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| Brown, Lyndsay. "Yorick, Don’t Be A Hero: Productive Motion in Y: The Last Man." ImageTexT 3. 1 2006. Accessed 8May. 2012. <http://www.english.ufl. ... xt/archives/v3_1/brown/>. |
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| Clark, Catherine and Jennifer Jacobs Henderson. "‘Oh, my god! I CAN FLY!’: Female agency in Marvel’s Runaways." Journal of Graphic Novels and Comics 10. (2019): 210–27. |
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| Endres, Christian. "Rücksturz in die Anonymität: Brian K. Vaughans Comic »The Private Eye« thematisiert die Post-Snowden-Ära des Internets und beschreitet neue Wege des Selfpublishings." Das Science Fiction Jahr 10. (2014): 321–33. |
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| Gartley, Elizabeth. "Speaking language? The politics of language and power in Saga." Studies in Comics 8. (2017): 51–68. |
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| Geers, Jeff. "“The Great Machine Doesn’t Wear a Cape!”: American Cultural Anxiety and the Post-9/11 Superhero." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 250–61. |
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| Hill, Mark C. "Alternative Masculine Performances in American Comics: Brian K. Vaughan and Pia Guerra’s Y: the Last Man." Studies in Popular Culture 38. (2016): 79–98. |
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| Hodgman, John. "Epics: (Kirby's Fourth World Omnibus; Kirby: King of Comics; Age of Bronze; Y: The Last Man)." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 240–47. |
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| Jones, Clint. Apocalyptic Ecology in the Graphic Novel: Life and the Environment After Societal Collapse. Jefferson: McFarland, 2020. |
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| Khng, Desiree L. "Philosophising gender politics in Y: The Last Man." Journal of Graphic Novels and Comics 7. (2016): 167–77. |
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| Kunz, Tobias. "“Oopsie, I made a universe!”: Narration und Metareferenz in Brian K. Vaughan und Fiona Staples’ Saga." Medienobservationen 2017. Accessed 25Aug. 2018. <https://www.medienobser ... tion-metareferenz-saga/>. |
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| Lipenga, Ken Junior. "The New Normal: Enfreakment in Saga." The Comics Grid 9. 1 2019. Accessed 18Dec. 2019. <http://doi.org/10.16995/cg.161>. |
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| Lund, Martin. "‘Every day is 9/11!’: Re-constructing Ground Zero in three US comics." Journal of Urban Cultural Studies 4. (2017): 241–61. |
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| Mafe, Diana Adesola. "“We Don’t Need Another Hero”: Agent 355 as an Original Black Female Hero in Y: The Last Man." African American Review 48. (2015): 33–48. |
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| Manis, Kathryn. "Neoliberal Anxiety and the Post-Apocalypse in US Comic Books: An Analysis of Y the Last Man and The Private Eye." Journal of Popular Culture 51. (2018): 1234–55. |
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| Mellette, Justin. "Of Men and Mongrels: Myth and Queer Representation in Brian K. Vaughan’s Y: The Last Man and Saga." Journal of Graphic Novels and Comics (2021): 1–16. |
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| Meteling, Arno. "A Tale of Two Cities: Politics and Superheroics in Starman and Ex Machina." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 133–49. |
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| Pallares, Bess. Representation of the Mother’s Body as a Narrative Conduit for Wartime Themes in Saga. Student Research Symposium: Portland, 12May, 2015. |
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| Tembo, Kwasu D. "Magical Negress: Re-Reading Agent 355 in Brian Vaughan’s Y: The Last Man." Open Cultural Studies 3. (2019): 161–73. |
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