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Displaying 1 - 100 of 119 (Bibliography: WIKINDX Master Bibliography)
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de Assis, Érico Gonçalves: "The Letterer as a Translator in Comics Translation." In: Comics – Übersetzungen und Adaptionen. Hrsg. v. Nathalie Mälzer. (TRANSÜD, 76.) Berlin: Frank & Timme, 2015, S. 251–268.  
Added by: joachim 11/02/2018 12:23:22 PM
Balzer, Jens und Jens R. Nielsen: "»Der Autorencomic ist ein mißlungenes Experiment«. Christian Gorny." In: Comic Almanach (1993), S. 43–48.  
Added by: joachim 08/29/2016 02:25:23 PM
Beaty, Bart: "The Concept of “Patrimoine” in Contemporary Franco-Belgian Comics Production." In: History and Politics in French-Language Comics and Graphic Novels. Hrsg. v. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008, S. 69–93.  
Added by: joachim 10/13/2010 12:45:50 AM
Benatti, Francesca: "Superhero comics and the digital communications circuit. A case study of Strong Female Protagonist." In: Journal of Graphic Novels and Comics 10.3 (2019), S. 306–319.  
Last edited by: joachim 07/12/2020 02:04:43 PM
Berthou, Benoît: "La bande dessinée franco-belge. Quelle industrie culturelle ?" In: Textyles 36–37 (2010), S. 43–57.  
Added by: joachim 10/04/2013 11:10:27 AM
Bettley, James (Hg.): The Art of the Book. From Medieval Manuscript to Graphic Novel. London: V&A, 2001. (208 S.)  
Added by: joachim 11/10/2010 02:35:37 AM
Blackmore, Tim: "Doug Murray’s The ’Nam, a comic battle for Vietnam at home and abroad." In: LIT. Literature Interpretation Theory 5.3–4 (1994), S. 213–225.  
Added by: joachim 02/08/2015 11:19:25 AM
Boyask, Ruth: "Reading Community in Funtime Comics. A New Zealand Narrative." In: International Journal of Comic Art 2.2 (2000), S. 152–163.  
Last edited by: joachim 05/02/2013 05:11:25 PM
Brandl, Katharina und Anne Elizabeth Moore: "Bound to fail. Living and working conditions in the comics industry." In: Closure 5 (2019), (7. Jan. 2019)  
Added by: joachim 01/07/2019 07:20:51 PM
Bredehoft, Thomas A. The Visible Text. Textual Production and Reproduction from Beowulf to Maus. (Oxford Textual Perspectives.) New York: Oxford Univ. Press, 2014. (182 S.)  
Last edited by: joachim 10/18/2014 01:13:04 PM
Brienza, Casey E. und Paddy Johnston (Hgg.): Cultures of Comics Work. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2016. (308 S.)  
Last edited by: joachim 02/10/2017 12:00:56 PM
Brienza, Casey E. "Producing comics culture. A sociological approach to the study of comics." In: Journal of Graphic Novels and Comics 1.2 (2010), S. 105–119.  
Last edited by: joachim 01/14/2016 10:42:51 PM
---: "Sociological Perspectives on Japanese Manga in America." In: Sociology Compass 8.5 (2014), S. 468–477.  
Added by: joachim 12/13/2017 07:48:16 PM
Byrne, Craig: The Dark Knight. Featuring Production Art and Full Shooting Script. New York: Universe, 2008. (239 S.)  
Added by: joachim 07/13/2012 07:46:00 AM
Campbell, Eddie: "Comics on the Main Street of Culture." In: ImageTexT 1.2 (2005), (6. Juli 2012)  
Last edited by: joachim 07/06/2012 12:52:49 PM
Capp, Al: "“The Comic Page Is the Last Refuge of Classic Art”." In: Nemo. The Classic Comics Library 18 (1986), S. 16–17.  
Added by: joachim 05/31/2016 08:51:07 AM
Caraco, Benjamin: "La communication éditoriale. Un outil de légitimation. Le cas de L’Association." In: Comicalités (28. Sept. 2013), (3. Okt. 2013)  
Added by: joachim 10/04/2013 12:01:50 AM
Carpenter, Stanford W. "Ethnography of Production. Editor Axel Alonso and the Sale of Ideas." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 167–177.  
Added by: joachim 03/11/2014 05:40:20 PM
Cavallaro, Dani: The Art of Studio Gainax. Experimentation, Style and Innovation at the Leading Edge of Anime. Jefferson, London: McFarland, 2009. (228 S.)  
Added by: joachim 06/04/2013 05:42:12 PM
---: Kyoto Animation. A Critical Study and Filmography. Jefferson, London: McFarland, 2012. (200 S.)  
Added by: joachim 06/04/2013 06:09:11 PM
Ciment, Gilles (Hg.): L’état de la bande dessinée. Vive la crise? (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2008. (224 S.)  
Last edited by: joachim 02/25/2012 11:44:41 PM
Clarke, M. J. "The production of the Marvel Graphic Novel series. The business and culture of the early direct market." In: Journal of Graphic Novels and Comics 5.2 (2014), S. 192–210.  
Added by: joachim 06/22/2014 04:33:18 PM
Dicker, Barnaby: "André Breton, Rodolphe Töpffer and the Automatic Message." In: Surrealism, Science Fiction, and Comics. Hrsg. v. Gavin Parkinson. Liverpool: Liverpool Univ. Press, 2015, S. 40–61.  
Added by: joachim 02/19/2017 05:53:21 PM
Dony, Christophe, Tanguy Habrand und Gert Meesters (Hgg.): La bande dessinée en dissidence / Comics in Dissent. Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. (ACME, 1.) Liège: Presses Univ. de Liège, 2014. (220 S.)  
Last edited by: joachim 06/25/2018 12:09:57 PM
Dozo, Björn-Olav: "La bande dessinée francophone contemporaine à la lumière de sa propre critique. Quand une avant-garde esthétique s’interroge sur sa pérennité." In: Belphégor 6.2 (2007), (4. Okt. 2013)  
Last edited by: Deleted user 01/06/2015 09:52:41 AM
Ecke, Jochen: The British Comic Book Invasion. Alan Moore, Warren Ellis, Grant Morrison and the Evolution of the American Style. (Critical Explorations in Science Fiction and Fantasy, 64.) Jefferson: McFarland, 2019. (273 S.)  
Last edited by: joachim 02/11/2019 12:52:06 AM
Eng, Lawrence: "The Fans Who Became Kings. Gainax and Otaku Culture." In: Ga-netchū! The Manga Anime Syndrome. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 86–93.  
Added by: joachim 02/15/2011 12:19:13 PM
---: "The Fans Who Became Kings. Gainax und die Otaku-Kultur." In: Ga-netchū! Das Manga Anime Syndrom. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 86–95.  
Added by: joachim 02/23/2011 02:33:24 PM
Fagence, Brian: "Writing Art. Revealing Distinctive Modes." In: Journal of Writing in Creative Practice 4.2 (2011), S. 177–188.  
Added by: joachim 08/04/2013 02:44:56 PM
Farthing, Anthony und Ernesto F. Priego Ramirez: "‘Graphic Medicine’ as a Mental Health Information Resource. Insights from Comics Producers." In: The Comics Grid 6.3 (2016), (14. Febr. 2016)  
Added by: joachim 02/14/2016 11:29:33 AM
Flora, Cornelia Butler: "Fotonovelas. Message Creation and Reception." In: Journal of Popular Culture 14 (1980), S. 524–534.  
Last edited by: joachim 07/31/2010 11:22:28 AM
du Fontbaré, Vicky und Philippe Sohet: "Codes culturels et logique de classe dans la bande dessinée." In: Communications 24 (1976), S. 62–80.  
Last edited by: joachim 02/13/2013 03:42:11 PM
Frahm, Ole: "Produktion, Distribution und Rezeption von Comics und Graphic Novels." In: Comics und Graphic Novels. Eine Einführung. Hrsg. v. Julia Abel und Christian Klein. Stuttgart: Metzler, 2015, S. 38–55.  
Last edited by: joachim 04/23/2016 08:33:17 AM
Friedlander, Keith: "The editor, the author function, and the social function. A methodological survey." In: Journal of Graphic Novels and Comics 9.2 (2018), S. 157–172.  
Last edited by: joachim 11/12/2020 07:18:03 PM
Gaete, Tomás: Produciendo Condorito. Génesis y Desarrollo del Trabajo Artístico en la revista. Santiago de Chile: Ocho Libros, 2018.  
Last edited by: joachim 08/16/2019 12:19:25 AM
Garric, Henri: "Imaginaire des auteurs et engendrement des images." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 9–18.  
Added by: s5magaub 05/10/2016 08:24:02 PM
--- (Hg.): L’engendrement des images en bande dessinée. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013. (233 S.)  
Last edited by: joachim 01/14/2016 11:18:18 PM
---: "L’engendrement du gag dans Gaston Lagaffe de Franquin." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 43–54.  
Last edited by: joachim 02/19/2017 12:24:31 PM
Giesa, Felix und Klaus Schikowski: "Zwischen populär und Avantgarde. Die vielfältige Produktion von Comics an deutschen Hochschulen." In: COMIC!-Jahrbuch (2010), S. 50–57.  
Added by: joachim 04/06/2011 10:34:00 AM
Goddin, Philippe: Comment nait une bande dessinée. Par-dessus l’epaule d’Hergé. Tournai: Casterman, 1991. (47 S.)  
Added by: joachim 01/14/2016 11:09:27 PM
Gordon, Ian: "Comics, Creators, and Copyright. On the Ownership of Serial Narratives by Multiple Authors." In: A Companion to Media Authorship. Hrsg. v. Jonathan Gray und Derek Johnson. Chichester: Wiley-Blackwell, 2013, S. 221–236.  
Last edited by: joachim 03/12/2014 08:08:29 AM
---: "Culture of Consumption. Commodification through Superman: Return to Krypton." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 157–166.  
Last edited by: joachim 03/11/2014 05:08:11 PM
Grabensberger, Horst: »Ächz! Stöhn! Grunz!«. Soziokulturelle und ökonomische Interdependenzen, die zur Marginalisierung des Mediums Comic in Österreich führten.(Diplomarbeit), FH St. Pölten, Telekommunikation und Medien 2000 (110 S.).  
Added by: joachim 08/02/2011 04:38:31 PM
Grant, Pat: Bodies on the Boards. Materiality and movement in the production of comic books and graphic novels. Thesis (PhD), Macquarie University, Dept. of Media, Music, Communication and Cultural Studies 2014 (348 S.).  
Added by: joachim 01/05/2018 12:54:41 PM
Grennan, Simon: A Theory of Narrative Drawing. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2017. (277 S.)  
Added by: joachim 01/16/2018 08:57:12 PM
Groensteen, Thierry: La bande dessinée. Son histoire et ses maîtres. Paris: Skira-Flammarion, 2009. (422 S.)  
Added by: joachim 06/09/2014 08:43:28 AM
---: "Le cadavre tombé de rien ou la troisième qualité du scénariste." In: Revue de l’Université de Bruxelles 1–2 (1986), S. 111–118.  
Last edited by: joachim 07/08/2012 11:04:24 AM
Grünangerl, Manuela: "Comic-Visionen im Umbruch. Politische und gesellschaftliche Wandlungsprozesse in der portugiesischen Comicproduktion der 1970er Jahre." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 289–310.  
Last edited by: joachim 03/21/2019 03:26:30 PM
Guazzelli Filho, Eloar: Canini e o anti-herói brasileiro. Do Zé Candango ao Zé – realmente – Carioca. Mestre em Ciências da Comunicação (Dissertação), Universidade de São Paulo, Escola de Comunicações e Artes 2009 (190 S.).  
Last edited by: joachim 07/22/2015 03:51:08 PM
Hatfield, Charles: "Do Independent Comics Still Exist in the US and Canada?" In: La bande dessinée en dissidence / Comics in Dissent. Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. Hrsg. v. Christophe Dony, Tanguy Habrand und Gert Meesters. (ACME, 1.) Liège: Presses Univ. de Liège, 2014, S. 59–78.  
Last edited by: joachim 06/25/2018 12:08:57 PM
Hein, Michael: "Studio Hergé." In: Lexikon der Comics. Hrsg. v. Marcus Czerwionka. Meitingen: Corian, 1992.  
Added by: joachim 05/10/2014 07:32:08 AM
Hogben, Lancelot: From the Cave Painting to the Comic Strip. A Kaleidoscope of Human Communication. 2. Aufl. Kessinger Publ. 2005. (308 S.)  
Added by: joachim 12/15/2009 02:57:27 PM
Huston, Shaun: "Live/Work. Portland, Oregon as a Place for Comics Creation." In: Comic Book Geographies. Hrsg. v. Jason Dittmer. (Media Geography at Mainz, 4.) Stuttgart: Franz Steiner, 2014, S. 59–71.  
Added by: joachim 06/27/2014 09:47:13 AM
Johnson, Mindy: Ink & Paint. The Women of Walt Disney’s Animation. New York: Disney Ed. 2017. (384 S.)  
Last edited by: joachim 08/04/2018 01:07:25 PM
Jones, Ken: "Russ Heath. Out of the West." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library.) Seattle: Fantagraphics, 2005, S. 52–63.  
Added by: joachim 03/01/2013 05:22:33 PM
Kinsella, Sharon: Adult Manga. Culture and Power in Contemporary Japanese Society. (ConsumAsian.) London, New York: Routledge, 2000. (228 S.)  
Last edited by: joachim 02/14/2011 07:36:48 PM
Kivi, Mirja, Virpi Vainikainen und Ikuko Kishimoto: What’s This? Tove Janssonin muumisarjakuvia ja luonnoksia. (Tampereen taidemuseon julkaisuja, 119.) Tampere: Tampereen taidemuseo, 2005. (160 S.)  
Added by: joachim 11/05/2016 10:45:23 PM
Klaehn, Jeffery: "Frame to frame, composition, light and shadow. An interview with comic book artist Gene Colan." In: Journal of Graphic Novels and Comics 5.4 (2014), S. 470–474.  
Added by: joachim 07/30/2015 05:45:01 PM
Köhn, Stephan: "Magical Girl als alternative Gender-Räume im Anime. Genderkonfigurationen und -konstruktionen am Beispiel der Fernsehserie »Pretty Cure«." In: Japanische Populärkultur und Gender. Ein Studienbuch. Hrsg. v. Michiko Mae, Elisabeth Scherer und Katharina Hülsmann. (Geschlecht und Gesellschaft, 62.) Wiesbaden: Springer VS, 2016, S. 51–74.  
Last edited by: joachim 02/24/2020 04:31:43 PM
Kolditz, Niels: "ICOM." In: Comics Anno 3 (1995), S. 291–292.  
Added by: joachim 08/04/2010 11:25:27 AM
Krantz, Gunnar: "Teaching comics in class. Between mainstream and the alternative." In: Studies in Comics 6.1 (2015), S. 179–189.  
Added by: joachim 10/17/2017 01:21:56 AM
Kreider, Tim: "Throwing the Book at Cartoonists." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 189–192.  
Last edited by: joachim 10/21/2017 05:22:08 PM
Kunzle, David: "The Gourary Töpffer Manuscript of Monsieur Jabot. A Question of Authenticity. With the Dating and Distribution of Rodolphe Töpffer's First Published Picture Story, and the World's First Modern Comic Strip." In: European Comic Art 2 (2009), S. 173–203.  
Added by: joachim 09/30/2010 01:10:25 AM
Lackaff, Derek und Michael Sales: "Black comics and social media economics. New media, new production models." In: Black Comics. Politics of Race and Representation. Hrsg. v. Sheena C. Howard und Ronald L. Jackson II. New York: Bloomsbury, 2013, S. 65–78.  
Added by: joachim 09/24/2019 12:37:48 AM
Lacroix, Yves: "Une esthétique de la contrainte." In: MEI 26 (2007), S. 55–70.  
Added by: joachim 09/09/2014 04:06:55 PM
Ladd, Fred: Astro Boy and Anime Come to the Americas. An Insider’s View of the Birth of a Pop Culture Phenomenon. Jefferson, London: McFarland, 2009. (222 S.)  
Last edited by: joachim 07/14/2011 10:49:35 AM
Lainé, Jean-Marc: Stan Lee. Homère du XXe siècle. (La bibliothèque des miroirs-BD, 9.) Lyon: Les moutons électriques, 2013. (244 S.)  
Last edited by: joachim 07/16/2016 12:09:53 PM
Lamarre, Thomas: "Full Limited Animation." In: Ga-netchū! The Manga Anime Syndrome. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 106–119.  
Added by: joachim 02/15/2011 12:27:38 PM
---: "Full Limited Animation." In: Ga-netchū! Das Manga Anime Syndrom. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 106–119.  
Last edited by: joachim 02/23/2011 02:43:04 PM
Lau, Peter: "Glück gehabt." In: brand eins 8 (2006), S. 76–81.  
Added by: joachim 05/15/2014 09:23:58 AM
Lefèvre, Pascal: "Gatekeeping in Comics Publishing. A Practical Guide to Gatekeeping Research." In: Cultures of Comics Work. Hrsg. v. Casey E. Brienza und Paddy Johnston. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2016, S. 205–218.  
Added by: joachim 06/07/2018 11:07:23 AM
---: "Mixed Visual Media from the Standpoint of the Reader/Spectator." In: ImageTexT 9.2 (2017), (14. Okt. 2017)  
Added by: joachim 10/14/2017 02:24:35 PM
Levitz, Paul: "Inside the Editorial Process. Mad Veterans Jaffee and Meglin Look at Their Editors." In: Studies in American Humor 30 (2014), S. 7–24.  
Added by: joachim 07/01/2015 07:06:57 AM
Lopes, Paul. "Sequential Tarts. Gender Intervention in American Comic Book Culture". Great Divides: Transgressing Boundaries: Québec, 11.–14. Aug. 2006.  
Last edited by: joachim 06/21/2013 09:43:44 PM
Maser, Verena: Beautiful and Innocent. Female Same-Sex Intimacy in the Japanese Yuri Genre. Dr. (Dissertation), Universität Trier, Japanologie 2015 (176 S.).  
Last edited by: joachim 09/04/2016 03:00:54 PM
Maxwell, Matt: The Collected Full Bleed. El Dorado Hills: Highway 62, 2013. (477 S.)  
Added by: joachim 04/02/2015 09:10:26 AM
Meyer, Christina: "»Noch besser, bunter und mehr davon«. Comicproduktion und Comicästhetik im 19. Jahrhundert." In: Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Hrsg. v. Hans-Joachim Backe et al. Berlin u. Boston: de Gruyter, 2018, S. 151–176.  
Added by: joachim 08/13/2020 10:02:43 AM
Miers, John: "Depiction and demarcation in comics. Towards an account of the medium as a drawing practice." In: Studies in Comics 6.1 (2015), S. 145–156.  
Added by: joachim 08/12/2015 07:18:52 AM
Moe, Anders: Japanese Comics. The Reasons for their Popularity and Place in the Popular Culture.(Hovedoppgave), Universitetet i Oslo 2004 (120 S.).  
Added by: joachim 12/23/2010 06:04:10 PM
Murray, Padmini Ray: "Behind the Panel. Examining Invisible Labour in the Comics Publishing Industry." In: Publishing Research Quarterly (2013).  
Added by: joachim 11/16/2013 12:55:10 AM
---: "Scott Pilgrim vs the future of comics publishing." In: Studies in Comics 3.1 (2012), S. 129–142.  
Added by: joachim 01/08/2013 02:46:24 PM
Murtfeldt, Edward W. "Making of a “Funny”." In: Popular Science Monthly 136.6 (1940), S. 85–88.  
Added by: joachim 08/19/2016 01:38:40 PM
Norcliffe, Glen und Olivero Rendace: "New Geographies of Comic Book Production in North America. The New Artisan, Distancing, and the Periodic Social Economy." In: Economic Geography 79.3 (2003), S. 241–264.  
Last edited by: joachim 02/16/2012 11:56:22 AM
Okeda, Daisuke und Aki Koike: "Working conditions of animators. The real face of the Japanese animation industry." In: Creative Industries Journal 3.3 (2011), S. 261–271.  
Added by: joachim 04/05/2014 04:21:55 PM
Oppolzer, Markus: "Reaching an audience. The publication history of David Hine’s Strange Embrace." In: Journal of Graphic Novels and Comics 7.3 (2016), S. 268–282.  
Last edited by: joachim 10/19/2020 01:58:23 PM
Orbaugh, Sharalyn: "Creativity and Constraint in Amateur Manga Production." In: U.S.-Japan Women's Journal 25 (2003), S. 104–124.  
Last edited by: joachim 03/02/2011 02:48:54 AM
Packalén, Leif und Frank Odoi: Comics with an Attitude. A Guide to the Use of Comics in Development Information. Helsinki: Ministry for Foreign Affairs of Finland, 1999. (96 S.)  
Added by: joachim 11/18/2009 02:10:36 PM
Packalén, Leif und Sharad Sharma: Grassroots Comics – a development communication tool. Helsinki: Ministry for Foreign Affairs of Finland, 2007. (162 S.)  
Last edited by: joachim 03/19/2010 02:58:59 AM
Pearson, Roberta E. und William Uricchio: "Notes from the Batcave. An Interview with Dennis O’Neil." In: Many More Lives of the Batman. Hrsg. v. Roberta E. Pearson, William Uricchio und Will Brooker. London: BFI Palgrave, 2015, S. 21–32.  
Added by: joachim 09/14/2016 04:45:12 PM
---: "Notes from the Batcave. An Interview with Dennis O’Neil." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 18–32.  
Last edited by: joachim 05/16/2012 08:16:37 AM
Pforte, Dietger: "Zur Produktion von Comics." In: Comics im ästhetischen Unterricht. Hrsg. v. Dietger Pforte. (Kritische Literaturwissenschaft, 5.) Frankfurt am Main: Athenäum Fischer, 1974, S. 277–292.  
Added by: joachim 06/07/2012 12:22:51 PM
Rageul, Anthony: La bande dessinée saisie par le numérique. Formes et enjeux du récit reconfiguré par l’interactivité. Thèse de doctorat Université européenne de Bretagne, École doctorale Arts, Lettres, Langues 2014 (429 S.).  
Added by: joachim 08/20/2018 11:56:32 AM
Reyns-Chikuma, Chris: "Les Ignorants, récit d’une initiation croisée, d’Etienne Davodeau (2011). Parallèle et solidarité des cultures alternatives du vin et de la bande dessinée." In: Contemporary French Civilization 43.2 (2018), S. 275–304.  
Last edited by: joachim 05/21/2020 01:04:14 PM
Roche, Matilda: "Fiona Staples and the Long Horizon." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 180–193.  
Last edited by: joachim 05/14/2018 11:19:13 AM
Rogers, Mark C. "Political Economy. Manipulating Demand and “The Death of Superman”." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 145–156.  
Last edited by: joachim 03/11/2014 05:06:26 PM
---: "Understanding Production. The Stylistic Impact of Artisan and Industrial Methods." In: International Journal of Comic Art 8.1 (2006), S. 509–517.  
Last edited by: joachim 06/09/2013 12:28:40 PM
Romaguera, Gabriel: "Waiting for the Next Part. How the Temporal Dimensions of Digital Serialisation Have Changed Author-Reader Dynamics." In: Networking Knowledge 8.4 (2015), (13. Aug. 2015)  
Last edited by: joachim 08/14/2015 06:38:51 AM
Round, Julia: "“Is this a book?”. DC Vertigo and the Redefinition of Comics in the 1990s." In: The Rise of the American Comics Artist. Creators and Contexts. Hrsg. v. Paul Williams und James Lyons. Jackson: Univ. Press of Mississippi, 2010, S. 14–30.  
Last edited by: joachim 01/11/2011 10:02:58 PM
Sackmann, Eckart: "Der Verleger als künstlerischer Entscheider: Caspar Braun." In: Deutsche Comicforschung 7 (2011), S. 7–14.  
Added by: joachim 12/30/2010 10:52:49 AM
Schneider, Greice: "The Joy and the Burden of the Comics Artist. The role of boredom in the production of comics." In: Comics Forum (8. Aug. 2011), (4. März 2014)  
Last edited by: joachim 03/04/2014 02:04:31 PM
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