| Boatright, Michael D. "Graphic Journeys. Graphic Novels’ Representations of Immigrant Experiences." In: Journal of Adolescent & Adult Literacy 53.6 (2010), S. 468–476. |
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| Chaney, Michael A. "Animal Subjects of the Graphic Novel." In: College Literature 38.3 (2011), S. 129–149. |
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| ---: "Animal Subjects of the Graphic Novel." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 44–66. |
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| Cook, Mike P. und Ryle Frey: "Using Superheroes to Visually and Critically Analyze Comics, Stereotypes, and Society." In: SANE journal 2.2 (2017). |
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| Davis, Rocío G. "American Born Chinese. Challenging the Stereotype." In: Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Hrsg. v. Michael A. Chaney. (Wisconsin Studies in Autobiography.) Madison: Univ. of Wisconsin Press, 2011, S. 279–281. |
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| ---: "Childhood and Ethnic Visibility in Gene Yang’s American Born Chinese." In: Prose Studies 35.1 (2013), S. 7–15. |
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| Dong, Lan: "Reimagining the Monkey Kind in Comics. Gene Lueng Yang’s American Born Chinese." In: The Oxford Handbook of Children’s Literature. Hrsg. v. Julia Mickenberg und Lynne Vallone. (Oxford Handbooks.) New York: Oxford Univ. Press, 2011, S. 231–251. |
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| Doughty, Jonathan: "More than Meets the “I”. Chinese Transnationality in Gene Luen Yang’s American Born Chinese." In: Asian American Literature 1 (2010), S. 54–60, . |
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| Earle, Harriet E. H. "“The Sky Is Darkened by Gods”. Spirituality, Strength, and Violence in Gene Luen Yang’s Boxers and Saints." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 75–90. |
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| El Refaie, Elisabeth: "Transnational Identity as Shape-Shifting. Metaphor and Cultural Resonance in Gene Luen Yang’s American Born Chinese." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 33–47. |
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| Added by: joachim 4/13/13, 8:01 PM |
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| Gardner, Jared: "Same Difference. Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 132–148. |
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| Added by: joachim 12/11/12, 12:14 AM |
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| Gilroy, Andréa: Origin Stories. Narrative, Identity, and the Comics Form. Diss. (PhD), University of Oregon, Dept. of Comparative Literature 2015 (169 S.). |
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| Added by: joachim 12/9/17, 2:10 PM |
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| Grice, Karly Marie: "What Is China but a People and Their (Visual) Stories? The Synthetic in Narratives of Contest in Gene Luen Yang's Boxers & Saints." In: Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Hrsg. v. Michelle Ann Abate und Gwen Athene Tarbox. (Children’s Literature Association Series.) Jackson: Univ. Press of Mississippi, 2017, S. 32–44. |
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| Gutierrez, Anna Katrina: Mixed Magic. Global-local dialogues in fairy tales for young readers. (Children’s Literature, Culture, and Cognition, 8.) Amsterdam: John Benjamins, 2017. (230 S.) |
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| Hathaway, Rosemary V. "“More than Meets the Eye”. Transformative Intertextuality in Gene Luen Yang’s American Born Chinese." In: ALAN Review 37.1 (2009), S. 41–47, . |
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| Liu, Kuilan: "When the Monkey King Travels across the Pacific and Back. Reading Gene Luen Yang’s American Born Chinese in China." In: Drawing New Color Lines. Transnational Asian American Graphic Narratives. Hrsg. v. Monica Chiu. Hong Kong: Hong Kong Univ. Press, 2015, S. 109–124. |
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| Ma, Sheng-mei: Sinophone-Anglophone Cultural Duet. New York [etc.]: Palgrave Macmillan, 2017. (240 S.) |
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| Munson, Todd S. "Transformers and Monkey Kings. Gene Yang’s American Born Chinese and the Quest for Identity." In: Comic Books and American Cultural History. An Anthology. Hrsg. v. Matthew Pustz. London, New York: Continuum, 2012, S. 171–183. |
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| Pinti, Daniel: "Theology and Identity in Gene Luen Yang’s American Born Chinese." In: Literature and Theology 30.2 (2016), S. 233–247. |
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| Schieble, Melissa: "A case for interruption in the virtual English classroom with the graphic novel American Born Chinese." In: Australian Journal of Language and Literacy 34.2 (2011), S. 202–218. |
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| ---: "Reading Images in American Born Chinese through Critical Visual Literacy." In: English Journal 103.5 (2014), S. 47–52. |
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| Smith, Philip: "Postmodern Chinoiserie in Gene Luen Yang’s American Born Chinese." In: Literature Compass 11.1 (2014), S. 1–14, . |
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| Last edited by: joachim 6/14/19, 7:52 PM |
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| ---: "A Priest Dressed as a Man of Letters. Gene Luen Yang’s Boxers and Saints and the Legacy of Father Matteo Ricci." In: International Journal of Comic Art 16.2 (2014), S. 288–299. |
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| Song, Min Hyoung: The Children of 1965. On Writing, and Not Writing, as an Asian American. Durham: Duke Univ. Press, 2013. (284 S.) |
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| ---: "“How Good It Is to Be a Monkey”. Comics, Racial Formation, and American Born Chinese." In: Mosaic 43.1 (2010), S. 73–92. |
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| Stratman, Jake: "Christian Forgiveness in Gene Luen Yang’s Animal Crackers and Eternal Smile. A Thematic Analysis." In: Teaching Comics Through Multiple Lenses. Critical Perspectives. Hrsg. v. Crag Hill. London, New York: Routledge, 2017, S. 95–109. |
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| Last edited by: joachim 6/9/22, 8:41 PM |
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| Suhr, Karl: "Play within a play and the doppelganger. Visual application of narrative devices in two graphic novels." In: Scan. Journal of media arts culture 6.1 (2009). |
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| Yang, Gene Luen: Comics in Education. Master of Education (Thesis), California State University, East Bay 2003. |
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| Zhao, Mu Shan: Claiming America Panel by Panel. Popular Culture in Asian American Comics. Master of Arts (Thesis), McMaster University 2010 (90 S.). |
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| Last edited by: joachim 9/4/14, 10:02 AM |
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