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| Ahmed, Maaheen. "Reading (and looking at) Mariko Parade: A methodological suggestion for understanding contemporary graphic narratives." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 119–33. |
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| Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for Africa South of the Sahara African Movie Industries." Africology 11. 9 2018. Accessed 10Jun. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
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| Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject: Femininity and the Disavowal of Homosexuality in Transnational Boys’ Love Manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 159–76. |
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| Alexandru, Maria-Sabina Draga. "Narrative Exploration against Mentality Issues: Indirect Education for Multiculturalism in Tintin." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 163–76. |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese Manga, European Mythology and Ultimate Reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Barnes, Rex. "The Implied Spider-Man: Transcreating Religious Imagery and Meaning in Spider-Man: India." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 197–217. |
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| Bazylewicz, Tomasz. "Transfer of Japanese Culture Patterns on the Example of a Comic Book: How Manga Conquered the World and Became an Integral Part of the Polish Publishing market?." Studia Historiae Oeconomicae 36. (2018): 105–23. |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting Manga Studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Berninger, Mark, Jochen Ecke, and Gideon Haberkorn, eds. Comics as a Nexus of Cultures: Essays on the Interplay of Media, Disciplines and International Perspectives. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. |
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| Bieloch, Katharina and Sharif Bitar. "Batman Goes Transnational: The Global Appropriation and Distribution of an American Hero." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 113–26. |
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| Birken, Jacob. "Set Pieces: Cultural Appropriation and the Search for Contemporary Identities in Shōnen Manga." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 146–62. |
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| Bitz, Michael. Manga High: Literacy, Identity, and Coming of Age in an Urban High School. Cambridge: Harvard Education Pr. 2009. |
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| Böhme-Dürr, Karin. "Deutschland im amerikanischen Cartoon." Medienlust und Mediennutz. Unterhaltung als öffentliche Kommunikation. Eds. Louis Bosshart and Wolfgang Hoffmann-Rien. Schriftenreihe der Deutschen Gesellschaft für Publizistik und Kommunikationswissenschaft. München: Ölschläger, 1994. 435–46. |
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| Bouissou, Jean-Marie. "Japan’s Growing Cultural Power: The Example of Manga in France." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 149–65. |
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| Colin, Nicole. "Triviale Einsichten? Die Darstellung brisanter deutsch-französischer Themen in der Graphic Novel." Populärkultur und deutsch-französische Mittler/Culture de masse et médiateurs franco-allemands. Akteure, Medien, Ausdrucksformen/Acteurs, médias, articulations. Eds. Dietmar Hüser and Ulrich Pfeil. Bielefeld: Transcript, 2015. 53–72. |
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