| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
 
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| Ball, David M. "Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Added by: joachim Last edited by: joachim 7/28/14, 9:53 AM |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Added by: joachim 7/28/14, 12:06 PM |
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| Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43. |
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| Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62. |
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| Added by: joachim Last edited by: joachim 7/28/14, 11:57 AM |
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| Chaney, Michael A. "Animal Subjects of the Graphic Novel." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 44–66. |
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| Added by: joachim 7/28/14, 9:44 AM |
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| Chase, Alisia. "You Must Look at the Personal Clutter: Diaristic Indulgence, Female Adolescence, and Feminist Autobiography." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 207–40. |
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| Added by: joachim 7/28/14, 12:27 PM |
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| O’Brien, Sharon. "Showing the Voice of the Body: Brian Fies’s Mom’s Cancer, the Graphic Illness Memoir, and the Narrative of Hope." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 264–87. |
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| Added by: joachim 7/28/14, 12:43 PM |
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| Pines, Davida. "History, Memory, and Trauma: Confronting Dominant Interpretations of 9/11 in Alissa Torres’s American Widow and Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 185–206. |
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| Added by: joachim 7/28/14, 12:16 PM |
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| Schlick, Yaël. "What Is an Experience? Selves and Texts in the Comic Autobiographies of Alison Bechdel and Lynda Barry." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 26–43. |
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| Added by: joachim Last edited by: joachim 7/28/14, 9:54 AM |
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| Tolmie, Jane. "Modernism, Memory and Desire: Queer Cultural Production in Alison Bechdel’s Fun Home." Topia (2009): 77–95. |
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| Added by: joachim 1/8/14, 9:48 AM |
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| Tolmie, Jane, ed. Drawing from Life: Memory and Subjectivity in Comic Art. Jackson: Univ. Press of Mississippi, 2013. |
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| Added by: joachim 12/1/13, 2:24 PM |
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| Tolmie, Jane, ed. Contagious Imagination: The Work and Art of Lynda Barry. Jackson: Univ. Press of Mississippi, 2022. |
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| Added by: joachim 11/2/21, 1:07 AM |
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| Trousdale, Rachel. "A Female Prophet? Authority and Inheritance in Marjane Satrapi." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 241–63. |
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| Added by: joachim 7/28/14, 12:32 PM |
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| Widiss, Benjamin. "Comics as Non-Sequential Art: Chris Ware’s Joseph Cornell." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 86–111. |
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