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Benton, Bond und Daniela Peterka-Benton: "When the Abyss Looks Back. Treatments of Human Trafficking in Superhero Comic Books." In: Popular Culture Studies Journal 1.1 & 2 (2013), S. 18–35. |
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Beronä, David A. "Wordless Comics. The Imaginative Appeal of Peter Kuper’s The System." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 17–26. |
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Bradley, Noelle P. "Masks That Reveal. Social Inequality in J.-J. Grandville’s Les Métamorphoses du Jour (1828–1829)." In: International Journal of Comic Art 8.1 (2006), S. 1–16. |
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Brown, Thomas J. "Deconstructing the Laughing Magician. Constantine, Hellblazer, & Their Role in the Comic Book Industry." In: Leaves 11 (2021), S. 115–140, . |
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Bruce, Douglas: "Notes toward a rhetoric of animation. The Road Runner as cultural critique." In: Critical Studies in Media Communication 18.2 (2001), S. 229–245. |
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Cheng Chua, Karl Ian Uy: "The Stories They Tell. Komiks during the Japanese Occupation, 1942–1944." In: Philippine Studies 53.1 (2005), S. 59–90. |
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Christiansen, Steen: "The Truth of the Word, the Falsity of the Image. Transmetropolitan's Critique of the Society of the Spectacle." In: Elective Affinities. Testing Word and Image Relationships. Hrsg. v. Catriona MacLeod, Véronique Plesch und Charlotte Schoell-Glass. (Word & Image Interactions, 6.) Amsterdam [etc.]: Rodopi, 2009, S. 147–158. |
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Frahm, Ole: "Die Fiktion des Graphischen Romans." In: Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Hrsg. v. Susanne Hochreiter und Ursula Klingenböck. Bielefeld: Transcript, 2014, S. 53–77. |
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Hampton, Mark: "The Political Cartoon as Educationalist Journalism. David Low’s portrayal of mass unemployment in interwar Britain." In: Journalism Studies (2013). |
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Kibala, Jakob: "Ausrangierte Menschen und Überleben am sozialen Rand in Desolation Jones. Warren Ellis’ Pop Comics und der amerikanische Mainstream." In: Testcard 21 (2011), S. 94–101. |
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Koelble, Thomas A. und Steven L. Robins: "Zapiro: The Work of a Political Cartoonist in South Africa—Caricature, Complexity, and Comedy in a Climate of Contestation." In: PS: Political Science and Politics 40.2 (2007), S. 315–318. |
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Maidment, Brian: Comedy, Caricature and the Social Order, 1820–50. Manchester, New York: Manchester Univ. Press, 2013. (256 S.) |
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Martínez, Christine M. "The affirmative politics of degrowth. Miguel Brieva’s graphic narrative Memorias de la Tierra." In: Journal of Spanish Cultural Studies 18.2 (2017), S. 191–212. |
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McKinney, Mark: "Histoire et critique sociale dans les bandes dessinées africaines-américaines et franco-africaines." In: Minorités ethniques anglophones et francophones. Etudes culturelles comparatives. Hrsg. v. Alec G. Hargreaves. Paris: L’Harmattan, 2004, S. 199–218. |
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McKinney, Kirsten A. "The Waking Life of Winsor McCay. Social Commentary in A Pilgrim’s Progress by Mr. Bunion." In: International Journal of Comic Art 17.1 (2015), S. 117–130. |
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Nishioka, Akane: "Yanase Masamus Proletarische Mangas im Licht seiner Grosz-Rezeption." In: Kulturkontakte. Szenen und Modelle in deutsch-japanischen Kontexten. Hrsg. v. Yuichi Kimura und Thomas Pekar. Bielefeld: Transcript, 2015, S. 267–290. |
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Otto, Martin: Der indische Comic und sein Einfluss auf gesellschaftliche Prozesse. Eine Untersuchung aus soziokultureller Sicht. Hamburg: Diplomica, 2015. (88 S.) |
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Stoll, Jeremy: Follow the River of Stories. Comics, Folk Culture, and Social Justice in Delhi. Diss. (PhD), Indiana University, Folklore and Ethnomusicology 2012 (267 S.). |
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Tullis, Brittany: "Paco Roca’s Arrugas, Miguel Ángel Gallardo’s María y yo, and the Impact of Social Comics in Contemporary Spain." In: International Journal of Comic Art 14.2 (2012), S. 77–89. |
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Vågnes, Øyvind: "Rudy Kelly’s Eyes. Chris Hedges and Joe Sacco’s Days of Destruction, Days of Revolt." In: European Journal of American Studies 10.2 (2015). |
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Xu, Yanrui und Ling Yang: "Forbidden love. Incest, generational conflict, and the erotics of power in Chinese BL fiction." In: Journal of Graphic Novels and Comics 4.1 (2013), S. 30–43. |
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Zeller-Jacques, Martin: "‘Are You Woman Enough to Survive?’. Bitch Planet’s Collaborative Critique of the Neo-Liberal Prison-Industrial Complex." In: The Palgrave Handbook of Incarceration in Popular Culture. Hrsg. v. Marcus Harmes, Meredith Harmes und Barbara Harmes. New York [etc.]: Palgrave Macmillan, 2020, S. 717–730. |
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