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Displaying 1 - 9 of 9 (Bibliography: WIKINDX Master Bibliography)
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Bateman, John A. und Janina Wildfeuer: "Defining units of analysis for the systematic analysis of comics. A discourse-based approach." In: Studies in Comics 5.2 (2014), S. 373–403.  
Added by: joachim 9/4/15, 1:33 AM
Bateman, John A., Annika Beckmann und Rocio Varela: "From Empirical Studies to Visual Narrative Organization. Exploring Page Composition." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 127–153.  
Last edited by: joachim 3/16/19, 11:49 AM
Bateman, John A. und Janina Wildfeuer: "A multimodal discourse theory of visual narrative." In: Journal of Pragmatics 74 (2014), S. 180–208.  
Added by: joachim 12/11/15, 11:29 PM
Bateman, John A. et al. "An Open Multilevel Classification Scheme for the Visual Layout of Comics and Graphic Novels. Motivation and Design." In: Digital Scholarship in the Humanities 32.3 (2017), S. 476–510, .  
Last edited by: joachim 5/17/19, 6:20 PM
Bateman, John A. und Francisco O. D. Veloso: "The semiotic resources of comics in movie adaptation. Ang Lee’s Hulk (2003) as a case study." In: Studies in Comics 4.1 (2013), S. 135–158.  
Added by: joachim 8/4/13, 11:41 AM
Bateman, John A. Text and Image. A Critical Introduction to the Visual/Verbal Divide. London, New York: Routledge, 2014. (276 S.)  
Last edited by: joachim 8/24/16, 4:25 PM
Veloso, Francisco O. D. und John A. Bateman: "The multimodal construction of acceptability. Marvel’s Civil War comic books and the PATRIOT Act." In: Critical Discourse Studies 10.4 (2013), S. 427–443.  
Last edited by: joachim 8/25/17, 3:43 AM
Wildfeuer, Janina und John A. Bateman: "Linguistically Oriented Comics Research in Germany." In: The Visual Narrative Reader. Hrsg. v. Neil Cohn. New York: Bloomsbury, 2016, S. 19–66.  
Added by: joachim 6/28/17, 10:47 AM
---: "Zwischen gutter und closure. Zur Interpretation der Leerstelle im Comic durch Inferenzen und dynamische Diskursinterpretation." In: Closure 1 (2014), S. 3–24, .  
Added by: joachim 11/11/14, 11:50 AM
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