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| ---: "Uncaging and Reframing Martin Vaughn-James’s The Cage." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85. |
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| Borkent, Mike: "Post/Avant Comics. bpNichol’s Material Poetics and Comics Art Manifestos." In: Avant Canada. Poets, Prophets, Revolutionaries. Hrsg. v. Gregory Betts und Christian Bök. Waterloo: Wilfrid Laurier Univ. Press, 2019, S. 95–115. |
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| ---: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 201–211. |
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| Dicker, Barnaby: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: Avant Garde Critical Studies 25.1 (2010), S. 227–249. |
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| ---: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 227–249. |
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| Fawaz, Ramzi: "Stripped to the Bone. Sequencing Queerness in the Comic Strip Work of Joe Brainard and David Wojnarowicz." In: ASAP/Journal 2.2 (2017), S. 335–367. |
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| ---: "Von grafischen Feuerwerken zur Graphic Novel – Strapazin und die Entstehung einer deutschsprachigen Comicszene." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 5–15. |
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| ---: "Von uns aus kann es Strapazin ewig geben, aber …. Ein Blick hinter die Kulissen von Strapazin." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 133–137. |
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| ---: La Construction de La Cage. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2002. (96 S.) |
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| Hahne, Kathrin: «Bande dessinée» als Experiment. Dekonstruktion als Kompositionsprinzip bei Marc-Antoine Mathieu. (Romania Viva, 21.) Frankfurt am Main [etc.]: Peter Lang, 2016. (364 S.) |
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| Ingvarsson, Jonas: "Comics and the Avant-Garde." In: A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975. Hrsg. v. Tania Ørum und Jesper Olsson. Leiden: Brill, 2016, S. 380–382. |
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| Isabelinho, Domingos: "The Ghost of a Character. The Cage by Martin Vaughn-James." In: Indy Magazine Summer (2004). |
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| Køhlert, Frederik Byrn: "At This Point I Become Real. Experimental Autobiography in Julie Doucet and Michel Gondry’s Comics/Video Hybrid My New New York Diary." In: The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Hrsg. v. Tahneer Oksman und Seamus O’Malley. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 145–163. |
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| ---: "In the Comics Workshop. Chris Ware and the Oubapo." In: The Comics of Chris Ware. Drawing is a Way of Thinking. Hrsg. v. David M. Ball und Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010, S. 78–89. |
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| Kuhlman, Martha: "Reinvention of the Form. Chris Ware and Experimentalism after Raw." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 509–525. |
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| Ledesma, Eduardo: "How to Explain Comics to a Dead Hare. Intertextuality and Crisis in Rosana Antolí’s Neo-surrealist Graphic Novel Pareidolia (2014)." In: Consequential Art. Comics Culture in Contemporary Spain. Hrsg. v. Samuel Amago und Matthew J. Marr. (Toronto Iberic, 45.) Toronto, Buffalo, London: Univ. of Toronto Press, 2019, S. 220–252. |
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| Lohse, Rolf: "Vom Reiz offener Fragen." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 77–83. |
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| Meinrenken, Jens: "Künstlermythen im Zeichen der Avantgarde. Zur Bedeutung der Malerei im amerikanischen Zeitungscomic." In: Arbeit am Bild. Ein Album für Michael Diers. Hrsg. v. Steffen Haug. Köln: Walter König, 2010, S. 122–126. |
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| Ørum, Tania: "NY MODEL: INTERPLAY. Tresseravantgardens omgang med massekulturen." In: PopAvant – Verhandlungen zwischen Populärkultur und Avantgarde in Dänemark. Hrsg. v. Annegret Heitmann und Stephan Michael Schröder. (Münchner Nordistische Studien, 7.) München: Herbert Utz, 2012, S. 183–208. |
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| Pérez, Juan Carlos: "Frank Miller and Lynn Varley’s The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 274–290. |
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| Romero-Jódar, Andrés: "A hammer to shape reality. Alan Moore’s graphic novels and the avant-gardes." In: Studies in Comics 2.1 (2011), S. 39–56. |
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| Sjöberg, Sami: "Natura denaturans. Asemicism and Surreal Interconnectedness in the Codex Seraphinianus." In: Image [&] Narrative 20.1 (2019), S. 5–22, . |
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| Stojanović, Jelena: "The Situationist International, Cold War, Comics, and the ›Youth Question‹." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 273–287. |
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| Strouhal, Felix: "Stream of Comicness. Chris Wares Erzählen in einem Medium zwischen Massentauglichkeit und Exklusivität." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 161–170. |
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| Susik, Abigail: "Approximate Life. The Tribulations of Monsieur Wzz…." In: Surrealism, Science Fiction, and Comics. Hrsg. v. Gavin Parkinson. Liverpool: Liverpool Univ. Press, 2015, S. 62–81. |
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| Uhlig, Barbara: "Andrea Pazienza and Lorenzo Mattotti. How the Student Riots of 1977 Shaped Italian Comics." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 291–305. |
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| Wüllner, Daniel: "Folding Nations, Cutting Borders. Transnationalism in the Comics of Warren Craghead III." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 95–110. |
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