| Abbott, Stacey: "It (Re-)Started with a Girl. The Creative Interplay Between TV and Comics in Angel: After the Fall." In: The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Hrsg. v. AmiJo Comeford und Tamy Burnett. Jefferson, London: McFarland, 2010, S. 221–232. |
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| Agüera Santiago, Laura: "Superhero Representation in Netflix Produced Serial Fiction. The Case of Daredevil, Jessica Jones, Luke Cage, Iron Fist and the Punisher." In: In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Hrsg. v. Mario-Paul Martínez Fabre und Fran Mateu. Elche: Fantaelx, 2019, S. 177–201. |
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| Albano, Antonella: "Autoreverse: Fumetto↔Film↔Telefilm." In: Ol3Media 4.10 (2011). |
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| Albertsen, Anita Nell Bech: "Palimpsest characters in transfictional storytelling. On migrating Penny Dreadful characters from television to comic books." In: Continuum 33.2 (2019), S. 242–257. |
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| Allie, Scott: Buffy the Vampire Slayer Panel to Panel. The Art of the Comics, the First Seven Seasons. Milwaukie: Dark Horse, 2007. (190 S.) |
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| Allison, Anne: "A Challenge to Hollywood? Japanese Character Goods Hit the US." In: Japanese Studies 20.1 (2000), S. 67–88. |
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| ---: Millennial Monsters. Japanese Toys and the Global Imagination. (Asia: Local Studies/Global Themes, 13.) Berkeley: Univ. of California Press, 2006. (232 S.) |
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| Anders, Lisann (Hrsg.): The Force of The Umbrella Academy. Essays on Voices and Violence in the Comics and Netflix Series. Jefferson: McFarland, 2021. (170 S.) |
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| Baker, Kaysee und Arthur A. Raney: "Equally Super? Gender-Role Stereotyping of Superheroes in Children’s Animated Programs." In: Mass Communication and Society 10.1 (2007), S. 25–41. |
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| Barker, Cory, Chris Ryan und Myc Wiatrowski (Hrsg.): Mapping Smallville. Critical Essays on the Series and Its Characters. Jefferson, London: McFarland, 2014. (213 S.) |
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| Battis, Jes: "The Kryptonite Closet. Silence and Queer." In: The Smallville Chronicles. Critical Essays on the Television Series. Hrsg. v. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011, S. 45–64. |
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| Bauer, Gero: "Hope and Kinship in AMC’s »The Walking Dead«." In: Ethik in Serie. Hrsg. v. Cordula Brand und Simon Meisch. 2. Aufl. (Materialien zur Ethik in den Wissenschaften, 13.) Tübingen: Tübingen Library Publ. 2018, S. 121–132. |
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| Beard, Becky: "Aunt Harriet’s Film Decency League." In: Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Hrsg. v. Jim Beard. (Sequart Journal, 7.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 84–96. |
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| Beard, Jim: "“Giant Lighted Lucite Map of Gotham City”. An Introduction." In: Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Hrsg. v. Jim Beard. (Sequart Journal, 7.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 1–5. |
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| --- (Hrsg.): Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. (Sequart Journal, 7.) Edwardsville: Sequart Research & Literacy Organization, 2010. (296 S.) |
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| ---: "Such a Character. A Dissection of Two Sub-Species of Chiroptera homo sapiens." In: Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Hrsg. v. Jim Beard. (Sequart Journal, 7.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 56–75. |
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| Becker, Andreas: "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami). Ein Vergleich zwischen weiblicher und männlicher Rache im Manga und in der Filmadaption." In: Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Hrsg. v. Hyunseon Lee und Isabel Maurer Queipo. Bielefeld: Transcript, 2013, S. 197–218. |
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| Beddows, Emma: "Buffy the Transmedia Hero." In: Colloquy 24 (2012), S. 143–158, . |
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| Bennett, Brooke: "Tough women of the apocalypse. Gender performativity in AMC’s The Walking Dead." In: Horror Studies 10.1 (2019), S. 87–104. |
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| Ben-Porat, Ziva: "Method in MADness. Notes on the Structure of Parody, Based on MAD TV Satires." In: Poetics Today 1.1–2 (1979), S. 245–272. |
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| Berenato, Joseph F. New Life and New Civilizations. Exploring Star Trek Comics. Edwardsville: Sequart Research & Literacy Organization, 2014. (304 S.) |
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| Bergstrom, Signe: Wonder Woman. Ambassador of Truth. New York: Harper Design, 2017. (176 S.) |
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| Besand, Anja: "Was wir von Zombies lernen können. Politische Grundfragen in The Walking Dead." In: Von Game of Thrones bis House of Cards. Politische Perspektiven in Fernsehserien. Hrsg. v. Anja Besand. Bielefeld: Transcript, 2018, S. 27–49. |
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| Bevin, Phillip: Superman and Comic Book Brand Continuity. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. |
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| Blank, Juliane: "Aktualisierung der Superheld*innen-Identität. Marvel’s Jessica Jones aus der Perspektive der Adaptionsforschung." In: Folge um Folge. Multiple Perspektiven auf die Fernsehserie. Hrsg. v. Marco Agnetta und Markus Schleich. Hildesheim: Universitätsverl. Hildesheim, 2020, S. 129–145. |
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| Blumberg, Fran C., Kristen P. Bierwirth und Allison J. Schwartz: "Does cartoon violence beget aggressive behavior in real life? An opposing view." In: Early Childhood Education Journal 36 (2008), S. 101–104. |
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| Bourdaa, Mélanie: "‘Following the Pattern’. The Creation of an Encyclopaedic Universe with Transmedia Storytelling." In: Adaptation 6.2 (2013), S. 202–214. |
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| Bray, Gregory und Elizabeth A. Munz: "The Role of Parents in the Processing of Adolescent Trauma in Smallville." In: Journal of Popular Culture 48.3 (2015), S. 507–519. |
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| Breckenridge, Janis: "Sobriety Blows. Whiskey, Trauma, and Coping in Netflix’ “Jessica Jones”." In: International Journal of Comic Art 20.1 (2018), S. 489–504. |
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| Broad, David B. "Sheena, Queen of the Jungle. White Goddess of the Dumont Era." In: Studies in Popular Culture 19.3 (1997), S. 1–9. |
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| Brooker, Will: Batman Unmasked. Analyzing a Cultural Icon. London, New York: Continuum, 2000. (358 S.) |
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| Brown, Joseph F. "Hulk Smashed! The Rhetoric of Alcoholism in Television’s Incredible Hulk." In: Journal of Popular Culture 44 (2011), S. 1171–1190. |
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| Call, Lewis: "Slaying the Heteronormative. Representations of Alternative Sexuality in Buffy Season Eight Comics." In: Sexual Rhetoric in the Works of Joss Whedon. New Essays. Hrsg. v. Erin B. Waggoner. Jefferson, London: McFarland, 2010, S. 106–116. |
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| Callahan, Timothy: "Notes on Bat-Camp." In: Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Hrsg. v. Jim Beard. (Sequart Journal, 7.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 76–83. |
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| Callahan, David: "Rotting, Blistered, Staggering Bodies and the Last of Ethnicity." In: Body and Text. Cultural Transformations in New Media Environments. Hrsg. v. David Callahan und Anthony Barker. (Second Language Learning and Teaching – Issues in Literature and Culture.) Cham: Springer, 2019, S. 33–47. |
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| Carter, David Ray: "Reinterpreting Myths in Spider-Man: The Animated Series." In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 210–221. |
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| Coyne, Sarah M. et al. "It’s a Bird! It’s a Plane! It’s a Gender Stereotype! Longitudinal Associations Between Superhero Viewing and Gender Stereotyped Play." In: Sex Roles 70.9–10 (2014), S. 416–430. |
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| ---: "Pow! Boom! Kablam! Effects of Viewing Superhero Programs on Aggressive, Prosocial, and Defending Behaviors in Preschool Children." In: Journal of Abnormal Child Psychology (2017), S. 1–13. |
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| Darling-Wolf, Fabienne: "The “Lost” Miyazaki. How a Swiss Girl Can Be Japanese and Why It Matters." In: Communication, Culture and Critique 9.4 (2016), S. 499–516. |
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| Denson, Shane und Ruth Mayer: "Bildstörung. Serielle Figuren und der Fernseher." In: Zeitschrift für Medienwissenschaft 7 (2012), S. 90–102. |
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| Diederichsen, Dietrich: "Die Simpsons der Gesellschaft." In: SPEX 1 (1999), S. 40–42. |
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| Dixon, Chuck: "“Known Super-Criminals Still at Large”. Villainy in Batman." In: Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Hrsg. v. Jim Beard. (Sequart Journal, 7.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 121–143. |
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| Doolittle, Benjamin R. "Are We the Walking Dead? Burnout as Zombie Apocalypse." In: Annals of Family Medicine 14.6 (2016), S. 578–580. |
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| Duane, Anna Mae: "Dead and Disabled. The Crawling Monsters of The Walking Dead." In: Zombie Theory. A Reader. Hrsg. v. Sarah Juliet Lauro. Minneapolis: Univ. of Minnesota Press, 2017, S. 237–245. |
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| Dubil, Janwillem: "»Mit dose kids, society is nix!«. Medienwechsel und Translokation des Superhelden in der englischen Fernsehserie Misfits." In: Comics – Übersetzungen und Adaptionen. Hrsg. v. Nathalie Mälzer. (TRANSÜD, 76.) Berlin: Frank & Timme, 2015, S. 141–158. |
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| ---: "There is no Love in the Heart of the City. Stadtflucht als Paradigma des kontemporären Zombie-Narrativs." In: Gutes Leben auf dem Land? Imaginationen und Projektionen vom 18. Jahrhundert bis zur Gegenwart. Hrsg. v. Werner Nell und Marc Weiland. Bielefeld: Transcript, 2021, S. 445–462. |
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| Dunger, Hella et al. "Comic – Vorschule des Fernsehens." In: Comics im ästhetischen Unterricht. Hrsg. v. Dietger Pforte. (Kritische Literaturwissenschaft, 5.) Frankfurt am Main: Athenäum Fischer, 1974, S. 172–247. |
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| Durand, Kevin K. "Why Adam West Matters. Camp and Classical Virtue." In: Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Hrsg. v. Kevin K. Durand und Mary K. Leigh. Jefferson, London: McFarland, 2011, S. 41–53. |
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| Eder, Jens: "Transmediale Imagination." In: Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Hrsg. v. Julian Hanich und Hans Jürgen Wulff. München: Fink, 2012, S. 207–236. |
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| Fahle, Oliver: "Die Simpsons und der Fernseher." In: »Previously on …«. Zur Ästhetik der Zeitlichkeit neuerer TV-Serien. Hrsg. v. Arno Meteling, Isabell Otto und Gabriele Schabacher. (Mediologie, 4.) München: Fink, 2010, S. 231–242. |
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| Falgas, Julien: "Et si tous les fans ne laissaient pas de trace. Le cas d’un feuilleton de bande dessinée numérique inspiré par les séries télévisées." In: Études de communication 47 (2016), S. 151–166, . |
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| ---: "Not All Fans Leave a Trace. The Case of a Digital Comic Serial Inspired by Television Series." In: French Perspectives on Media, Participation and Audiences. Hrsg. v. Céline Ségur. New York [etc.]: Palgrave Macmillan, 2020, S. 149–164. |
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| Figal, Gerald: "Monstrous Media and Delusional Consumption in Kon Satoshi’s Paranoia Agent." In: Mechademia 5 (2010), S. 139–155. |
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| Fink, Moritz: Understanding The Simpsons. A Media Phenomenon at the Edge of Convergence Culture. Marburg: Tectum, 2016. (250 S.) |
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| Fleischer, Sandra und Robert Seifert: "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." In: Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Hrsg. v. Sebastian Schinkel und Ina Herrmann. Bielefeld: Transcript, 2017, S. 219–236. |
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| Frankel, Valerie Estelle: Empowered. The Symbolism, Feminism, and Superheroism of Wonder Woman. Sunnyvale: LitCrit, 2015. (339 S.) |
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| Freeman, Matthew: "Up, Up and Across. Superman, the Second World War and the Historical Development of Transmedia Storytelling." In: Historical Journal of Film, Radio and Television 35.2 (2015), S. 215–239. |
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| Friedmann, Joachim: "Some Times Good Guys Don’t Wear White. Lupin III." In: Ga-netchū! The Manga Anime Syndrome. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 226–233. |
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| ---: "Sometimes Good Guys Don't Wear White. Lupin III." In: Ga-netchū! Das Manga Anime Syndrom. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 226–233. |
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| Frohlich, Dennis Owen: "Evil Must Be Punished. Apocalyptic Religion in the Television Series Death Note." In: Journal of Media and Religion 11.3 (2012), S. 141–155. |
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| Fubara-Manuel, Irene: "Revolting Animation. The Hierarchy of Masculinities in the Representation of Race and Male Same-Sex Desire in Adult Cartoons." In: Networking Knowledge 10.3 (2017), S. 71–82, . |
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| Gaschler, Peter M. "Der weite Weg nach Smallville. Supermans filmische Suche hat ein Ende." In: Das Science Fiction Jahr 8 (2009), S. 246–257. |
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| Gencarella, Stephen Olbrys: "Thunder without rain. Fascist masculinity in AMC’s The Walking Dead." In: Horror Studies 7.1 (2016), S. 125–146. |
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| Geraffo, Monica: "No tights, no flights. Constructing the wardrobe of television superheroes." In: Film, Fashion & Consumption 10.1 (2021), S. 233–250. |
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| Geraghty, Lincoln (Hrsg.): The Smallville Chronicles. Critical Essays on the Television Series. Lanham: Scarecrow, 2011. (187 S.) |
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| Gill, Tom: "Transformational Magic. Some Japanese super-heroes and monsters." In: The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Hrsg. v. Dolores Martinez. (Contemporary Japanese Society.) Cambridge [etc.]: Cambridge Univ. Press, 1998, S. 33–55. |
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| Göhlen, Josef: "Suspect, Yet Successfull. Anime’s Way onto German Television." In: Ga-netchū! The Manga Anime Syndrome. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 234–239. |
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| ---: "Suspekt, doch erfolgreich. Der Weg der Anime ins ZDF." In: Ga-netchū! Das Manga Anime Syndrom. Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 234–239. |
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| Gordon, Ian: "Smallville. Superhero Mythos and Intellectual Property Regimes." In: The Smallville Chronicles. Critical Essays on the Television Series. Hrsg. v. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011, S. 89–107. |
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| ---: "Superman on the Set. The Market, Nostalgia and Television Audiences." In: Quality Popular Television. Cult TV, the Industry and Fans. Hrsg. v. Mark Jancovich und James Lyons. London: British Film Institute, 2003, S. 148–162. |
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| ---. "We Could Be Heroes: Just for Season One". Heroes and Villains. Everyday Folks, Powers and Abilities Far Beyond Mortals: Sydney, 5. Juli, 2008. |
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| Gray, Richard: Moving Target. The History and Evolution of Green Arrow. Edwardsville: Sequart Research & Literacy Organization, 2017. (328 S.) |
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| Green, Stephanie: "Fantasy, gender and power in Jessica Jones." In: Continuum 33.2 (2019), S. 173–184. |
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| Greenberger, Robert: "Bats in their Belfries. The Proliferation of “Batmania”." In: Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Hrsg. v. Jim Beard. (Sequart Journal, 7.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 6–26. |
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| Groebel, Jo: "Gewalt in TV-Cartoons. Eine Forschungsnotiz." In: Comics Anno 3 (1995), S. 82–85. |
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| Grossman, Gary H. Superman. Serial to Cereal. (Big Apple Film Series.) New York: Popular Library, 1976. (188 S.) |
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| Gruteser, Michael, Thomas Klein und Andreas Rauscher (Hrsg.): Subversion zur Prime-Time. Die Simpsons und die Mythen der Gesellschaft. 3. Aufl. Marburg: Schüren, 2014. (248 S.) |
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| Günther, Silke: Serienheldinnen multimedial. Content-Universen zu nordamerikanischen Fernsehserien. (Beiträge zur Literatur- und Mediendidaktik, 13.) Frankfurt am Main [etc.]: Peter Lang, 2007. (205 S.) |
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| Gutmann, Hans-Martin: "Preacher. Gott ist verschwunden. – Wo ist Gott?" In: Gott in Serie. Theologische Rezeption populärer Narrationen. Hrsg. v. Simon Eckhardt et al. (pop.religion.) Wiesbaden: Springer VS, 2020, S. 115–122. |
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| Hammonds, Kyle A. und Garrett Hammonds: "The Flash and His Fantastic Fear of Ferocious Fans." In: The Phoenix Papers 3.1 (2017), S. 33–45, . |
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| Hassler-Forest, Dan A. Science Fiction, Fantasy, and Politics. Transmedia World-Building Beyond Capitalism. (Radical Cultural Studies.) London: Rowman and Littlefield International, 2016. (233 S.) |
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| ---: "The Walking Dead. Quality Television, Transmedia Serialization, and Zombies." In: Serialization in Popular Culture. Hrsg. v. Rob Allen und Thijs van den Berg. (Routledge Research in Cultural and Media Studies, 62.) London, New York: Routledge, 2014, S. 91–105. |
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| Hayde, Michael J. Flights of Fantasy. The Unauthorized but True Story of Radio & TV’s Adventures of Superman. Duncan: BearManor Media, 2009. (536 S.) |
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| Heer, Jeet und Kent Worcester: "Comics. Mad Vestibule to TV." In: Arguing Comics. Literary Masters on a Popular Medium. Cambridge: Da Capo, 2004, S. 107–111. |
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| Hernandez-Perez, Manuel, Kevin Corstorphine und Darren Stephens: "Cartoons vs. Manga Movies. A Brief History of Anime in the UK." In: Mutual Images 2 (2017), S. 5–43, . |
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| Hesse, Petra und Susan Cross: "Regenbögen oder Krieg der Sterne im Kampf gegen das Böse? Geschlechtsspezifische politische Sozialisation im amerikanischen Kinderfernsehen." In: Comics Anno 3 (1995), S. 96–106. |
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| Holder, Nancy und Lisa Clancy: Buffy the Vampire Slayer Encyclopedia. The Ultimate Guide to the Buffyverse. New York: Harper Design, 2017. (208 S.) |
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| Howe, Andrew und Sean Evans: "The road to Negan. Governance and power in The Walking Dead." In: Journal of Popular Television 6.3 (2018), S. 323–337. |
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| Howell, Charlotte E. "“Tricky” Connotations. Wonder Woman as DC’s Brand Disruptor." In: Cinema Journal 55.1 (2015), S. 141–149. |
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| Iaccino, James F., Cory Barker und Myc Wiatrowski (Hrsg.): Arrow and Superhero Television. Essays on Themes and Characters of the Series. Jefferson: McFarland, 2017. (235 S.) |
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| Jaworski, Claudia: "Kein Ausweg aus der Mi-ser(i)e! Das Endlose Erzählen einer Endlichkeit in The Walking Dead (2010)." In: Medienobservationen (30. Apr. 2018). |
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| Johnson, David Kyle (Hrsg.): Heroes and Philosophy. Buy the Book, Save the World. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2009. (310 S.) |
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| Joyce, Stephen: Transmedia Storytelling and the Apocalypse. New York [etc.]: Palgrave Macmillan, 2018. (220 S.) |
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| Kahlmeyer, Johanna: "Neue Kategorien der Differenz in der Zombie-Apocalypse. Gender, Race und (Dis-)ability in The Walking Dead." In: Gender und Genre. Populäre Serialität zwischen kritischer Rezeption und geschlechtertheoretischer Reflexion. Hrsg. v. Urania Milevski, Paul Reszke und Felix Woitkowski. (Film – Medium – Diskurs, 75.) Würzburg: Königshausen & Neumann, 2017. |
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| Keazor, Henry: "“The Stuff You May Have Missed”. Art, Film and Metareference in The Simpsons." In: The Metareferential Turn in Contemporary Arts and Media. Forms, Functions, Attempts at Explanation. Hrsg. v. Werner Wolf und Katharina Bantleon. (Studies in Intermediality, 5.) Amsterdam [etc.]: Rodopi, 2011, S. 463–490. |
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| Added by: joachim 2013-01-11 10:58 |
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| ---: "»Up and Atom!«. Superheroes in The Simpsons." In: kritische berichte 39.1 (2011), S. 20–33. |
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| Keetley, Dawn: "The vegetative part. Organic and plant life in The Walking Dead." In: Journal of Popular Television 3.1 (2015), S. 37–55. |
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| --- (Hrsg.): “We’re All Infected”. Essays on AMC’s The Walking Dead and the Fate of the Human. (Contributions to Zombie Studies.) Jefferson: McFarland, 2014. (245 S.) |
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| Last edited by: joachim 2019-05-22 16:38 |
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| Kendal, Evie: "There's No One Perfect Girl. Third Wave Feminism and The Powerpuff Girls." In: Colloquy 24 (2012), S. 234–252, . |
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| Kienzl, Lisa: "Antagonisten, Antihelden und die Suche nach Gott. Inszenierte Ambivalenz in Preacher." In: Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Hrsg. v. Theresia Heimerl und Christian Wessely. (Religion, Film und Medien, 2.) Marburg: Schüren, 2018, S. 302–318. |
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