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Keyword:  Avantgarde
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Amos, Thomas: "En guise d’avant-propos. Dix propositions pour une Nouvelle Bande Dessinée." In: Lendemains 33.129 (2008), S. 5–7.  
Added by: joachim 01/30/2013 03:10:43 PM
Baetens, Jan: "Comic strips and constrained writing." In: Image [&] Narrative 4.1 (2003), (19. Sept. 2012)  
Last edited by: joachim 09/19/2012 02:03:25 PM
---: "M comme main. Une lecture du Château de Kafka adapté par Olivier Deprez." In: Image [&] Narrative 4.2 (2004), (27. Juli 2009)  
Last edited by: joachim 10/21/2011 06:09:28 PM
---: "New = Old, Old = New." In: electronic book review (1. Jan. 2001), (13. Jan. 2014)  
Last edited by: joachim 01/14/2014 09:31:29 AM
---: "Not Telling, but Retelling. From Raymond Queneau’s Exercises in Style to Matt Madden’s 99 Ways to Tell a Story and Back." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 235–248.  
Added by: joachim 07/26/2017 02:46:37 PM
---: "Uncaging and Reframing Martin Vaughn-James’s The Cage." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85.  
Last edited by: joachim 07/28/2014 09:52:17 AM
Balzer, Jens: "Differenz und Wiederholung. Von Tintin zu den Oubapoten." In: Schreibheft 51 (1998), S. 175–177.  
Last edited by: joachim 09/25/2018 07:01:23 PM
---: "Montage und Piktogramm. Comics aus Arcade und RAW." In: Schreibheft 51 (1998), S. 55–56.  
Last edited by: joachim 09/25/2018 07:07:10 PM
Bartual, Roberto: "Creation versus interpretation in To Boil a Bear." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 90–92.  
Added by: joachim 01/08/2013 09:20:34 PM
Beaty, Bart: "‘C'est pas du tout ce que tu penses’. Improvisational Narrative Strategies in Ruppert and Mulot's La Maison close." In: European Comic Art 3 (2010), S. 81–103.  
Added by: joachim 09/30/2010 01:53:42 AM
Borkent, Mike: "Post/Avant Comics. bpNichol’s Material Poetics and Comics Art Manifestos." In: Avant Canada. Poets, Prophets, Revolutionaries. Hrsg. v. Gregory Betts und Christian Bök. Waterloo: Wilfrid Laurier Univ. Press, 2019, S. 95–115.  
Added by: joachim 01/31/2019 03:34:02 PM
Braun, Alexander und Max Hollein (Hgg.): Pioniere des Comic. Eine andere Avantgarde. Ostfildern-Ruit: Hatje Cantz, 2016. (256 S.)  
Last edited by: joachim 10/22/2018 01:02:56 PM
Brillenburg Wurth, Kiene: "Posthumanities and Post-textualities. Reading The Raw Shark Texts and Woman’s World." In: Comparative Literature 63.2 (2011), S. 119–141.  
Added by: joachim 03/16/2014 03:16:04 PM
Brillenburg Wurth, Kiene, Sara Rosa Espi und Inge van de Ven: "Visual Text and Media Divergence. Analogue literary writing in a digital age." In: European Journal of English Studies 17.1 (2013), S. 92–108.  
Added by: joachim 08/25/2013 03:02:18 PM
Campbell, Peter: "Ten Good Reasons to Read Yourself Raw (and one reason why you shouldn’t)." In: FA (10. Okt. 2010), (1. Juni 2014)  
Added by: joachim 06/01/2014 10:39:27 PM
Castaldi, Simone: "‘The Inexhaustible Surface of Things’. Stefano Tamburini’s Comic Book Work." In: European Comic Art 13.1 (2020), S. 70–94.  
Added by: joachim 06/06/2020 05:26:39 PM
Cho, Jennifer: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: Avant Garde Critical Studies 25.1 (2010), S. 201–211.  
Added by: joachim 07/19/2017 06:48:48 PM
---: "Touching Pasts In The Shadow of No Towers. 9/11 and Art Spiegelman’s Comix of Memory." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 201–211.  
Last edited by: joachim 02/19/2017 05:36:32 PM
Chute, Hillary: "Graphic Narrative." In: The Routledge Companion to Experimental Literature. Hrsg. v. Joe Bray, Alison Gibbons und Brian McHale. (Routledge Literature Companions.) London, New York: Routledge, 2012, S. 407–419.  
Added by: joachim 08/01/2019 01:50:54 AM
Conard, Sébastien und Tom Lambeens: "Duration in Comics." In: European Comic Art 5.2 (2012), S. 92–113.  
Added by: joachim 01/09/2013 07:41:28 PM
Dicker, Barnaby: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: Avant Garde Critical Studies 25.1 (2010), S. 227–249.  
Added by: joachim 10/19/2012 12:42:58 AM
---: "Franciszka Themerson’s Ubu Comic Strip. Autography, Caricature, and the Avant-Garde." In: The Popular Avant-Garde. Hrsg. v. Renée M. Silverman. (Avant-Garde Critical Studies, 25.) Amsterdam [etc.]: Rodopi, 2010, S. 227–249.  
Added by: joachim 02/19/2017 05:07:16 PM
Dittmar, Jakob F. "Experiments in comics storytelling." In: Studies in Comics 6.1 (2015), S. 157–167.  
Added by: joachim 08/14/2015 05:52:33 AM
Duée, Claude: "Là où le mot se fait image et où l’image se fait mot. Nouvelle bande dessinée et bande dessinée d’avant-garde." In: Orientations. Space/Time/Image/Word. Word & Image Interactions 5. Hrsg. v. Claus Clüver, Véronique Plesch und Leo Hoek. (Textxet, 48.) Amsterdam [etc.]: Rodopi, 2005, S. 229–243.  
Added by: joachim 03/18/2010 04:15:34 AM
Fawaz, Ramzi: "Stripped to the Bone. Sequencing Queerness in the Comic Strip Work of Joe Brainard and David Wojnarowicz." In: ASAP/Journal 2.2 (2017), S. 335–367.  
Added by: joachim 02/21/2019 05:48:13 PM
Gasser, Christian (Hg.): Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ostfildern-Ruit: Hatje Cantz, 1999. (160 S.)  
Last edited by: joachim 12/06/2012 02:48:25 PM
---: "Von grafischen Feuerwerken zur Graphic Novel – Strapazin und die Entstehung einer deutschsprachigen Comicszene." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 5–15.  
Added by: joachim 10/02/2013 07:15:15 PM
---: "Von uns aus kann es Strapazin ewig geben, aber …. Ein Blick hinter die Kulissen von Strapazin." In: Comics Deluxe! Das Comicmagazin Strapazin. Hrsg. v. Cartoonmuseum Basel. Basel: Christoph Merian, 2012, S. 133–137.  
Added by: joachim 10/24/2013 03:31:13 PM
Ghosal, Torsa: "Books with Bodies. Narrative Progression in Chris Ware’s Building Stories." In: StoryWorlds 7.1 (2015), S. 75–99.  
Added by: joachim 09/19/2015 04:39:16 PM
Groensteen, Thierry: "The Building of The Cage. Autopsy of a visual novel." (2002), (3. Aug. 2009)  
Last edited by: joachim 09/18/2009 09:48:27 PM
---: La Construction de La Cage. (Réflexions faites.) Bruxelles: Les Impressions Nouvelles, 2002. (96 S.)  
Last edited by: joachim 08/16/2011 09:39:18 AM
---: "Ein erster Blumenstrauß von Zwängen. Die Spielregeln von OuBaPo." In: Schreibheft 51 (1998), S. 182–202.  
Last edited by: joachim 09/25/2018 07:11:46 PM
---: "Un premier bouquet de contraintes." In: Opus 1 (1997), S. 13–59.  
Last edited by: joachim 10/02/2015 10:53:09 AM
Haglund, Elisabet: "Avantgarde och experiment i serievärlden." In: Boken om serier. Hrsg. v. Elisabet Haglund et al. Johanneshov: Hammarström & Åberg, 1986, S. 116–128.  
Last edited by: joachim 09/27/2009 09:18:29 PM
Hahne, Kathrin: «Bande dessinée» als Experiment. Dekonstruktion als Kompositionsprinzip bei Marc-Antoine Mathieu. (Romania Viva, 21.) Frankfurt am Main [etc.]: Peter Lang, 2016. (364 S.)  
Last edited by: joachim 05/08/2021 12:02:01 PM
Hancock, Michael W. "Storytelling in Comics. Who, When, and Where in “Here”." In: Comics and Graphic Novels (Teacher Resources) 2 (2013), (29. Sept. 2014)  
Added by: joachim 09/29/2014 03:22:18 PM
Ingvarsson, Jonas: "Comics and the Avant-Garde." In: A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975. Hrsg. v. Tania Ørum und Jesper Olsson. Leiden: Brill, 2016, S. 380–382.  
Last edited by: joachim 02/23/2017 01:46:36 PM
Isabelinho, Domingos: "The Ghost of a Character. The Cage by Martin Vaughn-James." In: Indy Magazine Summer (2004), (7. Febr. 2012)  
Last edited by: joachim 01/12/2013 03:23:02 PM
Jacobs, Kristien: "‘La Cage’ by Martin Vaughn-James." In: Image [&] Narrative 2.2 (2002), (27. Juli 2009)  
Last edited by: joachim 01/03/2011 02:46:23 PM
Kartalopoulos, Bill: "Comics as Art. Spiegelman’s Breakdowns." In: Indy Magazine Winter (2005), (12. Jan. 2013)  
Added by: joachim 01/12/2013 11:51:10 AM
---: "A RAW History. Part One." In: Indy Magazine Winter (2005), (12. Sept. 2013)  
Last edited by: joachim 09/12/2013 02:57:29 PM
---: "A RAW History. The Magazine." In: Indy Magazine Winter (2005), (12. Sept. 2013)  
Last edited by: joachim 09/12/2013 02:50:44 PM
Kemp, Anna: "Je me souviens de Beyrouth. Zeina Abirached’s Perecquian practice." In: International Journal of Francophone Studies 20.3–4 (2017), S. 183–208.  
Last edited by: joachim 03/26/2021 04:37:03 PM
Køhlert, Frederik Byrn: "At This Point I Become Real. Experimental Autobiography in Julie Doucet and Michel Gondry’s Comics/Video Hybrid My New New York Diary." In: The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Hrsg. v. Tahneer Oksman und Seamus O’Malley. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 145–163.  
Last edited by: joachim 04/06/2019 05:12:06 PM
Kuhlman, Martha B. "Avant-Garde Comics? The Very Idea." In: Comics Forum (10. Aug. 2012), (16. Aug. 2013)  
Added by: joachim 08/16/2013 10:38:50 AM
---: "In the Comics Workshop. Chris Ware and the Oubapo." In: The Comics of Chris Ware. Drawing is a Way of Thinking. Hrsg. v. David M. Ball und Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010, S. 78–89.  
Last edited by: joachim 07/29/2014 02:47:27 PM
Kuhlman, Martha: "Reinvention of the Form. Chris Ware and Experimentalism after Raw." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. (The Cambridge Companions to Philosophy, Religion and Culture.) Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 509–525.  
Last edited by: joachim 06/23/2019 08:03:37 PM
Lamarche-Amiot, Mélanie: "Spirales et anneaux de Möbius dans Le processus et Le début de la fin de Marc-Antoine Mathieu." In: Tangence 68 (2002), S. 33–49.  
Last edited by: joachim 10/23/2015 10:44:27 PM
Latxague, Claire: "L’image dans le récit. La Cage ou la mise en abyme iconique." In: Textimage 4 (2012), (25. Juli 2014)  
Last edited by: joachim 07/25/2014 10:50:57 AM
Ledesma, Eduardo: "How to Explain Comics to a Dead Hare. Intertextuality and Crisis in Rosana Antolí’s Neo-surrealist Graphic Novel Pareidolia (2014)." In: Consequential Art. Comics Culture in Contemporary Spain. Hrsg. v. Samuel Amago und Matthew J. Marr. (Toronto Iberic, 45.) Toronto, Buffalo, London: Univ. of Toronto Press, 2019, S. 220–252.  
Last edited by: joachim 11/05/2019 11:13:44 AM
Lesage, Sylvain: "La bande dessinée en son miroir. Images et usages de l’album dans la bande dessinée française." In: Mémoires du livre / Studies in Book Culture 2.2 (2011), (4. Nov. 2014)  
Last edited by: joachim 02/26/2017 06:10:44 PM
Lohse, Rolf: "Vom Reiz offener Fragen." In: Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Hrsg. v. David Beikirch und Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017, S. 77–83.  
Added by: joachim 09/18/2017 03:35:44 PM
Lombard-Cook, Kat: "Jason Shiga’s Meanwhile and digital adaptability of non-traditional narratives in comics." In: Journal of Graphic Novels and Comics 6.1 (2015), S. 15–30.  
Last edited by: joachim 10/22/2016 05:08:45 PM
Martin, Côme: "L’oubapo chez les dessinateurs nord-américains. Leif Tande, Jason Shiga et la contrainte pluri-narrative." In: Formules 16 (2012), S. 301–310.  
Last edited by: joachim 08/29/2019 02:02:58 PM
---: "Le travail de classification de l’OuBaPo, ou la mise en normes de l’excentricité." In: Leaves 6 (2018), (15. Jan. 2021)  
Added by: joachim 01/15/2021 12:23:41 PM
Meinrenken, Jens: "Künstlermythen im Zeichen der Avantgarde. Zur Bedeutung der Malerei im amerikanischen Zeitungscomic." In: Arbeit am Bild. Ein Album für Michael Diers. Hrsg. v. Steffen Haug. Köln: Walter König, 2010, S. 122–126.  
Added by: joachim 07/02/2011 03:57:52 PM
Menu, Jean-Christophe: "Avant-garde et ultracritique." In: L’Éprouvette 1 (2006), S. 173–186.  
Added by: joachim 10/29/2018 01:05:19 PM
Miller, Ann: "Oubapo. A Verbal/Visual Medium Is Subjected To Constraints." In: Word & Image 23.2 (2007), S. 117–137.  
Added by: joachim 10/09/2014 09:32:20 PM
Ørum, Tania: "NY MODEL: INTERPLAY. Tresseravantgardens omgang med massekulturen." In: PopAvant – Verhandlungen zwischen Populärkultur und Avantgarde in Dänemark. Hrsg. v. Annegret Heitmann und Stephan Michael Schröder. (Münchner Nordistische Studien, 7.) München: Herbert Utz, 2012, S. 183–208.  
Added by: joachim 03/02/2019 12:17:28 PM
Pérez, Juan Carlos: "Frank Miller and Lynn Varley’s The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 274–290.  
Last edited by: joachim 01/22/2019 02:51:01 PM
Romero-Jódar, Andrés: "A hammer to shape reality. Alan Moore’s graphic novels and the avant-gardes." In: Studies in Comics 2.1 (2011), S. 39–56.  
Added by: joachim 12/03/2012 07:21:10 PM
Russett, Robert und Cecile Starr: Experimental Animation. Origins of a New Art. 2. Aufl. Cambridge: Da Capo, 1988. (224 S.)  
Added by: joachim 06/14/2014 04:25:45 PM
Sandlin, David: "Learning from the Master." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 95–97.  
Added by: joachim 09/28/2009 09:05:47 AM
Sjöberg, Sami: "Natura denaturans. Asemicism and Surreal Interconnectedness in the Codex Seraphinianus." In: Image [&] Narrative 20.1 (2019), (4. Apr. 2019)  
Added by: joachim 04/04/2019 04:57:51 PM
Smith, Jimmy: "Beyond Maus. The experimental comics of Art Spiegelman." In: Book 2.0 1.1 (2011), S. 47–56.  
Added by: joachim 12/26/2013 02:42:24 PM
Sobel, Marc: "Alan Moore’s Lost Treasures. ‘The Bowing Machine’." In: Comics Forum (12. Sept. 2012), (12. Apr. 2013)  
Last edited by: joachim 04/12/2013 06:01:11 PM
Stojanović, Jelena: "The Situationist International, Cold War, Comics, and the ›Youth Question‹." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 273–287.  
Last edited by: joachim 03/21/2019 03:22:03 PM
Strouhal, Felix: "Stream of Comicness. Chris Wares Erzählen in einem Medium zwischen Massentauglichkeit und Exklusivität." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 161–170.  
Added by: joachim 09/30/2011 03:31:43 PM
Susik, Abigail: "Approximate Life. The Tribulations of Monsieur Wzz…." In: Surrealism, Science Fiction, and Comics. Hrsg. v. Gavin Parkinson. Liverpool: Liverpool Univ. Press, 2015, S. 62–81.  
Added by: joachim 02/19/2017 05:57:07 PM
Uhlig, Barbara: "Andrea Pazienza and Lorenzo Mattotti. How the Student Riots of 1977 Shaped Italian Comics." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 291–305.  
Added by: joachim 01/22/2019 01:00:08 PM
Wallin, Jason: "Graphic Affects." In: Visual Arts Research 38.1 (2012), S. 34–44.  
Last edited by: joachim 05/30/2015 12:47:24 PM
Williams, Mark P. "Superhero Narratives and Social Values. The Role of Globalisation and the Avant–garde in Grant Morrison’s Batman." In: werewolf 23 (2011), (18. Febr. 2013)  
Added by: joachim 02/18/2013 02:48:55 AM
Worden, Daniel: "The Politics of Comics. Popular Modernism, Abstraction, and Experimentation." In: Literature Compass 12.2 (2015), (14. Juni 2019)  
Last edited by: joachim 06/14/2019 08:08:14 PM
Wüllner, Daniel: "Folding Nations, Cutting Borders. Transnationalism in the Comics of Warren Craghead III." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 95–110.  
Last edited by: joachim 04/18/2013 10:11:40 PM
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