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| Alaniz, José. "Speaking the ‘Truth’ of Sex: Moore & Gebbie’s Lost Girls." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 273–76. |
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| Besozzi, Michael T. "“To Blaze Forever in a Blazing World”: Queer Reconstruction and Cultural Memory in the Works of Alan Moore." Thesis Master of Arts. Georgia State University, 2011. |
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| Brigley-Thompson, Zoë. "Theorizing Sexual Domination in From Hell and Lost Girls: Jack the Ripper versus Wonderlands of Desire." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 76–87. |
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| Buso, Michael. A dark, uncertain fate: Homophobia, graphic novels, and queer identity. UMI Dissertation Publishing, 2011. |
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| Collins, Meredith. "History, Pornography and Lost Girls." ImageTexT 3. 3 2007. Accessed 19Nov. 2012. <http://www.english.ufl. ... ost_girls/collins.shtml>. |
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| Di Liddo, Annalisa. Alan Moore: Comics as Performance, Fiction as Scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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| DiCecco, Nico. "To read what was never written: The licentiousness of history in Alan Moore and Melinda Gebbie’s Lost Girls." Journal of Graphic Novels and Comics 6. (2015): 201–13. |
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| DiCecco, Nico. "Reflections on the Looking Glass: Adaptation as Sex and Psychosis in Lost Girls." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 124–35. |
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| Halsall, Alison. "“A Parade of Curiosities”: Alan Moore’s The League of Extraordinary Gentlemen and Lost Girls as Neo-Victorian Pastiches." Journal of Popular Culture 48. (2015): 252–68. |
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| Jones, Jason B. "Betrayed by Time: Steampunk & the Neo-Victorian in Alan Moore’s Lost Girls and The League of Extraordinary Gentlemen." Neo-Victorian Studies 3. 1 2010. Accessed 17Sep. 2013. <http://www.neovictorian ... S%203-1-4%20J-Jones.pdf>. |
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| Kérchy, Anna. "Picturebooks Challenging Sexual Politics: Pro-Porn Feminist Comics and the Case of Melinda Gebbie and Alan Moore’s Lost Girls." Hungarian Journal of English and American Studies 20. (2014): 121–43. |
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| Kidd, Kenneth. "Down the Rabbit Hole." ImageTexT 3. 3 2007. Accessed 19Nov. 2012. <http://www.english.ufl. ... 3/lost_girls/kidd.shtml>. |
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| Laity, Kathryn A. "“Avast, Land-Lubbers!”: Reading Lost Girls as a Post-Sadeian Text." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 138–49. |
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| Pilinovsky, Helen. "Body as Wonderland: Alice’s Graphic Iteration in Lost Girls." Alice beyond Wonderland. Essays for the Twenty-First Century. Ed. Cristopher Hollingsworth. Iowa City: Univ. of Iowa Press, 2009. 175–98. |
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| Romero-Jódar, Andrés. "A hammer to shape reality: Alan Moore’s graphic novels and the avant-gardes." Studies in Comics 2. (2011): 39–56. |
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| Tribunella, Eric L. "Literature for Us “Older Children”: Lost Girls, Seduction Fantasies, and the Reeducation of Adults." Journal of Popular Culture 25. (2012): 628–48. |
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| Wanzo, Rebecca. "The Normative Broken: Melinda Gebbie, Feminist Comix, and Child Sexuality Temporalities." American Literature 90. (2018): 347–75. |
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| Williams, Mark P. "Speculative Resistance in Lost Girls." Alluvium 2017. Accessed 27Mar. 2017. <https://www.alluvium-jo ... sistance-in-lost-girls/>. |
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| Yoshinaga, Ida. "A Transmedial Narratological Reading of Racialized and Colonial Sexual Fantasies in the Libertarian Feminist Graphic Novel, Alan Moore and Melinda Gebbie’s Lost Girls." Postmodern Reinterpretations of Fairy Tales. How Applying New Methods Generates New Meanings. Ed. Anna Kérchy. Lewiston: Edwin Mellen, 2011. 403–20. |
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