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| Davies, Dominic and Candida Rifkind, eds. Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020. |
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| Dyer Hoefer, Anthony. "A Re-Vision of the Record: The Demands of Reading Josh Neufeld’s A.D.: New Orleans After the Deluge." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 293–324. |
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| Frasisti, Valentina. "(Aesth)ethics Storytelling: A Close Reading of Kobane Calling and Salvezza." Simultanea 1. 1 2020. Accessed 21Aug. 2021. <http://italianpopcultur ... e-calling-and-salvezza/>. |
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| Grünewald, Dietrich, ed. Der dokumentarische Comic: Reportage und Biografie. Bochum: Ch.A. Bachmann, 2013. |
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| Grünewald, Dietrich. "Dokumentarische Comics: Ein bereicherndes Genre." Volkacher Bote. Zeitschrift der Deutschen Akademie für Kinder- und Jugendliteratur (2013): 13–20. |
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| Grünewald, Dietrich. "Zwischen Fakt und Fiktion: Dokumentarische Bildgeschichten." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 9–14. |
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| Hertrampf, Marina Ortrud M. "Der Arabische Frühling in Bildern: Bild-Narrative zwischen Dokumentation, (Re)Konstruktion und Fiktionalisierung." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 307–32. |
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| Johnson, Fred and Janine J. Darragh. "Poverty Lines: Visual Depictions of Poverty and Social Class Realities in Comics." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 113–31. |
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| Klappert, Annina. "Comic und Kulturpolitik: Der »Hitler«-Comic als Hitler-Denkmal." Narrative der Shoa. Repräsentationen der Vergangenheit in Historiographie, Kunst und Politik. Eds. Susanne Düwell and Matthias Schmidt. Studien zu Judentum und Christentum. Paderborn: Schöningh, 2002. 143–69. |
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| Lummerding, Ssanne. "Das Politische trotz allem: Holocaust-Diskurse im Comic." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 321–40. |
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| Michel, Chantal Catherine. The Art of Persuasion and Propaganda: The Israeli-Palestinian Conflict in Comic Books and Graphic Novels. Comics and Conflicts: London, 19–20 Aug, 2011. |
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| Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische Comics über den Nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206. |
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| Michel, Chantal Catherine. "Schikane, Schüsse, Sprengstoffgürtel: Politische Gewalt in Nahostkonflikt-Comics." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 417–42. |
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| Mickwitz, Nina. Documentary Comics: Graphic Truth-Telling in a Skeptical Age. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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| Miller, Ann. "Comic Art and Commitment: An Interview with Morvandiau." European Comic Art 4. (2011): 105–23. |
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| Nayar, Pramod K. "Visualizing Resilience: Joe Sacco’s Safe Area Goražde." Critical Survey 32. (2020): 78–95. |
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| Packard, Stephan. "Erfundene Umstürze in Panels: Zur Zeichnung des Dokumentarischen, des Fiktionalen und des Politischen in Comics." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 49–70. |
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| Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30. |
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| Schmid, Johannes C. P. "Cartooning Resistance: Irony and Authentication in Zerocalcare’s Kobane Calling." International Journal of Comic Art 20. (2018): 153–69. |
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| Schmid, Johannes C. P. "Fotografie in Graphic Novels: Bildliche Rahmen und Rahmenbrüche in The Photographer." Übersetzen und Rahmen. Praktiken medialer Transformationen. Eds. Claudia Benthien and Gabriele Klein. München: Fink, 2017. 103–19. |
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| Vågnes, Øyvind. "Comics Reenactment: Joe Sacco’s Footnotes in Gaza." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 154–72. |
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| Weidenmann, Bernd. "Foto oder Zeichnung? Zur Problematik des Bildes im dokumentarischen Comic." Comics Anno (1991): 26–41. |
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| Woo, Benjamin. "Reconsidering Comics Journalism: Information and Experience in Joe Sacco’s Palestine." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 166–77. |
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