Balzer, Jens: "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 19–31. |
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Barck, Karlheinz: "Max Ernsts Ästhetik des ›dépaysement‹. Ein Beitrag zur Theorie und Praxis dialektischer Bilder." In: Bild und Text im Dialog. Hrsg. v. Klaus Dirscherl. (PINK, 3.) Passau: Wissenschaftsverl. Rothe, 1993, S. 255–274. |
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Bartosch, Sebastian und Andreas Stuhlmann: "Reconsidering adaptation as translation. The comic in between." In: Studies in Comics 4.1 (2013), S. 59–74. |
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op de Beeck, Nathalie: "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." In: Modern Fiction Studies 52.4 (2006), S. 807–831. |
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Brown, James Benedict: The Comic Architect. Words and pictures along the line between architecture and comics. Master of Arch (Dissertation), University of Sheffield 2007 (121 S.). |
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Bukatman, Scott: Hellboy’s World. Comics and Monsters on the Margins. Berkeley: Univ. of California Press, 2016. (263 S.) |
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Conley, Christine: "Memory and Trauerspiel. Charlotte Salomon’s Life? or Theatre? and the Angel of History." In: Reading Charlotte Salomon. Hrsg. v. Michael P. Steinberg und Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005, S. 88–104. |
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Costello, Brannon: "Fascism and Mass Culture in Howard Chaykin’s Blackhawk." In: ImageTexT 7.2 (2013). |
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Enns, Anthony: "The City as Archive in Jason Lutes’s Berlin." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 45–59. |
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Gardner, Jared: "Archives, Collectors, and the New Media Work of Comics." In: Modern Fiction Studies 52.4 (2006), S. 787–806. |
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Hansen, Miriam: "Of Mice and Ducks. Benjamin and Adorno on Disney." In: South Atlantic Quarterly 92.1 (1993), S. 27–61. |
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Humphrey, Aaron: "The Cult of Krazy Kat. Memory and Recollection in the Age of Mechanical Reproduction." In: The Comics Grid 7.8 (2017), S. 1–24, . |
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Leslie, Esther: Hollywood Flatlands. Animation, Critical Theory and the Avant-Garde. London, New York: Verso, 2002. (344 S.) |
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Mauro, Aaron: "“Mosaic Thresholds”. Manifesting the Collection and Production of Comics in the Works of Chris Ware." In: ImageTexT 5.1 (2010). |
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Noys, Benjamin: "Fascinating (British) Fascism. David Britton's Lord Horror." In: Rethinking History 6 (2002), S. 305–318. |
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Page, Joanna: Science Fiction in Argentina. Technologies of the Text in a Material Multiverse. Ann Arbor: Univ. of Michigan Press, 2016. (235 S.) |
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Pollock, Griselda: "Theatre of Memory. Trauma and Cure in Charlotte Salomon’s Modernist Fairytale." In: Reading Charlotte Salomon. Hrsg. v. Michael P. Steinberg und Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005, S. 34–72. |
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---: "What Does a Woman Want? Art Investigating Death in Charlotte Salomon’s ›Leben? Oder Theater?‹." In: Art History 30 (2007), S. 383–405. |
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Postema, Barbara: "Memories That Don’t Weaken. Seth and Walter Benjamin." In: International Journal of Comic Art 6.2 (2004), S. 266–272. |
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Priego Ramirez, Ernesto F. "Sarnath Banerjee’s Portrait of the Comics Artist as a Collector." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 50–52. |
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Sussman, Henry: "Extraterrestial Kafka. Ahead to the Graphic Novel." In: Kafka’s Creatures. Animals, Hybrids, and Other Fantastic Beings. Hrsg. v. Marc Lucht und Donna Yarri. Lanham [etc.]: Lexington, 2010, S. 237–267. |
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Venezia, Tony: "Edited City. London Passagenwerk." In: The Comics Grid. Journal of Comics Scholarship. Year One. Hrsg. v. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012, S. 86–89. |
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Worden, Daniel: "On Modernism’s Ruins. The Architecture of “Building Stories” and Lost Buildings." In: The Comics of Chris Ware. Drawing is a Way of Thinking. Hrsg. v. David M. Ball und Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010, S. 107–120. |
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