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Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic Mothers, Fetishism, and Replacement in the Comics of Los Bros Hernandez (Part I)." The Hooded Utilitarian 2012. Accessed 6Oct. 2014. <http://www.hoodedutilit ... -bros-hernandez-part-i/>. |
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Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic Mothers, Fetishism, and Replacement in the comics of Los Bros Hernandez (Part II)." The Hooded Utilitarian 2012. Accessed 6Oct. 2014. <http://www.hoodedutilit ... bros-hernandez-part-ii/>. |
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Börnchen, Stefan. "Zum Geburtstag viel Freud: Paranoia und paranoide Geschlechter-Codes in »Superman’s Romance With Wonder Woman!«." Jahrbuch für Literatur und Psychoanalyse 26. (2007): 203–43. |
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Buljan, Katharine. "The Uncanny and the Robot in the Astro Boy Episode “Franken”." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... -boy-episode-“franken”/>. |
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Coppin, Lisa. "Looking Inside Out: The vision as particular gaze in From Hell (Alan Moore & Eddie Campbell)." Image [&] Narrative 3. 1 2003. Accessed 27Jul. 2009. <http://www.imageandnarr ... /uncanny/lisacoppin.htm>. |
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Dean-Ruzicka, Rachel. "Mourning and Melancholia in Alison Bechdel’s Fun Home: A Family Tragicomic." ImageTexT 7. 2 2013. Accessed 11Feb. 2014. <http://www.english.ufl. ... ives/v7_2/dean-ruzicka/>. |
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Dycus, Dallas J. Sins of the Fathers: Oedipal Characteristics in Jimmy Corrigan. Theology, Aesthetics, and Culture: Conversations on the Work of David Brown: St Andrews, 7Sep, 2010. |
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Getzfeld, Andrew R. "What Would Freud Say? Psychopathology and the Punisher." The Psychology of Superheroes. An Unauthorized Exploration. Eds. Robin S. Rosenberg and Jennifer Canzoneri. Psychology of Popular Culture. Dallas: Benbella Books, 2008. 163–74. |
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Harnett, John. "Framing the Subconscious: Envisioning the Polysemic Narrative of the Graphic Novel as a Reference Point for Psychoanalytical and Semiotic Discourse." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 73–83. |
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Hewitson, Mark. "Black Humour: Caricature in Wartime." Oxford German Studies 41. (2012): 213–35. |
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Hood-Williams, John. "Stories for Sexual Difference." British Journal of Sociology of Education 18. (1997): 81–99. |
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Khng, Desiree L. "Philosophising gender politics in Y: The Last Man." Journal of Graphic Novels and Comics 7. (2016): 167–77. |
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Kohn, Ayelet and Rachel Weissbrod. "Waltz with Bashir as a Case of Multidimensional Translation." Translation, Adaptation and Transformation. Ed. Laurence Raw. Continuum Advances in Translation. London, New York: Bloomsbury T&T Clark, 2012. 123–44. |
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Kruschwitz, Hans. Utopische Sehnsucht nach Angst: Von Morus’ Utopia zu Moores Watchmen. Comiqheft / Comiqbook. Berlin: Ch.A. Bachmann, 2017. |
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Madill, Anna. "Men on the market: Feminist analysis of age-stratified male–male romance in Boys’ Love manga." Studies in Comics 7. (2016): 265–87. |
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Malone, Paul M. "My Own Private Apocalypse: Shinji Ikari as Schreberian Paranoid Superhero in Hideaki Anno’s Neon Genesis Evangelion." Super/Heroes. From Hercules to Superman. Eds. Wendy Haslem, Angela Ndalianis and Chris Mackie. Washington: New Academia Publishing, 2007. 111–26. |
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McConeghy, David. "Facing the Monsters: Otherness in H. P. Lovecraft’s Cthulhu Mythos and Guillermo del Toro's Pacific Rim and Hellboy." Religions 11. 2 2020. Accessed 10May. 2021. <https://www.mdpi.com/624078>. |
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Murray, Christopher. "‘These are not our Promised Resurrections’: Unearthing the uncanny in Alan Moore’s A Small Killing, From Hell, and A Disease of Language." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 215–34. |
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Padva, Gilad. "Traumboys, Schlächter und Werwölfe: Zur Visualisierung erotischer Identitäten in pornografischen Comic-Strips für homosexuelle Männer." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 401–18. |
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Peaslee, Robert Moses. "Spidey Meets Freud: Central Psychoanalytic Motifs in Spider-Man and Spider-Man 2." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 195–208. |
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Priego Ramirez, Ernesto F. "Sin Titulo, by Cameron Stewart, page 1." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 16–18. |
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Samson, Jacques. "Adventures of the Proper Name in Tintin in Tibet." European Comic Art 5. (2012): 71–107. |
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Shannon, Edward A. "Something Black in the American Psyche: Formal Innovation and Freudian Imagery in the Comics of Winsor McCay and Robert Crumb." Canadian Review of American Studies 40. (2010): 187–211. |
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Stenzel, Katharina. "Vater-Sohn-Beziehungen im Jimmy Corrigan – ödipale Konflikte?." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 39–43. |
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Tisseron, Serge. "Bianca Castafiore or The Woman and her Jewel." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2014. 263–74. |
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Tribunella, Eric L. "Literature for Us “Older Children”: Lost Girls, Seduction Fantasies, and the Reeducation of Adults." Journal of Popular Culture 25. (2012): 628–48. |
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