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Frahm, Ole. "Weird Signs: Aesthetics of comics as a parody." International Journal of Comic Art 2.(2000): 76–84.  
Last edited by: Deleted user 7/20/11, 3:16 PM
Frahm, Ole. "Weird Signs." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 143–59.  
Last edited by: joachim 9/27/12, 10:40 PM
Frahm, Ole. "Weird Signs: Zur parodistischen ästhetik der comics." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 201–16.  
Last edited by: joachim 2/5/11, 5:40 PM
Frahm, Ole. "Weird Signs: Comics as means of parody." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 177–91.  
Last edited by: joachim 8/4/10, 2:58 PM
Meurer, Ulrich. "Becoming Line: On some features of philosophy in salut, deleuze!." Quote, Double Quote. Aesthetics between High and Popular Culture. Eds. Paul Ferstl and Keyvan Sarkhosh. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft. Amsterdam [etc.]: Rodopi, 2014. 197–220.  
Last edited by: joachim 8/13/14, 1:47 AM
Stingelin, Martin. "Synopsis: Wie das ritornell salut, deleuze! das möbiusband the return of deleuze aus sich hervortreibt." Literatur als Blätterwerk. Perspektiven nichtlinearer Lektüre. Eds. Jürgen Gunia and Iris Hermann. St. Ingbert: Röhrig Universitätsverl, 2002. 127–41.  
Last edited by: joachim 12/19/14, 12:13 PM
WIKINDX 6.6.5 | Total resources: 14141 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)


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