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Displaying 1 - 20  of 20 (Bibliography: WIKINDX Master Bibliography)
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Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." Scan. Journal of media arts culture 9. 1 2012. Accessed 3May. 2013. <http://scan.net.au/scn/ ... ed-and-Martin-Lund.html>.   
Added by: joachim 5/4/13, 10:36 AM
Ahmed, Maaheen and Martin Lund. "“We’re all Avengers now”: Community-building, civil religion and nominal multiculturalism in Marvel Comics’ Fear Itself." European Journal of American Culture 35. (2016): 77–95.   
Added by: joachim 4/24/21, 3:42 PM
Earle, Harriet E. H. and Martin Lund, eds. Identity and History in Non-Anglophone Comics. Global Perspectives in Comics Studies. London, New York: Routledge, 2023.   
Added by: joachim   Last edited by: joachim 5/10/23, 3:36 PM
Guynes, Sean and Martin Lund, eds. Unstable Masks: Whiteness and American Superhero Comics. New Suns: Race, Gender, and Sexuality in the Speculative. Columbus: Ohio State Univ. Press, 2020.   
Added by: joachim   Last edited by: joachim 7/7/20, 12:24 AM
Lewis, A. David and Martin Lund, eds. Muslim Superheroes: Comics, Islam, and Representation. Mizan. Cambridge: Harvard Univ. Press, 2017.   
Added by: joachim   Last edited by: joachim 4/28/18, 12:14 AM
Lund, Martin. "Gud i Fyrfärgstryck: Om tecknade serier, moral och teologi." Religionsvetenskaplig internettidskrift 13. 2 2012. Accessed 19Jun. 2013. <http://www.teol.lu.se/f ... religion_och_serier.pdf>.   
Added by: joachim   Last edited by: joachim 9/4/16, 3:01 PM
Lund, Martin. Rethinking the Jewish-Comics Connection. Lund Studies in History of Religions. Lund: Centre for Theology and Religious Studies, Lund University, 2013.   
Added by: joachim   Last edited by: joachim 3/24/16, 11:28 AM
Lund, Martin. "“NY 101”: New York City According to Brian Wood." International Journal of Comic Art 17. (2015): 1–33.   
Added by: joachim   Last edited by: joachim 8/15/16, 10:23 PM
Lund, Martin. "The Mutant Problem: X-Men, Confirmation Bias, and the Methodology of Comics and Identity." European Journal of American Studies 10. 2 2015. Accessed 12Oct. 2015. <https://ejas.revues.org/10890>.   
Added by: joachim 10/12/15, 8:15 AM
Lund, Martin. "‘The roaring 30s’: Style, intertextuality, space and history in Marvel Noir." Studies in Comics 6. (2015): 5–24.   
Added by: joachim   Last edited by: joachim 5/30/16, 12:14 PM
Lund, Martin. "‘X marks the spot’: Urban dystopia, slum voyeurism and failures of identity in District X." Journal of Urban Cultural Studies 2. (2015): 35–56.   
Added by: joachim 9/27/15, 5:36 PM
Lund, Martin. "‘Introducing the Sensational Black Panther!’: Fantastic Four #52–53, the Cold War, and Marvel’s Imagined Africa." The Comics Grid 6. 7 2016. Accessed 14Jun. 2016. <http://doi.org/10.16995/cg.80>.   
Added by: joachim   Last edited by: joachim 6/14/16, 8:58 AM
Lund, Martin. "Persons of Mass Destruction: The War on Terror in Mark Millar’s Ultimates Comic Books." Americana 15. 2 2016. Accessed 21Nov. 2016. <http://www.americanpopu ... es/spring_2016/lund.htm>.   
Added by: joachim 11/21/16, 10:11 AM
Lund, Martin. Re-Constructing the Man of Steel: Superman 1938–1941, Jewish American History, and the Invention of the Jewish–Comics Connection. Contemporary Religion and Popular Culture. New York [etc.]: Palgrave Macmillan, 2016.   
Added by: joachim   Last edited by: joachim 2/10/17, 11:30 AM
Lund, Martin. "Redefining the Superhero through Selective Reading." Scandinavian Journal of Comic Art 3. 1 2016. Accessed 13Jan. 2020. <http://sjoca.com/wp-con ... 2/SJoCA-3-1-07-Lund.pdf>.   
Added by: joachim 1/13/20, 2:58 PM
Lund, Martin. "‘Every day is 9/11!’: Re-constructing Ground Zero in three US comics." Journal of Urban Cultural Studies 4. (2017): 241–61.   
Added by: joachim   Last edited by: joachim 3/27/19, 2:51 PM
Lund, Martin. "Closing the Comics-Gate: On Recognizing the Politics of Comics." The Middle Spaces 2019. Accessed 5Sep. 2020. <https://themiddlespaces ... losing-the-comics-gate/>.   
Added by: joachim 9/5/20, 3:35 PM
Lund, Martin. "Climbing the Hill: Will Eisner’s Heritage Fabrication and Comics Identity Politics in The Dreamer (1986) and After." Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Eds. Maaheen Ahmed, Stephanie Delneste and Jean-Louis Tilleuil. Paris: L’Harmattan, 2017. 119–36.   
Added by: joachim 7/20/17, 2:10 PM
Lund, Martin. "“[A] matter of SAVED or LOST”: Difference, Salvation, and Subjection in Chick Tracts." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 173–92.   
Added by: joachim   Last edited by: joachim 8/14/15, 7:10 AM
Lund, Martin. "American Golem: Reading America through Super-New Dealers and the “Melting Pot”." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 79–93.   
Added by: joachim 12/13/12, 10:52 AM
WIKINDX 6.10.2 | Total resources: 14645 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)