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Displaying 1 - 16 of 16 (Bibliography: WIKINDX Master Bibliography)
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Anderson, Reynaldo: "Critical Afrofuturism. A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 171–192.  
Last edited by: joachim 2019-05-15 12:47
Carrington, André: "Drawn into Dialogue. Comic Book Culture and the Scene of Controversy in Milestone Media’s Icon." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 153–170.  
Last edited by: joachim 2019-05-15 14:00
Davis, Blair: "Bare Chests, Silver Tiaras and Removable Afros. The Visual Design of Black Comic Book Superheroes." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 193–212.  
Last edited by: joachim 2019-05-15 14:01
Fisher, Craig: "Provocation Through Polyphony. Kyle Baker’s Nat Turner." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 255–273.  
Last edited by: joachim 2019-05-15 14:02
Francis, Conseula: "American Truths. Blackness and the American Superhero." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 137–152.  
Last edited by: joachim 2019-05-15 14:03
Gateward, Frances und John Jennings (Hrsg.): The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. New Brunswick: Rutgers Univ. Press, 2015. (343 S.)  
Added by: joachim 2015-08-04 09:59
Goldstein, Nancy: "Fashion in the Funny Papers. Cartoonist Jackie Ormes’s American Look." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 95–116.  
Last edited by: joachim 2019-05-15 14:04
McWilliams, Sally: "Sex in Yop City. Ivorian Femininity and Masculinity in Abouet and Oubrerie’s Aya." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 45–62.  
Last edited by: joachim 2019-05-15 14:05
Means Coleman, Robin R. und William Lafi Youman: "Graphic Remix. The Lateral Appropriation of Black Nationalism in Aaron McGruder’s The Boondocks." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 117–134.  
Last edited by: joachim 2019-05-15 14:06
Nishikawa, Kinohi: "Daddy Cool. Donald Goines’s Visual Novel." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 215–234.  
Last edited by: joachim 2019-05-15 14:07
Walter, Patrick F. "A Postcolony in Pieces. Black Faces, White Masks and Queer Potentials in Unknown Soldier." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 63–92.  
Last edited by: joachim 2019-05-15 14:14
Wanzo, Rebecca: "It’s a Hero? Black Comics and Satirizing Subjection." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 314–332.  
Last edited by: joachim 2019-05-15 12:46
Whitted, Qiana: "The Blues Tragicomic. Constructing the Black Folk Subject in Stagger Lee." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 235–254.  
Last edited by: joachim 2019-05-15 14:17
Yezbick, Daniel F. "No Sweat! EC Comics, Cold War Censorship, and the Troublesome Colors of “Judgment Day!”." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 19–44.  
Last edited by: joachim 2019-05-15 14:18
Young, Hershini Bhana: "Performance Geography. Making Space in Jeremy Love’s Bayou, Volume 1." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 274–291.  
Last edited by: joachim 2019-05-15 13:24
Ziegler, James J. "A Secret History of Miscegenation. Jimmy Corrigan and the Columbian Exposition of 1893." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 292–313.  
Last edited by: joachim 2019-05-15 14:20
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