Bachmann, Holger. "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer Beispielinterpretation von Alan Moores »The Killing Joke«." Sprachwissenschaft 21. (1996): 337–66. |
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Brake, Matthew. "The Joker as Philosopher: Killing Jokes." The Palgrave Handbook of Popular Culture as Philosophy 2023. Accessed 11Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_92-1>. |
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Bryan, Peter Cullen. "Purple healing rays and paralysis: Intersections of disability and gender theory in comics." Journal of Fandom Studies 7. (2019): 21–34. |
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Cook, Roy T. and Aaron Meskin. "Comics, Prints, and Multiplicity." Journal of Aesthetics and Art Criticism 73. (2015): 57–67. |
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Darius, Julian. And the Universe so Big: Understanding Batman: The Killing Joke. Edwardsville: Sequart Research & Literacy Organization, 2012. |
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Doise, Eric. "Two Lunatics: Sanity and Insanity in The Killing Joke." ImageTexT 8. 1 2015. Accessed 29Mar. 2017. <http://www.english.ufl. ... xt/archives/v8_1/doise/>. |
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Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels." Digital Humanities Quarterly 8. 3 2014. Accessed 30Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>. |
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Kozikoski Valereto, Deneb. "Philosophy in the fairground: Thoughts on madness and madness in thought in The Killing Joke." Studies in Comics 2. (2011): 69–80. |
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Maverick, Christopher. "Oracle of the Invisible: Rape in The Killing Joke." International Journal of Comic Art 20. (2018): 418–29. |
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Maynard, Amy Louise. "Bourdieu vs. Batman: Examining the Cultural Capital of the Dark Knight via Graphic Novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 51–61. |
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Miettinen, Mervi. "Past as Multiple Choice – Textual Anarchy and the Problems of Continuity in Batman: The Killing Joke." Scandinavian Journal of Comic Art 1. 1 2012. Accessed 11Jun. 2012. <http://sjoca.com/wp-con ... 1-Article-Miettinen.pdf>. |
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Ratto, Casey M. "Not Superhero Accessible: The Temporal Stickiness of Disability in Superhero Comics." Disability Studies Quarterly 37. 2 2017. Accessed 25Apr. 2019. <http://dsq-sds.org/article/view/5396>. |
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Salisbury, Mark. Artists on Comics Art. London: Titan Books, 2002. |
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Sommers, Joseph Michael. "When “One Bad Day” Becomes One Dark Knight: Love, Madness, and Obsession in the Adaptation of The Killing Joke into Christopher Nolan’s The Dark Knight." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 40–51. |
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Spanjers, Rik. "The Killing Joke: The Joker’s Laughter and Resistance." Master’s Thesis University of Amsterdam, 2010. |
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West, Joel. "Having a Bad Day: Explorations of Good and Evil in Alan Moore’s The Killing Joke." Journal of Humanities, Arts and Social Science 4. (2020): 94–98. |
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Żaglewski, Tomasz. "‘A Joke less Killing’: Animated remediation of a comic book as an extra-mediation." Journal of Graphic Novels and Comics 11. (2020): 341–53. |
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