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Keyword:  "V for Vendetta"
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Anderson, Kane: "V for Occupy. Transmedial Theatricality, V for Vendetta, and the Occupy Movement." In: International Journal of Comic Art 14.2 (2012), S. 143–168.  
Added by: Deleted user 2013-06-25 11:53
Banhold, Lars: "»Yet Always Must it Love Sweet Music More«. Zur Funktion von Musik in V for Vendetta." In: Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Hrsg. v. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014, S. 129–147.  
Added by: joachim 2014-06-19 22:05
Beer, Andreas: "Just(ice) Smiling? Masks and Masking in the Occupy-Wall Street Protests." In: European Journal of American Studies 13.4 (2018).  
Added by: joachim 2022-02-25 11:18
Brown, Kieron Michael: "Musical Sequences in Comics." In: The Comics Grid 3.9 (2013).  
Last edited by: joachim 2016-06-20 19:37
Butler, Isaac: "V For Vile." In: The Hooded Utilitarian (17. Sept. 2012).  
Added by: joachim 2018-07-09 11:57
Carretero González, Margarita: "Sympathy for the Devil. The Hero is a Terrorist in V for Vendetta." In: Promoting and Producing Evil. Hrsg. v. Nancy Billias. (At the Interface, Probing the Boundaries, 63.) Amsterdam [etc.]: Rodopi, 2010, S. 207–218.  
Last edited by: joachim 2014-04-06 13:53
Chelebourg, Christian: Les Écofictions. Mythologies de la fin du monde. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2012. (253 S.)  
Last edited by: joachim 2018-11-10 18:11
Comer, Todd E. "Body Politics. Unearthing an Embodied Ethics in V for Vendetta." In: Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Hrsg. v. Todd E. Comer und Joseph Michael Sommers. Jefferson, London: McFarland, 2012, S. 100–110.  
Added by: joachim 2012-04-23 21:43
Crowell, Ellen: "Scarlet Carsons, Men in Masks. The Wildean Contexts of V for Vendetta." In: Neo-Victorian Studies 2.1 (2008/2009), S. 17–45, .  
Added by: joachim 2014-02-16 17:33
Davidson, Rjurik: "Vagaries & Violence in V for Vendetta." In: Screen Education 46 (2007), S. 157–162.  
Added by: joachim 2014-01-09 11:27
Di Liddo, Annalisa: Alan Moore. Comics as Performance, Fiction as Scalpel. (Great Comics Artists.) Jackson: Univ. Press of Mississippi, 2009. (192 S.)  
Last edited by: joachim 2019-05-20 17:38
Dibiasi, Alexander: Wolverine wird Abgeordneter. Zum politischen Potential von Comicverfilmungen. (Filmwissenschaft, 12.) Berlin [etc.]: LIT, 2012. (224 S.)  
Added by: joachim 2014-08-03 16:49
Gifford, Denis und Orion Ussner Kidder: "Alan Moore and Anarchist Praxis in Form. Bibliography, Remediation, and Aesthetic Form in V for Vendetta and Black Dossier." In: Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Hrsg. v. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018, S. 94–125.  
Added by: joachim 2018-05-01 17:01
Gray, Maggie: "‘A fistful of dead roses …’ Comics as cultural resistance. Alan Moore and David Lloyd’s V for Vendetta." In: Journal of Graphic Novels and Comics 1.1 (2010), S. 31–49.  
Last edited by: joachim 2014-06-19 22:20
---: "‘Fascism knows only one superman: the state’. Alan Moore's V for Vendetta vs the Iron Lady." In: Object 10 (2008).  
Last edited by: joachim 2014-03-05 11:53
Greenblatt, Jordana: "I for Integrity. (Inter)Subjectivities and Sidekicks in Alan Moore's V for Vendetta and Frank Miller’s Batman: The Dark Knight Returns." In: ImageTexT 4.3 (2009).  
Added by: Deleted user 2009-12-09 14:03
Groth, Gary: "Alan Moore Big Words." In: The Comics Journal 139 (1990), S. 78–109.  
Added by: joachim 2018-06-12 20:40
Hassler-Forest, Dan A. "From Trauma Victim to Terrorist. Redefining Superheroes in Post–9/11 Hollywood." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 33–44.  
Last edited by: joachim 2010-12-10 02:21
Keller, James R. V For Vendetta As Cultural Pastiche. A Critical Study of the Graphic Novel and Film. Jefferson, London: McFarland, 2008. (247 S.)  
Last edited by: joachim 2014-04-06 10:01
Kikendall, Stacey: "Learning “Stuff” and Using V for Vendetta in the Composition Classroom." In: SANE journal 1.2 (2011), S. 29–42, .  
Added by: joachim 2017-08-21 14:16
Koch, Christina Maria: "Occupying Popular Culture. Anonymous, Occupy Wall Street, and the Guy Fawkes Mask as a Political Icon." In: REAL. Yearbook of Research in English and American Literature 30 (2014), S. 445–482.  
Added by: joachim 2018-05-11 16:09
Kohns, Oliver: "Guy Fawkes, 2011. Ein Beitrag zur politischen Ikonographie des Aufstands." In: kultuRRevolution 61/62 (2012), S. 19–26.  
Added by: joachim 2012-10-04 17:52
---: "Guy Fawkes in the 21st Century. A Contribution to the Political Iconography of Revolt." In: Image [&] Narrative 14.1 (2013), S. 89–104, .  
Added by: joachim 2013-06-01 16:20
Lamm, Spencer und Sharon Bray (Hrsg.): V for Vendetta. From Script to Film. New York: Universe, 2006. (255 S.)  
Added by: joachim 2014-06-21 15:33
Lapointe, André-Philippe: "Gunm [sic] et V pour Vendetta. Des sociétés dépassées." In: Pop en stock (10. Apr. 2012).  
Added by: joachim 2016-05-16 15:34
Leogrande, Cathy: "Alan Moore and David Lloyd’s V for Vendetta." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 108–122.  
Added by: joachim 2017-02-23 18:11
Little, Ben: "Constructing the Reader’s Perspective in V for Vendetta." In: International Journal of Comic Art 11.1 (2009), S. 182–202.  
Added by: joachim 2012-09-25 15:54
McCall, Jessica: "V for Vendetta: A Graphic Retelling of Macbeth." In: Popular Culture Review 20.1 (2009), S. 45–60.  
Last edited by: joachim 2016-01-19 10:29
Moffett, Paul: "U for Utopia. the dystopian and eutopian visions in Alan Moore and David Lloyd’s V for Vendetta." In: Journal of Graphic Novels and Comics 8.1 (2017), S. 46–58.  
Last edited by: joachim 2020-07-18 18:32
Moody, Kyle Andrew: “Why So Serious?”. Comics, Film and Politics, or the Comic Book Film as the Answer to the Question of Identity and Narrative in a Post-9/11 World. Master of Arts (Thesis), Miami University, Mass Communication 2009 (110 S.).  
Added by: joachim 2011-06-22 00:24
Moreira, Pedro: "Overthrowing Vengeance. The Role of Visual Elements in V for Vendetta." In: Spaces of Utopia 4 (2007), S. 106–112, .  
Last edited by: joachim 2019-11-15 02:38
Muñoz, Joaquin: "“I Think About That Story A Lot, Actually”. V for Vendetta and Philosophy in a Community College Reading Course." In: Comic Connections. Reflecting on Women in Popular Culture. Hrsg. v. Sandra Eckard. (Comic Connections.) Lanham [etc.]: Rowman & Littlefield, 2018, S. 121–134.  
Last edited by: joachim 2020-08-24 10:43
Nestler, Sebastian und Rainer Winter: "Utopie im Film." In: Gesellschaft im Film. Hrsg. v. Markus Schroer. Konstanz: UVK, 2007, S. 309–332.  
Added by: joachim 2010-08-13 18:31
de Oliveira, Alysson Tadeu Alves: "Prisões que escolhemos para viver." In: Orson 5 (2013).  
Added by: joachim 2014-09-12 10:31
Oppolzer, Markus: "Gothic Liminality in V for Vendetta." In: Alan Moore and the Gothic Tradition. Hrsg. v. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013, S. 103–117.  
Added by: joachim 2014-06-22 11:46
Ott, Brian L. "The Visceral Politics of V for Vendetta. On Political Affect in Cinema." In: Critical Studies in Media Communication 27.1 (2010), S. 39–54.  
Added by: joachim 2014-03-04 10:40
Paik, Peter Y. From Utopia to Apocalypse. Science Fiction and the Politics of Catastrophe. Minneapolis: Univ. of Minnesota Press, 2010. (232 S.)  
Added by: joachim 2011-04-26 09:45
Post, Marco R. S. "R for Reason Gone Rampant? The Intricate Interplay between Madness and Rationality in the Graphic Novel V for Vendetta." In: International Journal of Comic Art 16.1 (2014), S. 339–366.  
Added by: joachim 2014-06-20 00:51
Power, Aidan: "Invasion of the Brit-Snatchers. National Identity in Contemporary Science Fiction Cinema." In: British Science Fiction Film and Television. Critical Essays. Hrsg. v. Thomas Hochscherf und James Leggott. (Critical Explorations in Science Fiction and Fantasy, 29.) Jefferson, London: McFarland, 2011, S. 143–155.  
Added by: joachim 2014-04-06 13:40
Reynolds, James: "‘KILL ME SENTIMENT’. V For Vendetta and comic-to-film adaptation." In: Journal of Adaptation in Film & Performance 2 (2009), S. 121–136.  
Last edited by: joachim 2010-08-03 00:55
Romero-Jódar, Andrés: "A hammer to shape reality. Alan Moore’s graphic novels and the avant-gardes." In: Studies in Comics 2.1 (2011), S. 39–56.  
Added by: joachim 2012-12-03 19:21
Schopp, Andrew: "Interrogating the Manipulation of Fear. V for Vendetta, Batman Begins, Good Night, and Good Luck, and America’s “War on Terror”." In: The War on Terror and American Popular Culture. September 11 and Beyond. Hrsg. v. Andrew Schopp und Matthew B. Hill. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2009, S. 259–286.  
Last edited by: joachim 2014-04-06 10:30
Shadrack, Jasmine: "V versus Hollywood. A discourse on polemic thievery." In: Studies in Comics 2.1 (2011), S. 195–205.  
Last edited by: joachim 2012-12-03 19:58
de Sousa Caetano, Joana Catarina: "Memories are Forever. Transhumanism and Cultural Memory in V for Vendetta, Oblivion and The Giver." In: Via Panorâmica 5 (2016), S. 29–38, .  
Last edited by: joachim 2021-10-22 00:40
Summers, Tim: "‘Sparks of Meaning’. Comics, Music and Alan Moore." In: Journal of the Royal Musical Association 140.1 (2015), S. 121–162.  
Last edited by: joachim 2016-09-07 08:55
Vanderbeke, Dirk und Marie Vanderbeke: "Graphic Dystopia. Watchmen (Moore/Gibbons, 1986–1987) and V for Vendetta (Moore/Lloyd, 1982–1989)." In: Dystopia, Science Fiction, Post-Apocalypse. Classics – New Tendencies – Model Interpretations. Hrsg. v. Eckart Voigts und Alessandra Boller. Trier: Wissenschaftlicher Verlag Trier, 2015, S. 201–220.  
Added by: joachim 2015-12-04 11:26
Veith, Natalie: Distorted Voices. Counter-Narratives in the Works of Alan Moore. M.A. (Magisterarbeit), Johann Wolfgang Goethe-Universität, Institut für England- und Amerikastudien 2013 (113 S.).  
Last edited by: joachim 2014-08-03 22:21
Venezia, Tony: "Seduction of the Innocent. V for Vendetta as Gothic (Graphic) Novel." In: Gothic Bastards. Genre, Innovation and Contemporary Fictions. Hrsg. v. Fred Botting und Catherine Spooner. Manchester, New York: Manchester Univ. Press, 2015.  
Added by: joachim 2014-08-04 17:19
Whittaker, Jason: "From Hell. Blake and Evil in Popular Culture." In: Blake, Modernity and Popular Culture. Hrsg. v. Steve Clark. New York [etc.]: Palgrave Macmillan, 2007, S. 192–204.  
Last edited by: joachim 2020-08-12 14:59
Wüllner, Daniel: "Gelebte Apokalypse. Endzeiten in den britischen Comicmagazinen der 1980er Jahre." In: Comicgate Magazin 7 (2012), S. 57–60.  
Added by: joachim 2014-02-18 17:38
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