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| Bauwens-Sugimoto, Jessica. "Subverting masculinity, misogyny, and reproductive technology in SEX PISTOLS." Image [&] Narrative 12.1 2011. Accessed 3 Apr. 2011. <http://www.imageandnarr ... ive/article/view/123/94>. |
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| Ben-Porat, Ziva. "Method in MADness: Notes on the structure of parody, based on mad tv satires." Poetics Today 1.(1979): 245–72. |
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| Benesch, Susan. "Charlie the Freethinker: Religion, blasphemy, and decent controversy." Religion & Human Rights 10.(2015): 244–54. |
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| Berger, Arthur Asa. Li’l Abner: A study in american satire. Jackson: Univ. Press of Mississippi, 2006. |
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| Berra, John. "Deep, Deep, Down The social satire of mario bava’s danger: diabolik." Film International 10.(2012): 44–51. |
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| Brodie, Ian. Old Trout Funnies: The comic origins of the cape breton liberation army. Cape Breton Univ. Press, 2015. |
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| Byrne-Smith, Dan. "Harvey Kurtzman and the Influence of Mad Magazine." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 92–106. |
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| Cremins, Brian. "“I Asked for Water (She Gave Me Gasoline)”: Tim truman’s scout and social satire in the independent comics of the 1980s." International Journal of Comic Art 5.(2003): 339–50. |
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| Dobrivojevic, Ivana. "Cartoons as a Powerful Propaganda Tool Creating the images of east and west in the yugoslav satirical press." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Etty, John. Graphic Satire in the Soviet Union: krokodil’s political cartoons. Jackson: Univ. Press of Mississippi, 2019. |
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| Grünewald, Dietrich. "In der Maske des Kindes: Anmerkungen zu quinos »mafalda«." Comics Anno (1995): 86–95. |
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| Grünewald, Dietrich, ed. Visuelle Satire: Deutschland im spiegel politisch-satirischer karikaturen und bildergeschichten. Kulturlandschaft Schaumburg. Berlin: Ch.A. Bachmann, 2016. |
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| Grünewald, Dietrich. Loriot und die Zeichenkunst der Ironie. Berlin: Ch.A. Bachmann, 2019. |
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| Hernández Nieto, Laura Nallely. "From the Post-revolutionary Mexico to the American Way of Life: Analyzing los superlocos by gabriel vargas." International Journal of Comic Art 20.(2018): 229–41. |
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| Heusel, Jennifer. "The Rhetoric of Heresy: the boondocks resurrects martin luther king jr. and agitates the beloved community." Western Journal of Communication (2013). |
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| Jung, Thomas. "Von der Struwwelpeter-Parodie zur Pop-Ikone: Satirische hitler-darstellungen im populärkulturellen diskurs." Alles nur Pop? Anmerkungen zur populären und Pop-Literatur seit 1990. Ed. Thomas Jung. Osloer Beiträge zur Germanistik. Frankfurt am Main [etc.]: Peter Lang, 2002. |
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| Kluver, Randy. "Comic Effects: Postcolonial political mythologies in the world of lily wong." Journal of Communication Inquiry 24.(2000): 195–215. |
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| Kluver, Randy. "Comic Effects: Postkoloniale politische mythen in the world of lily wong." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 237–54. |
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| Knopf, Christina M. The Comic Art of War: A critical study of military cartoons, 1805–2014, with a guide to artists. Jefferson, London: McFarland, 2015. |
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| Knopf, Christina M. "The Queen of Burlesque: The subtle (as a hammer) satire of bomb queen." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 101–23. |
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| Kuipers, Christopher M. "The Anti-Pastoral Novelty Library: Bucolic superhero satire in the paratexts of chris ware’s jimmy corrigan." Works & Days 32.(2014–15): 329–47. |
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| Kunka, Andrew J. The Life and Comics of Howard Cruse: Taking risks in the service of truth. New Brunswick: Rutgers Univ. Press, 2021. |
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| Küper-Büsch, Sabine and Nigar Rona. Die Nase des Sultans/Padişahın Burnu: Karikaturen aus der türkei/türkiye’den karikatürler. İstanbul Bilgi Üniversitesi yayınları. Berlin, Istanbul: Dağyeli, 2008. |
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| Lettkemann, Gerd. "Die Bildergeschichten der humoristisch-satirischen Presse." Die Kinder des Fliegenden Robert. Beiträge zur Archäologie der deutschen Bildergeschichtentradition. Ed. Achim Schnurrer. Comixene-Materialien. Hannover: Edition Becker & Knigge, 1979. 57–78. |
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| Maidment, Brian. Comedy, Caricature and the Social Order, 1820–50. Manchester, New York: Manchester Univ. Press, 2013. |
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| Mallia, Gorg. "Satirical Cartoons in Malta." International Journal of Comic Art 10.(2008): 607–20. |
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| Mason, Andy. "The Presidential Penis: Questions of race and representation in south african comic and satirical art." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 49–65. |
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| McKinney, Mark. "Les mésaventures de M. Bêton by Léonce Petit Reflexivity and satire in an early french comic book inspired by rodolphe töpffer." International Journal of Comic Art 15.(2013): 2–34. |
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| Meyhoff Brink, Dennis. "Fearing Religious Satire: Religious censorship and satirical counter-attacks." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ, 2015. 194–217. |
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| Miller, Tom. "“Those Guys Give Me the Creeps”: Grant morrison’s doom patrol and satire in the shared-narrative universe." International Journal of Comic Art 13.(2011): 393–416. |
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| Nishioka, Akane. "Yanase Masamus Proletarische Mangas im Licht seiner Grosz-Rezeption." Kulturkontakte. Szenen und Modelle in deutsch-japanischen Kontexten. Eds. Yuichi Kimura and Thomas Pekar. Bielefeld: Transcript, 2015. 267–90. |
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| Peterson, James Braxton. "Birth of a Nation: Representation, nationhood, and graphic revolution in the works of d.w. griffith, dj spooky, and aaron mcgruder et al.." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 105–19. |
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| Thomas, Melanie. Taking a Punch at the Queen? Die darstellung von königin victoria in den karikaturen des satiremagazins punch 1841–1901. Marburg: Tectum, 2012. |
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| Wanzo, Rebecca. "It’s a Hero? Black comics and satirizing subjection." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 314–32. |
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| Wegner, Kyle D. "Lalo Alcaraz's “La Cucaracha” “Normalizes” Chicanos." International Journal of Comic Art 9.(2007): 231–61. |
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