Adler, Silvia: "Silent and semi-silent arguments in the graphic novel." In: Pragmatics 23.3 (2013), S. 389–402. |
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Ahmed, Maaheen: "Historicizing in Graphic Novels. The Welcome Subjective G(l)aze." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 184–202. |
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Added by: joachim 2013-03-12 22:21 |
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Amihay, Ofra: "Red Diapers, Pink Stories. Color Photography and Self-Outing in Jewish Women’s Comics." In: Image [&] Narrative 16.2 (2015), S. 42–64, . |
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Added by: joachim 2015-07-13 09:45 |
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Ashkenazi, Ofer und Jakob Dittmar: "Belonging in Auto|Biographical Comics. Narratives of Exile in the German Heimat." In: a/b: Auto/Biography Studies 35.2 (2020), S. 331–357. |
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Berenstein, Ofer: "The Third Temple. Alternative Realities’ Depiction of Israel in Israeli Comics and What it Tells Us about Political Consensus in Israeli Society." In: Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Hrsg. v. Derek Parker Royal. New York: Bloomsbury Academic, 2016, S. 141–153. |
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Bramlett, Frank: "The role of culture in comics of the quotidian." In: Journal of Graphic Novels and Comics 6.3 (2015), S. 246–259. |
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Added by: joachim 2015-07-31 07:33 |
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Drees, Anne: Das Dokumentarische im Animationsfilm. Die Erweiterung dokumentarischer Darstellungsmöglichkeiten durch die Animation in Vincent Paronnauds und Marjane Satrapis Persepolis (2007) und Ari Folmans Waltz with Bashir (2008). München: Grin, 2011. (97 S.) |
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Eggers, Zwanetta: "Zur Inszenierung der Erinnerns traumatischer Ereignisse im Film Waltz with Bashir." In: Geschlechtergedächtnisse. Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Hrsg. v. Ilse Nagelschmidt, Inga Probst und Torsten Erdbrügger. (Literaturwissenschaft, 18.) Berlin: Frank & Timme, 2010, S. 89–109. |
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Engelmann, Jonas: "»When’s he going to play Hava Nagila?«. Die israelische Comicszene." In: Testcard 19 (2010), S. 196–205. |
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Added by: joachim 2012-06-13 11:18 |
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Eveleth, Kyle: "Regimes of Prestige and Power. Transnational Authorship and International Acclaim in Rutu Modan’s Exit Wounds." In: disClosure 25 (2016). |
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Added by: joachim 2021-01-18 01:14 |
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Feig, Ellen Rosner: "Trauma in Gaza. Israeli Image Through the Eye of the Graphic Novelist." In: Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Hrsg. v. Derek Parker Royal. New York: Bloomsbury Academic, 2016, S. 185–198. |
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Fink, Uri: "Comics in Israel. A Brief History." In: International Journal of Comic Art 15.1 (2013), S. 127–145. |
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Fischer, Nina: "Facing the Arab Other? Jerusalem in Jewish women’s comics." In: Studies in Comics 6.2 (2015), S. 291–311. |
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---: "Graphic Novels Explore an (Un-)Holy Land." In: Quest 6 (2013), S. 201–236, . |
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Last edited by: joachim 2016-07-11 17:22 |
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Gaon, Galit: "Eine kurze Geschichte der Comics in Israel." In: Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Hrsg. v. Margret Kampmeyer-Käding und Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010, S. 106–113. |
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Added by: joachim 2010-07-02 19:31 |
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Glasner, Lily: "Embracing Childish Perspective. Rutu Modan’s A Royal Banquet With the Queen." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 177–196. |
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Added by: s5magaub 2016-05-10 22:26 |
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Greenbaum, Andrea: The Tropes of War. Visual Hyperbole and Spectacular Culture. New York [etc.]: Palgrave Macmillan, 2015. (72 S.) |
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Haworth, Kevin: The Comics of Rutu Modan. War, Love, and Secrets. (Great Comics Artists.) Jackson: Univ. Press of Mississippi, 2019. (175 S.) |
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Added by: joachim 2019-08-29 12:27 |
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Heimann, Andreas: "Auf der Suche nach dem verlorenen Le Réel. Überlegungen zu Ari Folmans Waltz with Bashir." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 179–187. |
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Added by: joachim 2013-09-14 22:37 |
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Honess Roe, Annabelle: "Animated Documentary and the Reclamation of Lost Pasts and Forgotten Memory in Irinka and Sandrinka and Waltz with Bashir." In: Animation and Memory. Hrsg. v. Maarten van Gageldonk, László Munteán und Ali Shobeiri. (Palgrave Animation.) New York [etc.]: Palgrave Macmillan, 2020, S. 223–240. |
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Juneau, Thomas und Mira Sucharov: "Narratives in Pencil. Using Graphic Novels to Teach Israeli-Palestinian Relations." In: International Studies Perspectives 11 (2010), S. 172–183. |
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Added by: joachim 2010-05-15 02:16 |
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Kahn, Ariel: "Between Eros and Thanatos. Death and Desire in the Short Fiction of Koren Shadmi and Rutu Modan." In: International Journal of Comic Art 12.1 (2010), S. 157–182. |
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Added by: joachim 2011-06-25 16:00 |
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---: "Double Trouble. Interrogating Masculinities in the work of Asaf and Tomer Hanuka." In: Critical Engagements 3.1 (2009), S. 123–155. |
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Added by: joachim 2012-03-24 21:44 |
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---: "From Darkness into Light. Reframing Notions of Self and Other in Contemporary Israeli Graphic Narratives." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 198–213. |
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---: "Pursuing paradise. Jewish travel comics as feminist spiritual quests." In: Studies in Comics 7.2 (2016), S. 237–264. |
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Added by: joachim 2017-10-30 12:46 |
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Kavaloski, Laini: "Contested spaces in graphic narrative. Exploring homeland through Miriam Libicki’s Jobnik!: An American Girl’s Adventures in the Israeli Army." In: Studies in Comics 6.2 (2015), S. 231–251. |
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Kohn, Ayelet und Rachel Weissbrod: "Waltz with Bashir as a Case of Multidimensional Translation." In: Translation, Adaptation and Transformation. Hrsg. v. Laurence Raw. (Continuum Advances in Translation.) London, New York: Bloomsbury T&T Clark, 2012, S. 123–144. |
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Added by: joachim 2021-12-07 10:49 |
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Kunert-Graf, Rachel: "Dehumanized Victims. Analogies and Animal Avatars for Palestinian Suffering in Waltz with Bashir and “War Rabbit”." In: Humanities 7.3 (2018). |
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Lummerding, Ssanne: "Das Politische trotz allem. Holocaust-Diskurse im Comic." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 321–340. |
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Mahrt, Nina: Die Darstellung realer Kriege in Comics. (Sprache – System und Tätigkeit, 69.) Frankfurt am Main [etc.]: Peter Lang, 2016. (471 S.) |
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Michel, Chantal Catherine: "Panels for Peace. Contributions of Israeli and Palestinian Comics to Peace-Building." In: Quest (5. Juli 2013). |
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Added by: joachim 2013-09-10 10:53 |
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Pitchon, Avi: "Comic Boom." In: Jewish Quarterly 55.1 (2008), S. 26–29. |
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Added by: joachim 2014-02-18 15:17 |
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Raab, Alon: "Ben Gurion’s Golem and Jewish Lesbians. Subverting Hegemonic History in Two Isreali Graphic Novels." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 214–236. |
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Last edited by: joachim 2011-11-05 17:48 |
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Reingold, Matt: Gender and Sexuality in Israeli Graphic Novels. (Routledge Focus on Gender, Sexuality, and Comics.) New York & London: Routledge, 2022. (103 S.) |
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---: Reenvisioning Israel through Political Cartoons. Visual Discourses During the 2018–2021 Electoral Crisis. (Lexington Studies in Jewish Literature.) Lanham [etc.]: Rowman & Littlefield, 2022. |
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Added by: joachim 2022-03-22 15:08 |
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---: "Trying to Locate the Real Anne Frank in Recent Authorized Graphic Novels." In: Image [&] Narrative 20.4 (2019), S. 82–98, . |
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Last edited by: joachim 2021-09-15 17:26 |
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Rhett, Maryanne: "Orientalism and Graphic Novels. A Modern Reexamination of Popular Culture." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 203–222. |
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Added by: joachim 2013-03-12 22:29 |
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Riemer, Nathanael: "Past Is Future. Gadi Pollack’s Haredi Comics." In: European Journal of Jewish Studies 10.1 (2016), S. 108–147. |
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Rosenberg, Pnina: "The Graphic Novel as a Holocaust Intergeneration Transmission. Michael Kovner, Ezekiel’s World: Graphic Novel." In: Prism 9 (2017), S. 62–73. |
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Added by: joachim 2017-04-21 22:14 |
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Royal, Derek Parker (Hrsg.): Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. New York: Bloomsbury Academic, 2016. (312 S.) |
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Last edited by: joachim 2019-02-24 10:14 |
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Salmi, Charlotta: "Sequential Art in the Age of Postcolonial Production. Comics Collectives in Israel and South Africa." In: Popular Postcolonialisms. Discourses of Empire and Popular Culture. Hrsg. v. Nadia Atia und Kate Houlden. (Routledge Research in Postcolonial Literatures, 62.) London: Routledge, 2019, S. 70–86. |
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Added by: Matthias Harbeck 2018-11-15 15:36 |
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Tabachnick, Stephen E. "Strange Encounters in Rutu Modan’s Exit Wounds and Jamilti." In: Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Hrsg. v. Derek Parker Royal. New York: Bloomsbury Academic, 2016, S. 231–240. |
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Last edited by: joachim 2020-03-03 00:35 |
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Viljoen, Jeanne-Marie: "Representing the “unrepresentable”. The unpredictable life of memory and experience in Waltz with Bashir." In: Scrutiny2 18.2 (2013), S. 66–80. |
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Added by: joachim 2014-11-07 12:13 |
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---: War Comics. A Postcolonial Perspective. (Routledge Interdisciplinary Perspectives on Literature, 125.) London, New York: Routledge, 2021. (213 S.) |
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Weissbrod, Rachel und Ayelet Kohn: "Re-Illustrating Multimodal Texts as Translation. Hebrew Comic Books Uri Cadduri and Mr. Fibber, the Storyteller." In: New Readings 15 (2015), S. 1–20, . |
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Last edited by: joachim 2017-08-08 15:20 |
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Yosef, Raz: "War fantasies. Memory, trauma and ethics in Ari Folman’s Waltz with Bashir." In: Journal of Modern Jewish studies 9.3 (2010), S. 311–326. |
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Last edited by: joachim 2020-06-29 16:57 |
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