| Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59. |
 
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| Busi Rizzi, Giorgio. "Portrait of the Artist as a Nostalgic: Seth’s It’s a Good Life if You Don’t Weaken." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 15–36. |
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| Dunley, Kathleen. "Conversations with Seth, Attention Revisited." The Comics Grid 2011. Accessed 21Jan. 2013. <http://www.comicsgrid.c ... th-attention-revisited/>. |
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| Dunley, Kathleen. "Seth’s Suspension of Perception in Palookaville #19." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 82–85. |
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| Dunley, Kathleen. "Personal, Vernacular, Canadian: Seth’s Great Northern Brotherhood of Canadian Cartoonists as Life Writing." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 129–52. |
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| Hoffman, Eric and Dominick Grace, eds. Seth: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2015. |
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| Jacobs, Dale. "“Piece it all together and it’s barely a quarter of the puzzle”: Design, Arthrology, and Transtextuality in Seth’s It’s a Good Life If You Don’t Weaken." Journal of Comics and Culture 1. (2016): 1–24. |
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| Marrone, Daniel. Forging the Past: Seth and the Art of Memory. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2016. |
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| Marrone, Daniel. "Pictures at a Remove: Seth’s Drawn Photographs." ImageTexT 8. 4 2016. Accessed 20Feb. 2017. <http://www.english.ufl. ... /archives/v8_4/marrone/>. |
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| Marrone, Daniel. "Seth’s Ironic Identities: Forging Canadian History." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 169–76. |
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| Mullins, Katie. "Questioning Comics: Women and Autocritique in Seth’s It’s A Good Life, If You Don’t Weaken." Canadian Literature (2009): 11–27. |
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| Postema, Barbara. "Memories That Don’t Weaken: Seth and Walter Benjamin." International Journal of Comic Art 6. (2004): 266–72. |
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| Rifkind, Candida. "Drawn from Memory: Comics Artists and Intergenerational Auto/biography." Canadian Review of American Studies 38. (2008): 399–427. |
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| Rifkind, Candida. "The Biotopographies of Seth’s George Sprott (1894–1975)." Material Cultures in Canada. Eds. Thomas Allen and Jennifer Blair. Waterloo: Wilfrid Laurier Univ. Press, 2015. 225–46. |
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| Smart, Tom. Palookaville: Seth and the Art of Graphic Autobiography. Porcupines Quill, 2016. |
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| Ziegler, Kevin. "Drawing on the Margins of History: English-Language Graphic Narratives in Canada." Thesis Dr. University of Waterloo, 2013. |
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