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| Altehenger, Jennifer: "A Socialist Satire. Manhua Magazine and Political Cartoon Production in the PRC, 1950–1960." In: Frontiers of History in China 8.1 (2013), S. 78–103. |
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| Arams, Nathan: "From Madness to Dysentery. Mad’s Other New York Intellectuals." In: Journal of American Studies 37.3 (2003), S. 435–451. |
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| Baker, James: "Satirising a Prince, or Making Light of a Culture of Errors." In: The Comics Grid 3.3 (2013)(). |
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| Banta, Martha: Barbaric Intercourse. Caricature and the Culture of Conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. (433 S.) |
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| Bauwens-Sugimoto, Jessica: "Subverting masculinity, misogyny, and reproductive technology in SEX PISTOLS." In: Image [&] Narrative 12.1 (2011), S. 1–18 (). |
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| Benesch, Susan: "Charlie the Freethinker. Religion, Blasphemy, and Decent Controversy." In: Religion & Human Rights 10.3 (2015), S. 244–254. |
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| Ben-Porat, Ziva: "Method in MADness. Notes on the Structure of Parody, Based on MAD TV Satires." In: Poetics Today 1.1–2 (1979), S. 245–272. |
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| Berger, Arthur Asa: Li’l Abner. A Study in American Satire. Jackson: Univ. Press of Mississippi, 2006. (208 S.) |
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| Berra, John: "Deep, Deep, Down. The social satire of Mario Bava’s Danger: Diabolik." In: Film International 10.4–5 (2012), S. 44–51. |
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| Black, James Eric: "Amoozin’ but Confoozin’. Comic Strips as a Voice of Dissent in the 1950s." In: ETC. A Review of General Semantics 66.4 (2009). |
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| Brodie, Ian: Old Trout Funnies. The Comic Origins of the Cape Breton Liberation Army. Cape Breton Univ. Press, 2015. (260 S.) |
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| Byrne-Smith, Dan: "Harvey Kurtzman and the Influence of Mad Magazine." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 92–106. |
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| Camus, Cyril: "The “Outsider”. Neil Gaiman and the Old Testament." In: Shofar 29.2 (2011), S. 77–99. |
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| Carabas, Teodora: "“Tales Calculated to Drive You MAD”. The Debunking of Spies, Superheroes, and Cold War Rhetoric in Mad Magazine's “SPY vs SPY”." In: Journal of Popular Culture 40 (2007), S. 4–24. |
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| Catani, Damian: "Louis-Ferdinand Céline, literary genius or national pariah? Defining moral parameters for influential cultural figures, post-Charlie Hebdo." In: French Cultural Studies 27.3 (2016), S. 268–278. |
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| Chapman, Jane et al. Comics and the World Wars. A Cultural Record. (Palgrave Studies in the History of the Media.) New York [etc.]: Palgrave Macmillan, 2015. (217 S.) |
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| Clementi, Federica K. "The JAP, the Yenta and the mame in Aline Kominsky Crumb’s graphic imagination." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 309–331. |
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| Cremins, Brian: "“I Asked for Water (She Gave Me Gasoline)”. Tim Truman’s Scout and Social Satire in the Independent Comics of the 1980s." In: International Journal of Comic Art 5.2 (2003), S. 339–350. |
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| Czaplicka, John: "Zur Herausbildung satirischer Methoden bei Hogarth." In: »Nervöse Auffangsorgane des inneren und äußeren Lebens«: Karikaturen. Hrsg. v. Klaus Herding und Günter Otto. Gießen: Anabas, 1980, S. 31–57. |
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| Demson, Michael und Heather Brown: "‘Aint I de Maine guy in dis paRade?’. Towards a radical history of comic strips and their audience since Peterloo." In: Journal of Graphic Novels and Comics 2 (2011), S. 151–167. |
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| Dobrivojevic, Ivana: "Cartoons as a Powerful Propaganda Tool. Creating the Images of East and West in the Yugoslav Satirical Press." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Etty, John: Graphic Satire in the Soviet Union. Krokodil’s Political Cartoons. Jackson: Univ. Press of Mississippi, 2019. (266 S.) |
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| Fara, Patricia: "Caricatures of Katterfelto." In: Endeavour 26.3 (2002), S. 81–82. |
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| Freedman, Leonard: The Offensive Art. Political Satire and Its Censorship around the World from Beerbohm to Borat. Westport: Greenwood, 2009. (200 S.) |
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| Gathmann, Till: "Antisemitisches Wahnbild und antiislamische Karikatur." In: sans phrase 6 (2015), S. 3–25. |
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| Gilbert, Christopher J. "Mad About Stupidity, or Judging by Covers with Alfred E. Neuman." In: Studies in American Humor 30 (2014), S. 57–76. |
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| Gohrbandt, Detlev: "Das Pädagogische und das Politische. Wandlungen der Suppenkaspar-Geschichte in englischen Struwwelpeter-Satiren." In: Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010, S. 179–198. |
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| Göktürk, Deniz: "Jokes and Butts. Can We Imagine Humor in a Global Public Sphere?" In: PMLA 123.5 (2008), S. 1707–1711. |
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| Goldstein, Kalman: "Al Capp and Walt Kelly. Pioneers of Political and Social Satire in the Comics." In: Journal of Popular Culture 25 (1992), S. 81–96. |
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| Grünewald, Dietrich: "In der Maske des Kindes. Anmerkungen zu Quinos »Mafalda«." In: Comics Anno 3 (1995), S. 86–95. |
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| ---: Loriot und die Zeichenkunst der Ironie. Berlin: Ch.A. Bachmann, 2019. (176 S.) |
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| Harder, Hans: "Der erste bengalische Comic? Die bengalische Satirezeitschrift Basantak und eine sehr kuriose Moritat von 1874." In: Masala 5.2 (2010)(). |
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| Hendley, W. Clark: "The Horatian Satire of Trudeau’s Doonesbury." In: Journal of Popular Culture 16.4 (1983), S. 103–115. |
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| Hernández Nieto, Laura Nallely: "From the Post-revolutionary Mexico to the American Way of Life. Analyzing Los Superlocos by Gabriel Vargas." In: International Journal of Comic Art 20.1 (2018), S. 229–241. |
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| Heusel, Jennifer: "The Rhetoric of Heresy. The Boondocks Resurrects Martin Luther King Jr. and Agitates the Beloved Community." In: Western Journal of Communication (2013). |
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| Hietalahti, Jarno et al. "Insults, humour and freedom of speech." In: French Cultural Studies 27.3 (2016), S. 245–255. |
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| Hiley, Nicholas: "Showing politics to the people. Cartoons, comics and satirical prints." In: Using Visual Evidence. Hrsg. v. Richard Howells und Robert Matson. Philadelphia: Open University Pr. 2009, S. 24–42. |
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| Huxley, David: "Kidding the Kaiser. British propaganda animation, 1914–1919." In: Early Popular Visual Culture 4 (2006), S. 307–320. |
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| Inge, M. Thomas: "Harvey Kurtzman and Modern American Satire." In: Studies in American Humor 30 (2014), S. 25–40. |
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| Jimoh, Ganiyu Akinloye: "I Voted Only for the Head Too. Visual Satire and Democratic Governance in Africa." In: International Journal of Comic Art 16.1 (2014), S. 431–444. |
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| Jung, Thomas: "Von der Struwwelpeter-Parodie zur Pop-Ikone. Satirische Hitler-Darstellungen im populärkulturellen Diskurs." In: Alles nur Pop? Anmerkungen zur populären und Pop-Literatur seit 1990. Hrsg. v. Thomas Jung. (Osloer Beiträge zur Germanistik, 32.) Frankfurt am Main [etc.]: Peter Lang, 2002. |
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| Kahn, Ludwig W. "Der Doppelsinn der Aussage bei Wilhelm Busch." In: Wilhelm-Busch-Jahrbuch (1972), S. 16–25. |
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| Kartalopoulos, Bill: "Gustave Doré’s “Holy Russia”." In: Indy Magazine Summer (2004)(). |
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| Kelly, Frances: "Supervision Satirized. Fictional narratives of student–supervisor relationships." In: Arts and Humanities in Higher Education 8 (2009), S. 368–384. |
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| Kercher, Stephen E. "Cartoons as “Weapons of Wit”. Bill Mauldin and Herbert Block Take on America’s Postwar Anti-communist Crusade." In: International Journal of Comic Art 7.2 (2005), S. 311–320. |
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| ---: Revel With a Cause. Liberal Satire in Postwar America. Chicago: Univ. of Chicago Press, 2006. (575 S.) |
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| Kimble, James J. "Mutually Assured Disparagement. Enmification and Enlightenment in Early 1950s Mad." In: Studies in American Humor 30 (2014), S. 123–134. |
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| Kiwan, Nadia: "Freedom of thought in the aftermath of the Charlie Hebdo attacks." In: French Cultural Studies 27.3 (2016), S. 233–244. |
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| Klug, Brian: "In the heat of the moment. Bringing ‘Je suis Charlie’ into focus." In: French Cultural Studies 27.3 (2016), S. 223–232. |
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| Kluver, Randy: "Comic Effects. Postcolonial Political Mythologies in The World of Lily Wong." In: Journal of Communication Inquiry 24 (2000), S. 195–215. |
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| ---: "Comic Effects. Postkoloniale politische Mythen in The World of Lily Wong." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 237–254. |
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| Knopf, Christina M. The Comic Art of War. A Critical Study of Military Cartoons, 1805–2014, with a Guide to Artists. Jefferson, London: McFarland, 2015. (243 S.) |
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| ---: "The Queen of Burlesque. The Subtle (as a Hammer) Satire of Bomb Queen." In: Gender and the Superhero Narrative. Hrsg. v. Michael Goodrum, Tara Prescott und Philip Smith. Jackson: Univ. Press of Mississippi, 2018, S. 101–123. |
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| Kuipers, Christopher M. "The Anti-Pastoral Novelty Library. Bucolic Superhero Satire in the Paratexts of Chris Ware’s Jimmy Corrigan." In: Works & Days 32.1–2 (2014–15), S. 329–347. |
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| Kunka, Andrew J. The Life and Comics of Howard Cruse. Taking Risks in the Service of Truth. New Brunswick: Rutgers Univ. Press, 2021. |
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| Kunkel, Alexander: Heinrich Kley (1863–1945). Leben und Werk. Weimar: VDG, 2010. (448 S.) |
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| Küper-Büsch, Sabine und Nigar Rona: Die Nase des Sultans/Padişahın Burnu. Karikaturen aus der Türkei/Türkiye’den Karikatürler. (İstanbul Bilgi Üniversitesi yayınları.) Berlin, Istanbul: Dağyeli, 2008. (263 S.) |
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| Labarre, Nicolas: "Joining the Fray? Mad on Richard Nixon and Spiro Agnew." In: Studies in American Humor 30 (2014), S. 135–154. |
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| ---: "Reading the 2016 US presidential election through Transmetropolitan." In: Journal of Graphic Novels and Comics (2018), S. 1–13. |
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| Larsen, Louise C. "The Flight of the Forehead in the Third Reich. The Political Satire of Hans Bendix." In: International Journal of Comic Art 7.2 (2005), S. 126–146. |
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| Lettkemann, Gerd: "Die Bildergeschichten der humoristisch-satirischen Presse." In: Die Kinder des Fliegenden Robert. Beiträge zur Archäologie der deutschen Bildergeschichtentradition. Hrsg. v. Achim Schnurrer. (Comixene-Materialien, 2.) Hannover: Edition Becker & Knigge, 1979, S. 57–78. |
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| Loyd, John: "The Last Laugh. Understanding Watchmen’s Big Joke." In: Minutes to Midnight. Twelve Essays on Watchmen. Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 74–84. |
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| Maidment, Brian: Comedy, Caricature and the Social Order, 1820–50. Manchester, New York: Manchester Univ. Press, 2013. (256 S.) |
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| Mallia, Gorg: "Satirical Cartoons in Malta." In: International Journal of Comic Art 10.2 (2008), S. 607–620. |
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| Marks, Patricia: "What Builders These Mortals Be. Puck’s View of the Brooklyn Bridge." In: American Periodicals 29.1 (2019), S. 43–62. |
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| Mason, Andy: "The Presidential Penis. Questions of Race and Representation in South African Comic and Satirical Art." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 49–65. |
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| McKinney, Mark: "Les mésaventures de M. Bêton by Léonce Petit. Reflexivity and Satire in an Early French Comic Book Inspired by Rodolphe Töpffer." In: International Journal of Comic Art 15.1 (2013), S. 2–34. |
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| Meyhoff Brink, Dennis: "Fearing Religious Satire. Religious Censorship and Satirical Counter-Attacks." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 194–217. |
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| Miller, Tom: "“Those Guys Give Me the Creeps”. Grant Morrison’s Doom Patrol and Satire in the Shared-Narrative Universe." In: International Journal of Comic Art 13.2 (2011), S. 393–416. |
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| Morel, Olivier: "The weight of a portrait. Caricatura and industrial violence after the Charlie Hebdo attack." In: French Cultural Studies 27.3 (2016), S. 256–267. |
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| Morgan, David: "The Crown and the Crowd. Sublimations of Monarchy in Georgian Satirical Prints." In: European Comic Art 9.1 (2016), S. 63–87. |
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| ---: "Looking Awry at Georgian Caricature. Lacan and the Satirists." In: European Comic Art 12.1 (2019), S. 88–110. |
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| Naber, Joel: "Melmoth und Mohammed. Ein Versuch über die Ambivalenz des Lachens." In: literatur konkret 40 (2015/2016), S. 3–5. |
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| Neyer, Hans Joachim (Hrsg.): Thomas Rowlandson. Grazie, Galanterie, Groteske – englische Bildsatire zwischen Rokoko und Romantik. Hannover: Schlütersche, 2001. (208 S.) |
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| Nishioka, Akane: "Yanase Masamus Proletarische Mangas im Licht seiner Grosz-Rezeption." In: Kulturkontakte. Szenen und Modelle in deutsch-japanischen Kontexten. Hrsg. v. Yuichi Kimura und Thomas Pekar. Bielefeld: Transcript, 2015, S. 267–290. |
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| Noakes, Richard: "Science in mid-Victorian Punch." In: Endeavour 36.3 (2002), S. 92–96. |
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| Nordenstam, Anna und Margareta Wallin Wictorin: "“Högerideologi som dansbandsmelodi” – politisk satir i svenska feministiska serier." In: De tecknade seriernas språk. Uttryck och form. Hrsg. v. David Gedin. Nacka: Gedin & Balzamo, 2017, S. 167–186. |
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| Onge, Jeff St. "“Comedy before Country”. Engaged Levity and Absurdist Critique in Mad Magazine." In: Studies in American Humor 30 (2014), S. 155–167. |
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| Peterson, James Braxton: "Birth of a Nation. Representation, Nationhood, and Graphic Revolution in the Works of D.W. Griffith, DJ Spooky, and Aaron McGruder et al." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 105–119. |
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| Pho, Diana M. "Objectified and Politicized. The Dynamics of Ideology and Consumerism in Steampunk Subculture." In: Steaming into a Victorian Future. A Steampunk Anthology. Hrsg. v. Julie Anne Taddeo und Cynthia J. Miller. Lanham: Scarecrow, 2013, S. 185–210. |
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| Pritchard, Will: "New Light on Crumb’s Boswell." In: Eighteenth-Century Studies 42 (2009), S. 289–307. |
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| Ragone, Agnes: "Lalo Alcaraz. Political humour across borders." In: Journal of Graphic Novels and Comics 6.4 (2015), S. 331–346. |
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| Roob, Alexander: "Der Schuss aus dem künstlichen Hinterkopf. Der Zeichner Manfred Schmidt." In: Texte zur Kunst 12.50 (2003), S. 181–184. |
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| Sabin, Roger: "Terry Gilliam on Comics, Subversion and Monty Python." In: Sub/versions. Cultural Status, Genre and Critique. Hrsg. v. Pauline MacPherson et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008, S. 6–17. |
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| Scholz, Michael F. "Herbert Reschke." In: Deutsche Comicforschung 3 (2007), S. 75–85. |
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| Schröer, Marie: "Resignation und Ressentiment. Zu den Grenzfällen politischer Korrektheit bei Michel Houellebecq und Virginie Despentes (mit einem Seitenblick auf Charlie Hebdo)." In: Political Correctness. Kultur- und sozialwissenschaftliche Perspektiven. Hrsg. v. Georg Albert, Lothar Bluhm und Markus Schiefer Ferrari. (Landauer Beiträge zur Kultur- und Sozialgeschichte, 4.) Marburg: Tectum, 2019, S. 237–265. |
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| Simone, Gail: You’ll All Be Sorry! Camarillo: About Comics, 2008. (160 S.) |
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| Singer, Marc: "A Critique of Bagge’s Reason." In: Indy Magazine Autumn (2004)(). |
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| Soper, Kerry D. Garry Trudeau. Doonesbury and the Aesthetics of Satire. (Great Comics Artists.) Jackson: Univ. Press of Mississippi, 2008. (186 S.) |
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| ---: "Gentrifying the Alternatives or Alternifying the Mainstream? Consolidation, Incorporation, and the State of Comic Strip Satire in Alternative Weeklies, 1985–2000." In: International Journal of Comic Art 3.2 (2001), S. 189–201. |
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| Speck, Paula K. "Rius for Beginners. A Study in Comicbook Satire." In: Studies in Latin American Popular Culture 1 (1982), S. 113–124. |
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| Spiegelman, Art: "Drawing Blood. Outrageous cartoons and the art of outrage." In: Harper’s Magazine (2006), S. 43–52. |
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| Stańczyk, Ewa: "Szaber in post-war Poland. Satirising plunder in Polish magazine cartoons (1945–1946)." In: Journal of Graphic Novels and Comics (2020), S. 1–16. |
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| Thom, Danielle: "Impolite Interventions? English Satirical Prints in the Presence of the Academy, c. 1750–1780." In: European Comic Art 6.2 (2013), S. 13–39. |
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| Thomas, Melanie: Taking a Punch at the Queen? Die Darstellung von Königin Victoria in den Karikaturen des Satiremagazins Punch 1841–1901. Marburg: Tectum, 2012. (232 S.) |
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| Vauclair, Jane Weston: "Local Laughter, Global Polemics. Understanding Charlie Hebdo." In: European Comic Art 8.1 (2015), S. 6–14. |
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| Wanzo, Rebecca: "It’s a Hero? Black Comics and Satirizing Subjection." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 314–332. |
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| Wegner, Kyle D. "Lalo Alcaraz's “La Cucaracha” “Normalizes” Chicanos." In: International Journal of Comic Art 9.1 (2007), S. 231–261. |
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