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Ahmed, Maaheen. "Moebius, Gir, Giraud, Gérard: Self-visualizations." International Journal of Comic Art 11. (2009): 421–31.   
Last edited by: joachim 10/7/10, 4:28 PM
Alegría Sabogal, Diego Cristóbal. "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling: Intertextuelle bedeutungsketten bei neil gaiman." Ketten. Ed. Petra Gehring. Essen: Blaue Eule, 2017. 111–28.   
Last edited by: joachim 10/14/21, 1:35 PM
Ayres, Jackson. "The Integrity of the Work: Alan moore, modernism, and the corporate author." Journal of Modern Literature 39. (2016): 144–66.   
Added by: joachim 2/25/17, 1:04 AM
Bachmann, Michael. Der abwesende Zeuge: Autorisierungsstrategien in darstellungen der shoah. Mainzer Forschungen zu Drama und Theater. Tübingen: Francke, 2010.   
Added by: joachim 7/15/13, 12:04 PM
Baetens, Jan. Le réseau Peeters. Faux titre. Amsterdam [etc.]: Rodopi, 1995.   
Last edited by: joachim 5/15/19, 3:39 PM
Baetens, Jan. "Of Graphic Novels and Minor Cultures: The fréon collective." Yale French Studies 114. (2008): 95–115.   
Last edited by: joachim 5/27/12, 7:18 AM
Balzer, Jens and Jens R. Nielsen. "»Der Autorencomic ist ein mißlungenes Experiment«: Christian gorny." Comic Almanach (1993): 43–48.   
Added by: joachim 8/29/16, 2:25 PM
Baroni, Raphaël, Gaëlle Kovaliv, and Olivier Stucky. "La transition numérique de la bande dessinée franco-belge, une mutation impossible ?." Belphégor 19. 1 2021. Accessed 15 Jul. 2023. <>.   
Last edited by: joachim 7/15/23, 8:37 AM
Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012.   
Last edited by: joachim 2/7/23, 5:30 PM
Becker, Thomas. "Enki Bilal’s Woman Trap: Reflections on authorship under the shifting boundaries between order and terror in the cities." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 265–78.   
Added by: joachim 3/25/10, 1:16 AM
Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur ästhetik der oszillierenden übertreibung im autorenfilm (godard) und autorencomic (moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76.   
Added by: joachim 4/8/11, 12:10 AM
Brandl, Katharina and Anne Elizabeth Moore. "Bound to fail: Living and working conditions in the comics industry." Closure 5 2019. Accessed 7 Jan. 2019. <http://www.closure.uni- ... e/closure5/brandl_moore>.   
Added by: joachim 1/7/19, 7:20 PM
Bredehoft, Thomas A. "Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics." College Literature 38. (2011): 97–110.   
Last edited by: joachim 8/8/12, 6:36 PM
Brown, Sarah Annes. "“Shaping Fantasies”: Responses to shakespeare’s magic in popular culture." Shakespeare 5. (2009): 162–76.   
Added by: joachim 8/23/13, 2:41 PM
Cadle, Lanette. "The Shadow or the Self: The construction of neil gaiman on social media." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 149–68.   
Last edited by: joachim 7/7/20, 11:15 AM
Carpenter, Greg. The British Invasion: Alan moore, neil gaiman, grant morrison and the invention of the modern comic book writer. Edwardsville: Sequart Research & Literacy Organization, 2016.   
Last edited by: joachim 10/19/18, 3:00 AM
Carpenter, Stanford W. "Truth Be Told: Authorship and the creation of the black captain america." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 46–62.   
Last edited by: joachim 9/8/10, 11:12 PM
Cassidy, Paul Henry. "An Approach to the Profession of Comic Strip Cartooning Based upon an Analytical Survey of Current Trends and Personal Experiences." M.S. Thesis. University of Wisconsin, 1942.   
Last edited by: joachim 9/12/17, 11:09 AM
Cederlund, Scott. "On Mignola’s Chosen Artists." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 16–30.   
Last edited by: joachim 5/1/21, 4:27 PM
Collver, Jordan and Emma Weitkamp. "Alter egos: An exploration of the perspectives and identities of science comic creators." Journal of Science Communication 17. 1 2018. Accessed 25 Jan. 2018. < ... /JCOM_1701_2018_A01.pdf>.   
Last edited by: joachim 1/25/18, 1:25 PM
Dennis, Mark. "Manga as Historical Medium: Depictions of prince shotoku’s authorship of the sangyō-gisho in japanese comic books." Forum for World Literature Studies 3. (2011): 25–39.   
Last edited by: joachim 1/22/22, 10:39 AM
Dubreuil, Laurent and Renaud Pasquier. "Du voyou au critique: Parler de la bande dessinée." Labyrinthe 25. (2006): 11–59.   
Last edited by: joachim 11/14/14, 4:57 PM
Dunst, Alexander and Rita Hartel. "The Quantitative Analysis of Comics: Towards a visual stylometry of graphic narrative." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 43–61.   
Last edited by: joachim 7/22/21, 12:44 PM
Eggert, Barbara Margarethe and Johanna Öttl. "Graphic Novel. Zur Popularisierung eines neuen Begriffs: Ein wissenschaftslogbuch." p/art/icipate 8 2017. Accessed 23 Feb. 2022. <https://www.p-art-icipa ... g-eines-neuen-begriffs/>.   
Last edited by: joachim 2/23/22, 5:03 PM
Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020.   
Added by: joachim 11/16/21, 4:39 PM
Falardeau, Mira. A History of Women Cartoonists. Oakville: Mosaic, 2018.   
Last edited by: joachim 9/4/20, 12:15 PM
Fink, Moritz. "Of Maus and Gen: Author avatars in nonfiction comics." International Journal of Comic Art 20. (2018): 267–96.   
Added by: joachim 9/12/18, 10:39 AM
Frahm, Ole. "Art Spiegelman, der inhaftierte Künstler: Ein versuch über die grenzen souveräner performanz." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl. 1997. 28–36.   
Last edited by: joachim 10/7/10, 4:09 PM
Friedlander, Keith. "The editor, the author function, and the social function: A methodological survey." Journal of Graphic Novels and Comics 9. (2018): 157–72.   
Last edited by: joachim 9/16/22, 11:38 AM
Friedrich, Annegret. "Zum Künstlermythos bei Charlotte Salomon." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl. 1997. 37–46.   
Added by: joachim 8/8/09, 5:29 PM
Fuchs, Wolfgang J. "Comics als Schlüssel zum Autor: Biographische und autobiographische elemente der comics." Comic Jahrbuch (1991): 32–39.   
Added by: joachim 8/23/16, 10:03 AM
Gabilliet, Jean-Paul. "Vertigo: the first few months (1992–1994)—according to The Comics Journal and Wizard." Leaves 11 2021. Accessed 16 Jan. 2021. <https://climas.u-bordea ... ard-jean-paul-gabilliet>.   
Added by: joachim 1/16/21, 12:19 PM
Gandolfo, Amadeo. "Relaunching in the age of the author: the dreaming and doom patrol." Leaves 11 2021. Accessed 14 Jan. 2021. <https://climas.u-bordea ... -patrol-amadeo-gandolfo>.   
Added by: joachim 1/15/21, 12:03 AM
Gheno, Marine. "« Être auteure, ce n’est pas encore être »: La visibilité féminine à travers les bd de judith forest." Alternative Francophone 1. 6 2013. Accessed 1 Jan. 2018. <https://journals.librar ... p/af/article/view/21262>.   
Last edited by: joachim 1/1/18, 1:27 PM
Giet, Sylvette. "Auteurs/producteurs, légitimité/illégitimité: Deux dialectiques à l’œuvre dans la création fictionelle de nous deux." Production(s) du populaire. Eds. Jacques Migozzi and Philippe Le Guern. Médiatextes. Limoges: Presses Univ. de Limoges, 2004. 133–50.   
Added by: joachim 7/25/14, 2:09 PM
Glaubitz, Nicola. "Coyote in the land of culture industry: Robert crumb and popular cultural memory." Moment to Monument. The Making and Unmaking of Cultural Significance. Eds. Ladina Bezzola Lambert and Andrea Ochsner. Bielefeld: Transcript, 2009. 197–208.   
Last edited by: joachim 9/12/16, 10:33 PM
Glaude, Benoît. "L’auctorialité dans Marzi, une bande dessinée autobiographique en collaboration." Authorship 6. 2 2017. Accessed 29 Dec. 2017. <>.   
Last edited by: joachim 12/29/17, 6:07 PM
Gordon, Ian. "Siegel and Shuster as Brand Name." The Superhero Symbol. Media, Culture, and Politics. Eds. Liam Burke, Ian Gordon and Angela Ndalianis. New Brunswick: Rutgers Univ. Press, 2019. 105–17.   
Added by: joachim 1/21/22, 7:58 PM
Gordon, Ian. "Comics, Creators, and Copyright: On the ownership of serial narratives by multiple authors." A Companion to Media Authorship. Eds. Jonathan Gray and Derek Johnson. Chichester: Wiley-Blackwell, 2013. 221–36.   
Last edited by: joachim 3/12/14, 8:08 AM
Grampp, Sven. "»Folge dem auteur!«: Serielle und transmediale autorenschaft am beispiel von joss whedon." Amerikanische Fernsehserien der Gegenwart. Perspektiven der American Studies und der Media Studies. Eds. Christoph Ernst and Heike Paul. Bielefeld: Transcript, 2015. 305–41.   
Added by: joachim 9/23/15, 10:32 AM
Gray, Brenna Clarke and Peter Wilkins. "The Case of the Missing Author: Toward an anatomy of collaboration in comics." Cultures of Comics Work. Eds. Casey E. Brienza and Paddy Johnston. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. 115–30.   
Added by: joachim 6/7/18, 11:01 AM
Green, Stephanie. "Fantasy, gender and power in Jessica Jones." Continuum 33. (2019): 173–84.   
Last edited by: joachim 4/18/21, 4:31 PM
Hammonds, Kyle A. and Garrett Hammonds. "The Flash and His Fantastic Fear of Ferocious Fans." The Phoenix Papers 3. 1 2017. Accessed 21 Jul. 2021. <>.   
Added by: joachim 7/21/21, 11:17 AM
Hernández, María Lorenzo. "A Film of One’s Own: The animated self-portraits of young contemporary female animators." Animation 5. (2010): 73–90.   
Added by: joachim 8/11/10, 1:09 PM
Hills, Matthew. "Whatever Happened to the Time Lord? Mythology and fandom in neil gaiman’s contributions to unfolding texts." The Mythological Dimensions of Neil Gaiman. Eds. Anthony S. Burdge, Jessica Burke and Kristine Larsen. Crawfordville: Kitsune, 2012. 64–80.   
Last edited by: joachim 10/27/21, 3:36 PM
de la Iglesia, Martin. "Geographical Classification in Comics." International Journal of Comic Art 9. (2007): 330–39.   
Last edited by: Martin de la Iglesia 2/12/10, 4:16 PM
de la Iglesia, Martin. "Authorship, Collaboration, and Art Geography." CLCWeb: Comparative Literature and Culture 12. 3 2010. Accessed 3 Nov. 2010. <>.   
Last edited by: joachim 10/11/15, 12:01 PM
Inge, M. Thomas. "Collaboration and Concepts of Authorship." PMLA 116. (2001): 623–30.   
Last edited by: joachim 5/3/21, 11:10 PM
Johnston, Paddy. "From Random House to Rehab: Julia wertz, the small press, auteurism and alternative comics." Comics Forum 2014. Accessed 29 Jan. 2022. < ... mics-by-paddy-johnston/>.   
Last edited by: joachim 1/29/22, 7:13 PM
Johnston, Patrick James. "Working with Comics: Labour, neoliberalism and alternative cartooning." PhD Thesis. University of Sussex, 2016.   
Added by: joachim 8/17/22, 4:36 AM
Kashtan, Aaron. "Writing Yourself into the World: Fantasies of handwriting and computer graphics." PhD Diss. University of Florida, 2011.   
Added by: joachim 2/12/18, 2:37 AM
Khanduri, Ritu G. "Comicology: Comic books as culture in india." Journal of Graphic Novels and Comics 1. (2010): 171–91.   
Last edited by: joachim 11/12/20, 7:20 PM
Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A forensics of digital graphic novels." Digital Humanities Quarterly 8. 3 2014. Accessed 30 Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>.   
Added by: joachim 3/30/15, 10:17 PM
Knight, Rhonda. "Author/Character: persepolis as a gateway to reading metafictional novels." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 181–94.   
Last edited by: joachim 3/15/21, 12:27 AM
Kociemba, David and Mary Ellen Iatropoulos. "Separate Canons or One Canon? Canonicity, medium, and authorship in the whedonverse comics." The Comics of Joss Whedon. Critical Essays. Ed. Valerie Estelle Frankel. Jefferson: McFarland, 2015. 31–47.   
Added by: joachim 11/25/20, 12:43 PM
Kunka, Andrew J. "Cranky Bosses, Rebellious Characters, and Suicidal Artists: scribbly, inkie, and pre-underground autobiographical comics." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 44–56.   
Last edited by: joachim 3/15/19, 6:49 PM
Labarre, Nicolas. "Adapter Macbeth, du comic book au roman graphique." Revue de recherche en civilisation américaine 5 2015. Accessed 20 Feb. 2017. <>.   
Added by: joachim 2/20/17, 3:47 PM
Latxague, Claire. "L’image dans le récit: la cage ou la mise en abyme iconique." Textimage 4 2012. Accessed 25 Jul. 2014. <http://www.revue-textim ... ge_recit/latxague1.html>.   
Last edited by: joachim 7/25/14, 10:50 AM
Lau, Peter. "Glück gehabt." brand eins (2006): 76–81.   
Added by: joachim 5/15/14, 9:23 AM
Lefèvre, Pascal and Morgan Di Salvia. "A Creative Culture Where It Is Hard to Make a Living: The socio-economic situation of comics authors and illustrators in belgium." European Comic Art 4. (2011): 59–80.   
Added by: joachim 7/5/12, 8:17 AM
Licari-Guillaume, Isabelle. "Ambiguous Authorities: Vertigo and the auteur figure." Authorship 6. 2 2017. Accessed 29 Dec. 2017. <>.   
Last edited by: joachim 9/15/22, 11:21 AM
Licari-Guillaume, Isabelle. "“What is it with these Brits?” British culture and the “british invasion” narrative seen through letter columns." Comicalités 2021. Accessed 28 May. 2021. <>.   
Last edited by: joachim 9/27/22, 11:23 AM
Mag Uidhir, Christy. "Comics and Collective Authorship." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 47–67.   
Added by: joachim 11/12/12, 11:30 PM
Mao, Catherine. "L’artiste de bande dessinée et son miroir: L’autoportrait détourné." Comicalités 2013. Accessed 3 Oct. 2013. <>.   
Added by: joachim 10/3/13, 11:42 PM
Martinelli, Hélène. "Représenter l’auteur dans le livre auto-illustré au début du XXe siècle: Jean bruller, josef váchal, bruno schulz et alfred kubin." Comicalités 2013. Accessed 3 Oct. 2013. <>.   
Last edited by: joachim 10/4/13, 10:00 AM
Moe, Anders. "Japanese Comics: The reasons for their popularity and place in the popular culture." Hovedoppgave Universitetet i Oslo, 2004.   
Added by: joachim 12/23/10, 6:04 PM
Molinaro, John. "Who Owns Captain America? Contested authorship, work-for-hire, and termination rights under the copyright act of 1976." Georgia State University Law Review 21. (2004): 565–92.   
Last edited by: joachim 4/4/19, 7:21 PM
Muanis, Felipe. "Dokumentarische Comics als Übersetzung des Alltäglichen." Zeitschrift für Medienwissenschaft 6. (2014): 49–64.   
Last edited by: joachim 1/2/24, 5:40 PM
Murray, Padmini Ray. "Behind the Panel: Examining invisible labour in the comics publishing industry." Publishing Research Quarterly (2013).   
Added by: joachim 11/16/13, 12:55 AM
Murray, Christopher. "Alan Moore: The making of a graphic novelist." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. Cambridge [etc.]: Cambridge Univ. Press, 2018. 219–34.   
Last edited by: joachim 12/10/18, 7:17 PM
Nijhawan, Vikram. "“The lunatic, the lover, and the poet”: Ambiguous three-way authorship in neil gaiman’s sandman #19, “a midsummer night’s dream”." Journal of Graphic Novels and Comics (2023): 1–20.   
Last edited by: joachim 3/8/23, 6:38 PM
Nobleman, Marc Tyler. Bill the Boy Wonder: The secret co-creator of batman. Watertown: Charlesbridge, 2012.   
Last edited by: joachim 8/13/12, 10:47 AM
Noppe, Nele. "Dōjinshi research as a site of opportunity for Manga Studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 123–42.   
Added by: joachim 1/25/11, 2:34 AM
Nordling, Lee. Your Career in the Comics. Kansas City: Andrews McMeel, 1995.   
Last edited by: joachim 7/21/15, 10:00 AM
Packard, Stephan. "Copyright und Superhelden: Über die prägung populärer mythologie durch textuelle kontrolle." Justitiabilität und Rechtmäßigkeit. Verrechtlichungsprozesse von Literatur und Film in der Moderne. Ed. Claude D. Conter. Amsterdamer Beiträge zur neueren Germanistik. Amsterdam [etc.]: Rodopi, 2010. 109–26.   
Last edited by: joachim 6/23/20, 3:46 PM
Parezanović, Tijana. "Dream a Little Dream of Will: Shakespeare as a character in neil gaiman’s the sandman." Philologist / Филолог 5 2012. Accessed 3 Mar. 2021. <https://doisrpska.nub.r ... ilolog/article/view/344>.   
Last edited by: joachim 10/10/21, 5:51 PM
Peeters, Benoît. "Between Writing and Image: A scriptwriter’s way of working." European Comic Art 3. (2010): 105–16.   
Last edited by: joachim 5/15/19, 4:01 PM
Peeters, Benoît. "Le scénariste et l’engendrement des images." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 191–92.   
Last edited by: joachim 5/15/19, 3:57 PM
Pfahl, Courtney A. "“after the / Unauthor”: Fragmented author functions in tom phillips’s a humument." Studies in the Novel 47. (2015): 399–419.   
Added by: joachim 4/25/16, 9:04 AM
Punday, Daniel. "Kavalier & Clay, the Comic-Book Novel, and Authorship in a Corporate World." Critique. Studies in Contemporary Fiction 49. (2008): 291–302.   
Last edited by: joachim 10/2/11, 12:06 PM
Punter, David. "Postmodernism, Criticism and the Graphic Novel." Authorship in Context. From the Theoretical to the Material. Eds. Kyriaki Hadjiafxendi and Polina Mackay. New York [etc.]: Palgrave Macmillan, 2007. 131–44.   
Last edited by: joachim 4/20/18, 12:00 PM
Pylyser, Charlotte and Steven Surdiacourt. "De gestileerde auteur: Stijl, auteurschap en grafische literatuur." Cahier voor de literatuurwetenschap 5. (2013): 17–28.   
Last edited by: joachim 10/1/17, 9:56 AM
Rauscher, Andreas. "Auteuristische Strategien der Adaption und Appropriation in Superhelden-Comicverfilmungen." Daumenkino 2014. Accessed 4 Oct. 2014. < ... lden-comicverfilmungen/>.   
Added by: joachim 10/4/14, 5:08 PM
Reinerth, Maike Sarah. "Entirely (Self-)Made Up! Animierte Imaginationsdarstellungen in Realspielfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 231–56.   
Last edited by: joachim 6/9/22, 2:39 PM
Reyns-Chikuma, Chris. "Les Ignorants, récit d’une initiation croisée, d’Etienne Davodeau (2011): Parallèle et solidarité des cultures alternatives du vin et de la bande dessinée." Contemporary French Civilization 43. (2018): 275–304.   
Last edited by: joachim 6/21/20, 3:42 PM
Rime, Jean. "Hergé est un personnage: Quelques figures de la médiation et de l’autoreprésentation dans les aventures de tintin." Études littéraires 46. (2010): 27–46.   
Added by: joachim 6/9/13, 5:28 PM
Rioux, Philippe. "Performing Alan Moore: Mise et remises en scène de soi." Pop en stock 2014. Accessed 29 Nov. 2015. < ... remises-en-scene-de-soi>.   
Added by: joachim 11/29/15, 12:49 PM
Round, Julia. "From Comic to Graphic and from Book to Novel: sandman’s invisible authors and the quest for literariness." The Novel as Network. Forms, Ideas, Commodities. Eds. Tim Lanzendörfer and Corinna Norrick-Rühl. New Directions in Book History. New York [etc.]: Palgrave Macmillan, 2020. 137–62.   
Last edited by: joachim 10/20/21, 12:36 PM
Sacks, Jason. "Earth’s Mightiest (Dysfunctional) Family: The evolution of the avengers under jim shooter." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 31–44.   
Last edited by: joachim 4/6/21, 10:29 AM
Saika, Tadahiro. "How creators depict creating manga: Mangaka manga as authenticating discourse." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 99–109.   
Added by: joachim 6/14/17, 12:54 PM
Salter, Anastasia and Mel Stanfill. A Portrait of the Auteur as Fanboy: The construction of authorship in transmedia franchises. Jackson: Univ. Press of Mississippi, 2020.   
Last edited by: joachim 11/17/20, 11:12 AM
Schlam, Helena Frenkil. "Contemporary Scribes: Jewish american cartoonists." Shofar 20. (2001): 94–112.   
Last edited by: joachim 8/30/19, 2:31 PM
Schlichting, Laura. Authorship in Comics Journalism. Konstanz: UVK, 2021.   
Last edited by: joachim 8/10/21, 11:08 AM
Schumer, Arlen. "The Auteur Theory of Comics." International Journal of Comic Art 14. (2012): 474–84.   
Added by: joachim 9/15/22, 11:27 AM
Scott, Keith. "No Guru, No Method, No Teacher: “grant morrison” and grant morrison™." ImageTexT 8. 2 2015. Accessed 10 Aug. 2017. <http://www.english.ufl. ... xt/archives/v8_2/scott/>.   
Added by: joachim 8/10/17, 10:01 AM
Scott, Ronnie and Elizabeth MacFarlane. "Peculiar integrations: Adaptations, experimentations and authorships in the long weekend in alice springs." TEXT 22. 2 2018. Accessed 23 Jul. 2019. <http://www.textjournal. ... 18/scott_macfarlane.htm>.   
Last edited by: joachim 7/23/19, 11:34 AM
Smith, Clay. "Get Gaiman? Polymorpheus perversity in works by and about neil gaiman." ImageTexT 4. 1 2008. Accessed 5 Jun. 2013. <https://imagetextjourna ... -and-about-neil-gaiman/>.   
Last edited by: joachim 6/5/13, 6:17 PM
Smith, Matthew J. "Auteur Criticism: The re-visionary works of alan moore." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 178–88.   
Last edited by: joachim 3/11/14, 5:09 PM
Stein, Daniel. Authorizing Superhero Comics: On the evolution of a popular serial genre. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2021.   
Last edited by: joachim 12/5/21, 11:33 AM
Stein, Daniel. "Was ist ein Comic-Autor? Autorinszenierung in autobiografischen comics und selbstporträts." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 201–37.   
Last edited by: joachim 11/16/21, 6:51 PM
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