| Balzer, Jens: "Hemd voller Hieroglyphen. Zur Revision der Bild-Text-Beziehungen im frühen Comic." In: Bildtext – Textbild. Probleme der Rede über Text-Bild-Hybride. Hrsg. v. Dirck Linck und Stefanie Rentsch. (Rombach Cultura, 43.) Freiburg im Breisgau: Rombach, 2007, S. 117–154. |
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| ---: "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 19–31. |
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| Balzer, Jens und Lambert Wiesing: Outcault. Die Erfindung des Comic. (yellow. Schriften zur Comicforschung, 3.) Bochum: Ch.A. Bachmann, 2010. (120 S.) |
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| Balzer, Jens: "Die Schrift in der Vertikalen. Zum »Yellow Kid« von Richard F. Outcault." In: Testcard 7 (1999), S. 250–257. |
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| ---: "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." In: Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Hrsg. v. Harro Segeberg. (Mediengeschichte des Films, 1.) München: Fink, 1996, S. 279–293. |
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| Boyd, Brian: "On the Origins of Comics. New York Double-take." In: The Evolutionary Review 1.1 (2010), S. 97–111. |
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| Demson, Michael und Heather Brown: "‘Aint I de Maine guy in dis paRade?’. Towards a radical history of comic strips and their audience since Peterloo." In: Journal of Graphic Novels and Comics 2 (2011), S. 151–167. |
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| Frahm, Ole: "Every Window Tells a Story. Remarks on the Urbanity of Early Comic Strips." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 32–44. |
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| ---: "Too Much Is Too Much. The Never Innocent Laughter of the Comics." In: Image [&] Narrative 4.1 (2003). |
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| Gabilliet, Jean-Paul: "Images, lettres et cadres dans Pore Lil Mose de R.F. Outcault." In: Cadres et limites dans les sociétés, les littératures et les arts en Amérique du Nord. Hrsg. v. Yves-Charles Grandjean. Pessac: Maison des Sciences de l’Homme d’Aquitaine, 2007, S. 241–256. |
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| ---: "Une série peu connue de Richard Outcault : « Pore Lil Mose »." In: Le Collectionneur de bandes dessinées 107 (2006), S. 22–27. |
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| Gordon, Ian: "Mass Market Modernism. Comic Strips and the Culture of Consumption." In: Australasian Journal of American Studies 14.2 (1995), S. 49–66. |
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| Harvey, Robert C. "Outcault, Goddard, the Comics, and the Yellow Kid." In: The Comics Journal (9. Juni 2016). |
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| ---: "Outcault, Goddard, the Comics, and the Yellow Kid." In: The Comics Journal (9. Juni 2016). |
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| de Haven, Tom: "Borrowing Richard Outcault." In: Inks 2.3 (1995), S. 22–37. |
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| Havig, Alan: "Richard F. Oucault’s “Poor Lil’ Mose”. Variations on the Black Stereotype in American Comic Art." In: Journal of American Culture 11.1 (1988), S. 33. |
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| Kibler, M. Alison: "Pigs, Green Whiskers, and Drunken Widows. Irish Nationalists and the “Practical Censorship” of McFadden’s Row of Flats in 1902 and 1903." In: Journal of American Studies 42.3 (2008), S. 489–514. |
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| McCardell, Roy L. und Robert C. Harvey: "Opper, Outcault and Company. The Comic Strip Supplement and the Men Who Make It." In: Inks 2.2 (1995), S. 2–15. |
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| McCardell, Roy L. "Opper, Outcault, and Company. The Comic Supplement and the Men Who Made It." In: Inks 2.2 (1995). |
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| Meyer, Christina: "Medial transgressions. Comics – sheet music – theatre – toys." In: Journal of Graphic Novels and Comics 7.3 (2016), S. 293–305. |
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| ---: "»Noch besser, bunter und mehr davon«. Comicproduktion und Comicästhetik im 19. Jahrhundert." In: Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Hrsg. v. Hans-Joachim Backe et al. Berlin u. Boston: de Gruyter, 2018, S. 151–176. |
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| Added by: joachim 2020-08-13 10:02 |
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| ---: "Serial Entertainment / Serial Pleasure. The Yellow Kid." In: Media of Serial Narrative. Hrsg. v. Frank Kelleter. (Theory and Interpretation of Narrative.) Columbus: Ohio State Univ. Press, 2017, S. 74–89. |
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| ---: "Urban America in the Newspaper Comic Strips of the Nineteenth Century. Introducing the Yellow Kid." In: ImageTexT 6.2 (2012). |
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| Miller, Ann: "Bande dessinée: a disputed centenary." In: French Cultural Studies 10 (1999), S. 67–87. |
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| Niehaus, Michael: "Stehende Figur. Mikro-Narration und Serialität im frühen Comic Strip." In: Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien. Hrsg. v. Sabiene Autsch, Claudia Öhlschläger und Leonie Süwolto. München: Fink, 2014, S. 265–281. |
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| Added by: joachim 2016-05-14 14:38 |
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| Olson, Richard D. "R.F. Outcault, the Father of the American Sunday Comics, and the Truth about the Creation of the Yellow Kid." In: The R.F. Outcault Society’s Yellow Kid Site . |
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| ---: "Richard Felton Outcault’s Yellow Kid." In: Inks 2.3 (1995), S. 2–17. |
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| ---: "‘Say! Dis Is Grate Stuff’. The Yellow Kid and the Birth of the American Comics." In: Syracuse University Library Associates Courier 28.1 (1993), S. 19–34. |
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| Outcault, Richard F. "How the Yellow Kid Was Born. The Man Who Created It Tells for the First Time." In: R.F. Outcault’s The Yellow Kid. A Centennial Celebration of the Kid Who Started the Comics. Hrsg. v. Bill Blackbeard. Northampton: Kitchen Sink Pr. 1995, S. 146. |
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| ---: "The Yellow Kid, the Yellow Decade." In: R.F. Outcault’s The Yellow Kid. A Centennial Celebration of the Kid Who Started the Comics. Hrsg. v. Bill Blackbeard. Northampton: Kitchen Sink Pr. 1995, S. 16–136. |
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| Westbrook, David M. "From Hogan’s Alley to Coconino County. Four Narratives of the Early Comic Strip." (1999). |
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| Wiesing, Lambert: "Die Sprechblase. Reale Schrift im Bild." In: Outcault. Die Erfindung des Comic. (yellow. Schriften zur Comicforschung, 3.) Bochum: Ch.A. Bachmann, 2010, S. 35–62. |
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| Winchester, Mark D. "Hully Gee, It's a WAR!!! The Yellow Kid and the Coining of “Yellow Journalism”." In: Inks 2.3 (1995), S. 22–37. |
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| ---: "Litigation and Early Comic Strips. The Lawsuits of Outcault, Dirks and Fisher." In: Inks 2.2 (1995), S. 16–25. |
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| ---: "Litigation and Early Comic Strips. The Lawsuits of Outcault, Dirks, and Fisher." In: Drawing the Line. Comics Studies and INKS, 1994–1997. Hrsg. v. Lucy Shelton Caswell und Jared Gardner. (Studies in Comics and Cartoons.) Columbus: Ohio State Univ. Press, 2017, S. 52–68. |
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| Last edited by: joachim 2019-04-05 00:11 |
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| Wood, Mary: The Yellow Kid on the Paper Stage. Acting Out Class Tensions and Racial Divisions in the New Urban Environment. 2004. (8. Okt. 2012) . |
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| Added by: joachim 2012-10-08 18:34 |
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