
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| Ribbens, Kees. "War comics beyond the battlefield: Anne Frank’s transnational representation in sequential art." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 219–33. |
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| Scorer, James. "Man, myth and sacrifice: Graphic biographies of Ernesto ‘Che’ Guevara." Journal of Graphic Novels and Comics 1. (2010): 137–50. |
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| Stemmann, Anna. "(Bio-)grafisches Erzählen von Gewalt im Kontext des Zweiten Weltkrieges: Erinnerungskulturelle Perspektiven auf Comics der 2000er Jahre." Storylines and Blackboxes. Autobiografie und Zeugenschaft in der Nachgeschichte von Nationalsozialismus und Zweitem Weltkrieg. Eds. Johanna Gehmacher and Klara Löffler. Beiträge des VWI zur Holocaustforschung. Wien: nap, 2016. 197–220. |
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| Touton, Isabelle. "El cómic La vie passionnée de Thérèse d’Avila de Claire Bretécher: Una comicidad erudita e iconoclasta." Pratiques hagiographiques dans l’Espagne du Moyen Âge et du Siècle d’or. Eds. Françoise Cazal, Claude Chauchadis and Carine Herzig. Méridiennes. Toulouse: CNRS-Université de Toulouse-Le Mirail, 2005. 381–98. |
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| Tupikevics, Sebastian. "Goethe als Bastelei: Literaturrezeption im Medium Comic." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 245–62. |
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