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| Bauwens-Sugimoto, Jessica. "Queering Black Jack: A Look at How the Manga Industry Adapts to Changing Reader Demographics." Orientaliska Studier (2016): 111–40. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11. (2004): 13–19. |
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| Bird, Lawrence. "States of Emergency: Urban Space and the Robotic Body in the Metropolis Tales." Mechademia 3. (2008): 127–48. |
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| Bremgartner, Mathias P. "Performing ‘Readings’: The Interplay of Theatre And Digital Comics In Tezuka." Networking Knowledge 8. 4 2015. Accessed 14Aug. 2015. <http://ojs.meccsa.org.u ... ow/article/view/391/220>. |
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| Bremgartner, Mathias. "Performing ‘Readings’: The Interplay of Theatre And Digital Comics In Tezuka." Networking Knowledge 8. 4 2015. Accessed 15Apr. 2021. <https://ojs.meccsa.org. ... etknow/article/view/391>. |
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| Brophy, Philip. "Osamu Tezuka's Gekiga: Behind the Mask of Manga." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 128–36. |
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| Bühring, Andrea. "Goethes »Faust« im Comic." M.A. Magisterarbeit. Universität Bonn, 2012. |
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| Buljan, Katharine. "The Uncanny and the Robot in the Astro Boy Episode “Franken”." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... -boy-episode-“franken”/>. |
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| Cavallaro, Dani. Anime Intersections: Tradition and Innovation in Theme and Technique. Jefferson, London: McFarland, 2007. |
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| Clarke, M. J. "Fluidity of figure and space in Osamu Tezuka’s Ode to Kirihito." Journal of Graphic Novels and Comics 9. (2018): 23–48. |
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| Delgado-Algarra, Emilio-José. "Comics as an educational resource in the teaching of social science: Socio-historical commitment and values in Tezuka’s manga." Cultura y Educación 29. (2017): 848–62. |
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| Dolle-Weinkauff, Bernd. "Astro Boy, Battle Angel Alita und Video-Girl Ai: Zukunftsvisionen im Comic zwischen Alltag und Katastrophe." Anderswelten in Serie. Dokumentation einer Tagung der Evangelischen Akademie Tutzing in Kooperation mit der AVJ – Arbeitsgemeinschaft von Jugendbuchverlagen e.V. vom 21. bis 23. Juni 2002. Eds. Roswitha Terlinden and Hans-Heino Ewers. Tutzinger Materialien. Tutzing: Evangelische Akad. Tutzing, 2003. 73–100. |
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| Einholz, Eveline. "Der Manga-Künstler Tezuka Osamu (1928–1989): Seine Bedeutung für die Entwicklung des modernen Manga unter besonderer Berücksichtigung des stilbildenden Frühwerks." Magisterarbeit M.A. Freie Universität Berlin, 1994. |
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| Eisenhauer, Robert. Ode Consciousness. Studies on Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2009. |
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| Fischer, Susanna. "Astro Boy – Vorbild der japanischen Roboter-Forschung? Von Sena Hideakis Kurzgeschichte Atomu no Ko zum öffentlichen Diskurs der Frage." Magisterarbeit M.A. Goethe-Universität Frankfurt a.M. 2010. |
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| Gibson, Alicia. "Astro Boy and the Atomic Age." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 181–91. |
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| Gildenhard, Bettina. "History as Faction: Historiography within Japanese Comics as seen through Tezuka Osamu's Manga Adolf." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 95–106. |
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| Hutchinson, Rachael. "Sabotaging the rising sun: Representing history in Tezuka Osamu’s Phoenix." Manga and the Representation of Japanese History. Ed. Roman Rosenbaum. Routledge Contemporary Japan. London, New York: Routledge, 2013. 18–39. |
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| Itō, Gō. "Tezuka Is Dead: Manga in Transformation and Its Dysfunctional Discourse." Mechademia 6. (2011): 69–82. |
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| Ito, Kenji. "Robots, A-Bombs, and War: Cultural Meanings of Science and Technology in Japan Around World War II." Filling the Hole in the Nuclear Future. Art and Popular Culture Respond to the Bomb. Ed. Robert Jacobs. Asia World. Lanham [etc.]: Lexington, 2010. 63–97. |
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| Koechlin, Heinrich. "Tezuka Osamu: Leben und Werk." Magisterarbeit M.A. Universität Wien, 1993. |
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| Köhn, Stephan. "Deutsche Klassik einmal anders: Oder: Wie Goethes Faust interessante Einblicke in den japanischen Comic gewähren kann." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 33–49. |
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| Kuwahara, Yasue. "Japanese Culture and Popular Consciousness: Disney’s The Lion King vs. Tezuka’s Jungle Emperor." Journal of Popular Culture 31. (1997): 37–48. |
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| Ladd, Fred. Astro Boy and Anime Come to the Americas: An Insider’s View of the Birth of a Pop Culture Phenomenon. Jefferson, London: McFarland, 2009. |
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| Lamarre, Thomas. "Speciesism, Part II: Tezuka Osamu and the Multispecies Ideal." Mechademia 5. (2010): 51–85. |
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| Lin, Ziyi. "From Postwar to Media Mix: Interpreting Mimio as a Liminal Character Toy in Tezuka Osamu’s Abanchūru 21 (1970)." Mechademia 15. (2022): 167–89. |
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| López Rodríguez, Francisco Javier. "Recreating the fantasy world of Dororo: Transcoding manga into cinema." Ol3Media 4. 10 2011. Accessed 27Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Ma, Sheng-mei. "Three Views of the Rising Sun, Obliquely: Keiji Nakazawa’s A-bomb, Osamu Tezuka’s Adolf, and Yoshinori Kobayashi’s Apologia." Mechademia 4. (2009): 183–96. |
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| MacWilliams, Mark W. "Japanese Comics and Religion: Osamu Tezuka’s Story of the Buddha." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 109–37. |
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| MacWilliams, Mark W. "Revisioning Japanese Religiosity: Osamu Tezuka’s Hi no tori (The Phoenix)." Global Goes Local. Popular Culture in Asia. Eds. Timothy J. Craig and Richard King. Vancouver [etc.]: Univ. of British Columbia Press, 2002. 177–210. |
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| McCarthy, Helen. The Art of Osamu Tezuka: God of Manga. New York: Abrams, 2009. |
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| Muscat, Michelle (k/a Mikhaila). "Manga and anime in medical education: Leontiasis ossea in ‘Black Jack’." Research & Humanities in Medical Education 4 2017. Accessed 26May. 2018. <https://www.rhime.in/oj ... e&op=view&path%5B%5D=89>. |
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| Ndalianis, Angela. "The Frenzy of the Visible in Comic Book Worlds." Animation 4. (2009): 237–48. |
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| Onoda, Natsu. "Drag Prince in Spotlight: Theatrical Cross-Dressing in Osamu Tezuka’s Early Shojo Manga." International Journal of Comic Art 4. (2002): 124–38. |
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| Onoda, Natsu. "Tezuka Osamu and the Star System." International Journal of Comic Art 5. (2003): 161–94. |
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| Onoda Power, Natsu. God of Comics: Osamu Tezuka and the Creation of Post-World War II Manga. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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| Ōtsuka, Eiji. "Disarming Atom: Tezuka Osamu's Manga at War and Peace." Mechademia 3. (2008): 111–25. |
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| Penney, Matthew. "Rising Sun, Iron Cross – Military Germany in Japanese Popular Culture." Japanstudien 17. (2005): 165–87. |
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| Penney, Matthew. "Nationalism and Anti-Americanism in Japan – Manga Wars, Aso, Tamogami, and Progressive Alternatives." The Asia-Pacific Journal: Japan Focus 7. 17 2009. Accessed 12Aug. 2009. <http://japanfocus.org/-Matthew-Penney/3116>. |
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| Phillipps, Susanne. Erzählform Manga: Eine Analyse der Zeitstrukturen in Tezuka Osamus Hi no tori (»Phönix«). Iaponia Insula. München: Harassowitz, 1996. |
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| Phillipps, Susanne. Tezuka Osamu: Figuren, Themen und Erzählstruktur im Manga-Gesamtwerk. Iaponia Insula. München: iudicium, 2000. |
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| Phillipps, Susanne. "Das Spiel mit der Zeit im Manga: Zeitbezüge in Tezuka Osamus Hi no tori (»Phönix«)." Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München. Eds. Ulrich Apel, Josef Holzapfel and Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997. 384–98. |
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| Phillipps, Susanne. "Manga als Bühne. Die Figurenwelt des Manga-Zeichners Tezuka Osamu." 11. Deutschsprachiger Japanologentag in Trier 1999. Bd. 2: Sprache, Literatur, Kunst, Populärkultur/Medien, Informationstechnik. Eds. Hilaria Gössmann and Andreas Mrugalla. Ostasien – Pazifik. Trierer Studien zu Politik, Wirtschaft, Gesellschaft, Kultur. Berlin [etc.]: LIT, 2001. 357–69. |
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| Phillipps, Susanne. "Characters, Themes, and Narrative Patterns in the Manga of Osamu Tezuka." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 68–90. |
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| Added by: joachim 2/7/11, 10:38 AM |
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| Phillipps, Susanne. "Der »Gott der japanischen Comics«: Der Manga-Zeichner und Trickfilmproduzent Tezuka Osamu." Japan-Lesebuch 3. »Intelli«. Ed. Steffi Richter. Tübingen: Konkursbuchverl. Gehrke, 1998. 258–74. |
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| Randall, Bill. "Osamu Tezuka: Behold Japan’s “God of Manga”. An Introduction." The Comics Journal. Special Edition (2005): 46–57. |
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| Riley, Yoko. "Faust through the Eyes of a Japanese Cartoonist." Faust. Ed. Osman Durrani. Icons of modern culture. Mountfield: Helm, 2004. 409–16. |
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| Rosenbaum, Roman. "Tezuka Osamu: Adolf – Towards a Historio-graphic Novel." International Journal of Comic Art 12. (2010): 415–34. |
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| Schmitz-Emans, Monika. "Ein regenbogenfarbener Ara und die Weltliteratur: Tezuka Osamus autoreflexive Mangas." Komparatistik (2005/2006): 93–111. |
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| Schmitz-Emans, Monika. "Goethes »Faust« und seine produktive Rezeption durch Osamu Tezuka." Orient und Okzident. Zur Faustrezeption in nicht-christlichen Kulturen. Eds. Jochen Golz and Adrian Hsia. Köln, Weimar, Wien: Böhlau, 2008. 181–203. |
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| Schmitz-Emans, Monika. "Der Comic als »übersetzte« Literatur? Literaturcomic, Übersetzung und Kulturtransfer bei Tezuka Osamu." Übersetzung – Transformation. Umformungsprozesse in/von Texten, Medien Kulturen. Eds. Hiroshi Yamamoto and Christine Ivanovic. Würzburg: Königshausen & Neumann, 2010. 123–42. |
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| Schodt, Frederik L. The Astro Boy Essays: Osamu Tezuka, Mighty Atom, and the Manga/Anime Revolution. Berkeley: Stone Bridge Press, 2007. |
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| Shimizu, Isao. "Red Comic Books: The origins of modern Japanese Manga." Illustrating Asia. Comics, Humor Magazines and Picture Books. Ed. John A. Lent. ConsumAsiaN. Honolulu: Univ. of Hawai‘i Press, 2001. 137–50. |
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| Takahashi, Yoshito. "Osamu Tezukas Neo-Faust und der Homunculus-Plan: Ein Versuch der Rekonstruktion des unvollendeten zweiten Teils." Orient und Okzident. Zur Faustrezeption in nicht-christlichen Kulturen. Eds. Jochen Golz and Adrian Hsia. Köln, Weimar, Wien: Böhlau, 2008. 205–17. |
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| Theisen, Nicholas A. "Takeuchi Osamu and Manga Expression: Pt. 1: Tezuka Osamu as Manga Locus." Comics Forum 2014. Accessed 15May. 2015. <http://comicsforum.org/ ... us-by-nicholas-theisen/>. |
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| Added by: joachim 5/15/15, 8:07 AM |
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| Theisen, Nicholas A. "Declassicizing the Classical in Japanese Comics: Osamu Tezuka’s Apollo’s Song." Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2011. 59–71. |
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| Uemura, Kuniko. "The Robot Fantasy – The Case of Osamu Tezuka." Fastitocalon 2. (2011): 113–32. |
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| Vice, Sue. "»It's about time«: The Chronotope of the Holocaust in Art Spiegelman's Maus." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 47–60. |
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| Yomota, Inuhiko. "Stigmata in Tezuka Osamu's Works." Mechademia 3. (2008): 97–109. |
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