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Amos, Thomas: "En guise d’avant-propos. Dix propositions pour une Nouvelle Bande Dessinée." In: Lendemains 33.129 (2008), S. 5–7.  
Added by: joachim 2013-01-30 15:10
Baetens, Jan: "Comic strips and constrained writing." In: Image [&] Narrative 4.1 (2003).  
Last edited by: joachim 2012-09-19 14:03
---: "M comme main. Une lecture du Château de Kafka adapté par Olivier Deprez." In: Image [&] Narrative 4.2 (2004).  
Last edited by: joachim 2011-10-21 18:09
---: "New = Old, Old = New." In: electronic book review (1. Jan. 2001).  
Last edited by: joachim 2014-01-14 09:31
---: "Not Telling, but Retelling. From Raymond Queneau’s Exercises in Style to Matt Madden’s 99 Ways to Tell a Story and Back." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 235–248.  
Added by: joachim 2017-07-26 14:46
---: "Uncaging and Reframing Martin Vaughn-James’s The Cage." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85.  
Last edited by: joachim 2014-07-28 09:52
Balzer, Jens: "Differenz und Wiederholung. Von Tintin zu den Oubapoten." In: Schreibheft 51 (1998), S. 175–177.  
Last edited by: joachim 2018-09-25 19:01
---: "Montage und Piktogramm. Comics aus Arcade und RAW." In: Schreibheft 51 (1998), S. 55–56.  
Last edited by: joachim 2018-09-25 19:07
Bartual, Roberto: "Creation versus interpretation in To Boil a Bear." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 90–92.  
Added by: joachim 2013-01-08 21:20
Beaty, Bart: "‘C'est pas du tout ce que tu penses’. Improvisational Narrative Strategies in Ruppert and Mulot's La Maison close." In: European Comic Art 3 (2010), S. 81–103.  
Added by: joachim 2010-09-30 01:53
Borkent, Mike: "Post/Avant Comics. bpNichol’s Material Poetics and Comics Art Manifestos." In: Avant Canada. Poets, Prophets, Revolutionaries. Hrsg. v. Gregory Betts und Christian Bök. Waterloo: Wilfrid Laurier Univ. Press, 2019, S. 95–115.  
Added by: joachim 2019-01-31 15:34
Braun, Alexander und Max Hollein (Hgg.): Pioniere des Comic. Eine andere Avantgarde. Ostfildern-Ruit: Hatje Cantz, 2016. (256 S.)  
Last edited by: joachim 2018-10-22 13:02
Brillenburg Wurth, Kiene: "Posthumanities and Post-textualities. Reading The Raw Shark Texts and Woman’s World." In: Comparative Literature 63.2 (2011), S. 119–141.  
Added by: joachim 2014-03-16 15:16
Brillenburg Wurth, Kiene, Sara Rosa Espi und Inge van de Ven: "Visual Text and Media Divergence. Analogue literary writing in a digital age." In: European Journal of English Studies 17.1 (2013), S. 92–108.  
Added by: joachim 2013-08-25 15:02
Campbell, Peter: "Ten Good Reasons to Read Yourself Raw (and one reason why you shouldn’t)." In: FA (10. Okt. 2010).  
Added by: joachim 2014-06-01 22:39
Camus, Cyril: "Les collaborations de Neil Gaiman et Dave McKean." In: Fabula.org: Colloques en ligne (2016).  
Last edited by: joachim 2021-10-14 10:29
Castaldi, Simone: "‘The Inexhaustible Surface of Things’. Stefano Tamburini’s Comic Book Work." In: European Comic Art 13.1 (2020), S. 70–94.  
Added by: joachim 2020-06-06 17:26
Cho, Jennifer: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: Avant Garde Critical Studies 25.1 (2010), S. 201–211.  
Added by: joachim 2017-07-19 18:48
---: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 201–211.  
Last edited by: joachim 2017-02-19 17:36
Chute, Hillary: "Graphic Narrative." In: The Routledge Companion to Experimental Literature. Hrsg. v. Joe Bray, Alison Gibbons und Brian McHale. (Routledge Literature Companions.) London, New York: Routledge, 2012, S. 407–419.  
Added by: joachim 2019-08-01 01:50
Conard, Sébastien und Tom Lambeens: "Duration in Comics." In: European Comic Art 5.2 (2012), S. 92–113.  
Added by: joachim 2013-01-09 19:41
Dicker, Barnaby: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: Avant Garde Critical Studies 25.1 (2010), S. 227–249.  
Added by: joachim 2012-10-19 00:42
---: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 227–249.  
Added by: joachim 2017-02-19 17:07
Dittmar, Jakob F. "Experiments in comics storytelling." In: Studies in Comics 6.1 (2015), S. 157–167.  
Added by: joachim 2015-08-14 05:52
Duée, Claude: "Là où le mot se fait image et où l’image se fait mot. Nouvelle bande dessinée et bande dessinée d’avant-garde." In: Orientations. Space/Time/Image/Word. Word & Image Interactions 5. Hrsg. v. Claus Clüver, Véronique Plesch und Leo Hoek. (Textxet, 48.) Amsterdam [etc.]: Rodopi, 2005, S. 229–243.  
Added by: joachim 2010-03-18 04:15
Fawaz, Ramzi: "Stripped to the Bone. Sequencing Queerness in the Comic Strip Work of Joe Brainard and David Wojnarowicz." In: ASAP/Journal 2.2 (2017), S. 335–367.  
Added by: joachim 2019-02-21 17:48
Gasser, Christian (Hg.): Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ostfildern-Ruit: Hatje Cantz, 1999. (160 S.)  
Last edited by: joachim 2012-12-06 14:48
---: "Von grafischen Feuerwerken zur Graphic Novel – Strapazin und die Entstehung einer deutschsprachigen Comicszene." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 5–15.  
Added by: joachim 2013-10-02 19:15
---: "Von uns aus kann es Strapazin ewig geben, aber …. Ein Blick hinter die Kulissen von Strapazin." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 133–137.  
Added by: joachim 2013-10-24 15:31
Ghosal, Torsa: "Books with Bodies. Narrative Progression in Chris Ware’s Building Stories." In: StoryWorlds 7.1 (2015), S. 75–99.  
Added by: joachim 2015-09-19 16:39
Groensteen, Thierry: "The Building of The Cage. Autopsy of a visual novel." (2002).  
Last edited by: joachim 2009-09-18 21:48
---: La Construction de La Cage. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2002. (96 S.)  
Last edited by: joachim 2011-08-16 09:39
---: "Ein erster Blumenstrauß von Zwängen. Die Spielregeln von OuBaPo." In: Schreibheft 51 (1998), S. 182–202.  
Last edited by: joachim 2018-09-25 19:11
---: "Un premier bouquet de contraintes." In: Opus 1 (1997), S. 13–59.  
Last edited by: joachim 2015-10-02 10:53
Haglund, Elisabet: "Avantgarde och experiment i serievärlden." In: Boken om serier. Hrsg. v. Elisabet Haglund et al. Johanneshov: Hammarström & Åberg, 1986, S. 116–128.  
Last edited by: joachim 2009-09-27 21:18
Hahne, Kathrin: «Bande dessinée» als Experiment. Dekonstruktion als Kompositionsprinzip bei Marc-Antoine Mathieu. (Romania Viva, 21.) Frankfurt am Main [etc.]: Peter Lang, 2016. (364 S.)  
Last edited by: joachim 2021-05-08 12:02
Hancock, Michael W. "Storytelling in Comics. Who, When, and Where in “Here”." In: Comics and Graphic Novels (Teacher Resources) 2 (2013).  
Added by: joachim 2014-09-29 15:22
Ingvarsson, Jonas: "Comics and the Avant-Garde." In: A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975. Hrsg. v. Tania Ørum und Jesper Olsson. Leiden: Brill, 2016, S. 380–382.  
Last edited by: joachim 2017-02-23 13:46
Isabelinho, Domingos: "The Ghost of a Character. The Cage by Martin Vaughn-James." In: Indy Magazine Summer (2004).  
Last edited by: joachim 2013-01-12 15:23
Jacobs, Kristien: "‘La Cage’ by Martin Vaughn-James." In: Image [&] Narrative 2.2 (2002).  
Last edited by: joachim 2011-01-03 14:46
Kartalopoulos, Bill: "Comics as Art. Spiegelman’s Breakdowns." In: Indy Magazine Winter (2005).  
Added by: joachim 2013-01-12 11:51
---: "A RAW History. Part One." In: Indy Magazine Winter (2005).  
Last edited by: joachim 2013-09-12 14:57
---: "A RAW History. The Magazine." In: Indy Magazine Winter (2005).  
Last edited by: joachim 2013-09-12 14:50
Kemp, Anna: "Je me souviens de Beyrouth. Zeina Abirached’s Perecquian practice." In: International Journal of Francophone Studies 20.3–4 (2017), S. 183–208.  
Last edited by: joachim 2021-03-26 16:37
Køhlert, Frederik Byrn: "At This Point I Become Real. Experimental Autobiography in Julie Doucet and Michel Gondry’s Comics/Video Hybrid My New New York Diary." In: The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Hrsg. v. Tahneer Oksman und Seamus O’Malley. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 145–163.  
Last edited by: joachim 2019-04-06 17:12
Kuhlman, Martha B. "Avant-Garde Comics? The Very Idea." In: Comics Forum (10. Aug. 2012).  
Added by: joachim 2013-08-16 10:38
---: "In the Comics Workshop. Chris Ware and the Oubapo." In: The Comics of Chris Ware. Drawing is a Way of Thinking. Hrsg. v. David M. Ball und Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010, S. 78–89.  
Last edited by: joachim 2014-07-29 14:47
Kuhlman, Martha: "Reinvention of the Form. Chris Ware and Experimentalism after Raw." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 509–525.  
Last edited by: joachim 2019-06-23 20:03
Lamarche-Amiot, Mélanie: "Spirales et anneaux de Möbius dans Le processus et Le début de la fin de Marc-Antoine Mathieu." In: Tangence 68 (2002), S. 33–49.  
Last edited by: joachim 2015-10-23 22:44
Latxague, Claire: "L’image dans le récit. La Cage ou la mise en abyme iconique." In: Textimage 4 (2012).  
Last edited by: joachim 2014-07-25 10:50
Ledesma, Eduardo: "How to Explain Comics to a Dead Hare. Intertextuality and Crisis in Rosana Antolí’s Neo-surrealist Graphic Novel Pareidolia (2014)." In: Consequential Art. Comics Culture in Contemporary Spain. Hrsg. v. Samuel Amago und Matthew J. Marr. (Toronto Iberic, 45.) Toronto, Buffalo, London: Univ. of Toronto Press, 2019, S. 220–252.  
Last edited by: joachim 2019-11-05 11:13
Leinen, Frank: "Das andere Denken – das Andere denken. Grenzüberschreitungen als Gestaltungsprinzip bei Marc-Antoine Mathieu." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 93–102.  
Added by: joachim 2021-10-10 11:56
Lesage, Sylvain: "La bande dessinée en son miroir. Images et usages de l’album dans la bande dessinée française." In: Mémoires du livre / Studies in Book Culture 2.2 (2011).  
Last edited by: joachim 2017-02-26 18:10
Lohse, Rolf: "Vom Reiz offener Fragen." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 77–83.  
Added by: joachim 2017-09-18 15:35
Lombard-Cook, Kat: "Jason Shiga’s Meanwhile and digital adaptability of non-traditional narratives in comics." In: Journal of Graphic Novels and Comics 6.1 (2015), S. 15–30.  
Last edited by: joachim 2016-10-22 17:08
Martin, Côme: "L’oubapo chez les dessinateurs nord-américains. Leif Tande, Jason Shiga et la contrainte pluri-narrative." In: Formules 16 (2012), S. 301–310.  
Last edited by: joachim 2019-08-29 14:02
---: "Le travail de classification de l’OuBaPo, ou la mise en normes de l’excentricité." In: Leaves 6 (2018), S. 1–9, .  
Added by: joachim 2021-01-15 12:23
Meinrenken, Jens: "Künstlermythen im Zeichen der Avantgarde. Zur Bedeutung der Malerei im amerikanischen Zeitungscomic." In: Arbeit am Bild. Ein Album für Michael Diers. Hrsg. v. Steffen Haug. Köln: Walter König, 2010, S. 122–126.  
Added by: joachim 2011-07-02 15:57
Menu, Jean-Christophe: "Avant-garde et ultracritique." In: L’Éprouvette 1 (2006), S. 173–186.  
Added by: joachim 2018-10-29 13:05
Miller, Ann: "Oubapo. A Verbal/Visual Medium Is Subjected To Constraints." In: Word & Image 23.2 (2007), S. 117–137.  
Added by: joachim 2014-10-09 21:32
Ørum, Tania: "NY MODEL: INTERPLAY. Tresseravantgardens omgang med massekulturen." In: PopAvant – Verhandlungen zwischen Populärkultur und Avantgarde in Dänemark. Hrsg. v. Annegret Heitmann und Stephan Michael Schröder. (Münchner Nordistische Studien, 7.) München: Herbert Utz, 2012, S. 183–208.  
Added by: joachim 2019-03-02 12:17
Pérez, Juan Carlos: "Frank Miller and Lynn Varley’s The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 274–290.  
Last edited by: joachim 2019-01-22 14:51
Romero-Jódar, Andrés: "A hammer to shape reality. Alan Moore’s graphic novels and the avant-gardes." In: Studies in Comics 2.1 (2011), S. 39–56.  
Added by: joachim 2012-12-03 19:21
Russett, Robert und Cecile Starr: Experimental Animation. Origins of a New Art. 2. Aufl. Cambridge: Da Capo, 1988. (224 S.)  
Added by: joachim 2014-06-14 16:25
Sandlin, David: "Learning from the Master." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 95–97.  
Added by: joachim 2009-09-28 09:05
Scorer, James: "Comics and the slaughterhouse. Alberto Breccia and the neighbourhood of Mataderos." In: Journal of Urban Cultural Studies 5.3 (2018), S. 281–297.  
Last edited by: joachim 2021-09-22 16:17
Sjöberg, Sami: "Natura denaturans. Asemicism and Surreal Interconnectedness in the Codex Seraphinianus." In: Image [&] Narrative 20.1 (2019), S. 5–22, .  
Added by: joachim 2019-04-04 16:57
Smith, Jimmy: "Beyond Maus. The experimental comics of Art Spiegelman." In: Book 2.0 1.1 (2011), S. 47–56.  
Added by: joachim 2013-12-26 14:42
Sobel, Marc: "Alan Moore’s Lost Treasures. ‘The Bowing Machine’." In: Comics Forum (12. Sept. 2012).  
Last edited by: joachim 2013-04-12 18:01
Stojanović, Jelena: "The Situationist International, Cold War, Comics, and the ›Youth Question‹." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 273–287.  
Last edited by: joachim 2019-03-21 15:22
Strouhal, Felix: "Stream of Comicness. Chris Wares Erzählen in einem Medium zwischen Massentauglichkeit und Exklusivität." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 161–170.  
Added by: joachim 2011-09-30 15:31
Susik, Abigail: "Approximate Life. The Tribulations of Monsieur Wzz…." In: Surrealism, Science Fiction, and Comics. Hrsg. v. Gavin Parkinson. Liverpool: Liverpool Univ. Press, 2015, S. 62–81.  
Added by: joachim 2017-02-19 17:57
Uhlig, Barbara: "Andrea Pazienza and Lorenzo Mattotti. How the Student Riots of 1977 Shaped Italian Comics." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 291–305.  
Added by: joachim 2019-01-22 13:00
Wallin, Jason: "Graphic Affects." In: Visual Arts Research 38.1 (2012), S. 34–44.  
Last edited by: joachim 2015-05-30 12:47
Williams, Mark P. "Superhero Narratives and Social Values. The Role of Globalisation and the Avant–garde in Grant Morrison’s Batman." In: werewolf 23 (2011).  
Added by: joachim 2013-02-18 02:48
Worden, Daniel: "The Politics of Comics. Popular Modernism, Abstraction, and Experimentation." In: Literature Compass 12.2 (2015), S. 59–71, .  
Last edited by: joachim 2019-06-14 20:08
Wüllner, Daniel: "Folding Nations, Cutting Borders. Transnationalism in the Comics of Warren Craghead III." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 95–110.  
Last edited by: joachim 2013-04-18 22:11
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