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| Baetens, Jan: "Comic strips and constrained writing." In: Image [&] Narrative 4.1 (2003). |
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| ---: "M comme main. Une lecture du Château de Kafka adapté par Olivier Deprez." In: Image [&] Narrative 4.2 (2004). |
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| ---: "New = Old, Old = New." In: electronic book review (1. Jan. 2001). |
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| ---: "Not Telling, but Retelling. From Raymond Queneau’s Exercises in Style to Matt Madden’s 99 Ways to Tell a Story and Back." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 235–248. |
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| ---: "Uncaging and Reframing Martin Vaughn-James’s The Cage." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85. |
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| Bartual, Roberto: "Creation versus interpretation in To Boil a Bear." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 90–92. |
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| Beaty, Bart: "‘C'est pas du tout ce que tu penses’. Improvisational Narrative Strategies in Ruppert and Mulot's La Maison close." In: European Comic Art 3 (2010), S. 81–103. |
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| ---: Unpopular Culture. Transforming the European Comic Book in the 1990s. (Studies in Book and Print Culture.) Toronto, Buffalo, London: Univ. of Toronto Press, 2007. (303 S.) |
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| Besson, Cyril: "Aesthetics fiction ? Comics, avant-gardes visuelles et genre dans Doom Patrol de Grant Morrison." In: ReS Futurae 5 (2015). |
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| Borkent, Mike: "Post/Avant Comics. bpNichol’s Material Poetics and Comics Art Manifestos." In: Avant Canada. Poets, Prophets, Revolutionaries. Hrsg. v. Gregory Betts und Christian Bök. Waterloo: Wilfrid Laurier Univ. Press, 2019, S. 95–115. |
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| Braun, Alexander und Max Hollein (Hrsg.): Pioniere des Comic. Eine andere Avantgarde. Ostfildern-Ruit: Hatje Cantz, 2016. (256 S.) |
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| Brillenburg Wurth, Kiene: "Posthumanities and Post-textualities. Reading The Raw Shark Texts and Woman’s World." In: Comparative Literature 63.2 (2011), S. 119–141. |
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| Brillenburg Wurth, Kiene, Sara Rosa Espi und Inge van de Ven: "Visual Text and Media Divergence. Analogue literary writing in a digital age." In: European Journal of English Studies 17.1 (2013), S. 92–108. |
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| Campbell, Peter: "Ten Good Reasons to Read Yourself Raw (and one reason why you shouldn’t)." In: FA (10. Okt. 2010). |
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| Camus, Cyril: "Les collaborations de Neil Gaiman et Dave McKean." In: Fabula.org: Colloques en ligne (2016). |
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| Castaldi, Simone: "‘The Inexhaustible Surface of Things’. Stefano Tamburini’s Comic Book Work." In: European Comic Art 13.1 (2020), S. 70–94. |
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| Cho, Jennifer: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: Avant Garde Critical Studies 25.1 (2010), S. 201–211. |
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| ---: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 201–211. |
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| Chute, Hillary: "Graphic Narrative." In: The Routledge Companion to Experimental Literature. Hrsg. v. Joe Bray, Alison Gibbons und Brian McHale. (Routledge Literature Companions.) London, New York: Routledge, 2012, S. 407–419. |
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| Conard, Sébastien und Tom Lambeens: "Duration in Comics." In: European Comic Art 5.2 (2012), S. 92–113. |
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| Dicker, Barnaby: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: Avant Garde Critical Studies 25.1 (2010), S. 227–249. |
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| ---: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 227–249. |
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| Dittmar, Jakob F. "Experiments in comics storytelling." In: Studies in Comics 6.1 (2015), S. 157–167. |
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| Duée, Claude: "Là où le mot se fait image et où l’image se fait mot. Nouvelle bande dessinée et bande dessinée d’avant-garde." In: Orientations. Space/Time/Image/Word. Word & Image Interactions 5. Hrsg. v. Claus Clüver, Véronique Plesch und Leo Hoek. (Textxet, 48.) Amsterdam [etc.]: Rodopi, 2005, S. 229–243. |
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| Fawaz, Ramzi: "Stripped to the Bone. Sequencing Queerness in the Comic Strip Work of Joe Brainard and David Wojnarowicz." In: ASAP/Journal 2.2 (2017), S. 335–367. |
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| Gasser, Christian (Hrsg.): Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ostfildern-Ruit: Hatje Cantz, 1999. (160 S.) |
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| ---: "Von grafischen Feuerwerken zur Graphic Novel – Strapazin und die Entstehung einer deutschsprachigen Comicszene." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 5–15. |
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| ---: "Von uns aus kann es Strapazin ewig geben, aber …. Ein Blick hinter die Kulissen von Strapazin." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 133–137. |
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| Ghosal, Torsa: "Books with Bodies. Narrative Progression in Chris Ware’s Building Stories." In: StoryWorlds 7.1 (2015), S. 75–99. |
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| Groensteen, Thierry: "The Building of The Cage. Autopsy of a visual novel." (2002). |
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| ---: La Construction de La Cage. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2002. (96 S.) |
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| ---: "Ein erster Blumenstrauß von Zwängen. Die Spielregeln von OuBaPo." In: Schreibheft 51 (1998), S. 182–202. |
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| ---: "Un premier bouquet de contraintes." In: Opus 1 (1997), S. 13–59. |
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| Haglund, Elisabet: "Avantgarde och experiment i serievärlden." In: Boken om serier. Hrsg. v. Elisabet Haglund et al. Johanneshov: Hammarström & Åberg, 1986, S. 116–128. |
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| Hahne, Kathrin: «Bande dessinée» als Experiment. Dekonstruktion als Kompositionsprinzip bei Marc-Antoine Mathieu. (Romania Viva, 21.) Frankfurt am Main [etc.]: Peter Lang, 2016. (364 S.) |
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| Hancock, Michael W. "Storytelling in Comics. Who, When, and Where in “Here”." In: Comics and Graphic Novels (Teacher Resources) 2 (2013). |
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| Ingvarsson, Jonas: "Comics and the Avant-Garde." In: A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975. Hrsg. v. Tania Ørum und Jesper Olsson. Leiden: Brill, 2016, S. 380–382. |
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| Isabelinho, Domingos: "The Ghost of a Character. The Cage by Martin Vaughn-James." In: Indy Magazine Summer (2004). |
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| Jacobs, Kristien: "‘La Cage’ by Martin Vaughn-James." In: Image [&] Narrative 2.2 (2002). |
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| Kartalopoulos, Bill: "Comics as Art. Spiegelman’s Breakdowns." In: Indy Magazine Winter (2005). |
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| ---: "Ilan Manouach. Defamiliarizing Comics." In: World Literature Today 90.2 (2016), S. 44–47. |
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| ---: "A RAW History. Part One." In: Indy Magazine Winter (2005). |
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| ---: "A RAW History. The Magazine." In: Indy Magazine Winter (2005). |
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| Kemp, Anna: "Je me souviens de Beyrouth. Zeina Abirached’s Perecquian practice." In: International Journal of Francophone Studies 20.3–4 (2017), S. 183–208. |
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| Køhlert, Frederik Byrn: "At This Point I Become Real. Experimental Autobiography in Julie Doucet and Michel Gondry’s Comics/Video Hybrid My New New York Diary." In: The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Hrsg. v. Tahneer Oksman und Seamus O’Malley. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 145–163. |
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| Kuhlman, Martha B. "Avant-Garde Comics? The Very Idea." In: Comics Forum (10. Aug. 2012). |
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| ---: "In the Comics Workshop. Chris Ware and the Oubapo." In: The Comics of Chris Ware. Drawing is a Way of Thinking. Hrsg. v. David M. Ball und Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010, S. 78–89. |
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| Kuhlman, Martha: "Reinvention of the Form. Chris Ware and Experimentalism after Raw." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 509–525. |
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| Lamarche-Amiot, Mélanie: "Spirales et anneaux de Möbius dans Le processus et Le début de la fin de Marc-Antoine Mathieu." In: Tangence 68 (2002), S. 33–49. |
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| Latxague, Claire: "L’image dans le récit. La Cage ou la mise en abyme iconique." In: Textimage 4 (2012). |
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| Ledesma, Eduardo: "How to Explain Comics to a Dead Hare. Intertextuality and Crisis in Rosana Antolí’s Neo-surrealist Graphic Novel Pareidolia (2014)." In: Consequential Art. Comics Culture in Contemporary Spain. Hrsg. v. Samuel Amago und Matthew J. Marr. (Toronto Iberic, 45.) Toronto, Buffalo, London: Univ. of Toronto Press, 2019, S. 220–252. |
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| Leinen, Frank: "Das andere Denken – das Andere denken. Grenzüberschreitungen als Gestaltungsprinzip bei Marc-Antoine Mathieu." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 93–102. |
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| Lesage, Sylvain: "La bande dessinée en son miroir. Images et usages de l’album dans la bande dessinée française." In: Mémoires du livre / Studies in Book Culture 2.2 (2011). |
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| Lohse, Rolf: "Vom Reiz offener Fragen." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 77–83. |
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| Lombard-Cook, Kat: "Jason Shiga’s Meanwhile and digital adaptability of non-traditional narratives in comics." In: Journal of Graphic Novels and Comics 6.1 (2015), S. 15–30. |
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| Manouach, Ilan: "Outlining Conceptual Practices in Comics:" In: European Comic Art 14.2 (2021), S. 102–129. |
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| Martin, Côme: "L’oubapo chez les dessinateurs nord-américains. Leif Tande, Jason Shiga et la contrainte pluri-narrative." In: Formules 16 (2012), S. 301–310. |
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| ---: "Le travail de classification de l’OuBaPo, ou la mise en normes de l’excentricité." In: Leaves 6 (2018), S. 1–9, . |
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| Meinrenken, Jens: "Künstlermythen im Zeichen der Avantgarde. Zur Bedeutung der Malerei im amerikanischen Zeitungscomic." In: Arbeit am Bild. Ein Album für Michael Diers. Hrsg. v. Steffen Haug. Köln: Walter König, 2010, S. 122–126. |
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| Menu, Jean-Christophe: "Avant-garde et ultracritique." In: L’Éprouvette 1 (2006), S. 173–186. |
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| Miller, Ann: "Oubapo. A Verbal/Visual Medium Is Subjected To Constraints." In: Word & Image 23.2 (2007), S. 117–137. |
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| Ørum, Tania: "NY MODEL: INTERPLAY. Tresseravantgardens omgang med massekulturen." In: PopAvant – Verhandlungen zwischen Populärkultur und Avantgarde in Dänemark. Hrsg. v. Annegret Heitmann und Stephan Michael Schröder. (Münchner Nordistische Studien, 7.) München: Herbert Utz, 2012, S. 183–208. |
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| Pérez, Juan Carlos: "Frank Miller and Lynn Varley’s The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 274–290. |
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| Romero-Jódar, Andrés: "A hammer to shape reality. Alan Moore’s graphic novels and the avant-gardes." In: Studies in Comics 2.1 (2011), S. 39–56. |
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| Russett, Robert und Cecile Starr: Experimental Animation. Origins of a New Art. 2. Aufl. Cambridge: Da Capo, 1988. (224 S.) |
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| Sandlin, David: "Learning from the Master." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 95–97. |
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| Scorer, James: "Comics and the slaughterhouse. Alberto Breccia and the neighbourhood of Mataderos." In: Journal of Urban Cultural Studies 5.3 (2018), S. 281–297. |
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| Sjöberg, Sami: "Natura denaturans. Asemicism and Surreal Interconnectedness in the Codex Seraphinianus." In: Image [&] Narrative 20.1 (2019), S. 5–22, . |
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| Smith, Jimmy: "Beyond Maus. The experimental comics of Art Spiegelman." In: Book 2.0 1.1 (2011), S. 47–56. |
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| Sobel, Marc: "Alan Moore’s Lost Treasures. ‘The Bowing Machine’." In: Comics Forum (12. Sept. 2012). |
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| Stojanović, Jelena: "The Situationist International, Cold War, Comics, and the ›Youth Question‹." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 273–287. |
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| Strouhal, Felix: "Stream of Comicness. Chris Wares Erzählen in einem Medium zwischen Massentauglichkeit und Exklusivität." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 161–170. |
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| Susik, Abigail: "Approximate Life. The Tribulations of Monsieur Wzz…." In: Surrealism, Science Fiction, and Comics. Hrsg. v. Gavin Parkinson. Liverpool: Liverpool Univ. Press, 2015, S. 62–81. |
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| Uhlig, Barbara: "Andrea Pazienza and Lorenzo Mattotti. How the Student Riots of 1977 Shaped Italian Comics." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 291–305. |
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| Williams, Mark P. "Superhero Narratives and Social Values. The Role of Globalisation and the Avant–garde in Grant Morrison’s Batman." In: werewolf 23 (2011). |
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| Worden, Daniel: "The Politics of Comics. Popular Modernism, Abstraction, and Experimentation." In: Literature Compass 12.2 (2015), S. 59–71, . |
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| Wüllner, Daniel: "Folding Nations, Cutting Borders. Transnationalism in the Comics of Warren Craghead III." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 95–110. |
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