Banita, Georgiana: "Cosmopolitan Suspicion. Comics Journalism and Graphic Silence." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 49–66. |
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Bartley, Aryn: "Staging Cosmopolitanism. The Transnational Encounter in Joe Sacco’s Footnotes in Gaza." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 67–82. |
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Berninger, Mark: "“Scott Pilgrim Gets It Together”. The Cultural Crossovers of Bryan Lee O’Malley." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 243–256. |
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Bieloch, Katharina und Sharif Bitar: "Batman Goes Transnational. The Global Appropriation and Distribution of an American Hero." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 113–126. |
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Brinker, Felix: "On the Political Economy of the Contemporary (Superhero) Blockbuster Series." In: Post-Cinema. Theorizing 21st-Century Film. Hrsg. v. Shane Denson und Julia Leyda. Falmer: REFRAME, 2016, S. 433–473. |
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Chaney, Michael A. "Not Just a Theme. Transnationalism and Form in Visual Narratives of US Slavery." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 15–31. |
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Davé, Shilpa: "Spider-Man India. Comic Books and the Translating/Transcreating of American Cultural Narratives." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 127–144. |
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Denson, Shane: "Afterword: Framing, Unframing, Reframing. Retconning the Transnational Work of Comics." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 271–284. |
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Denson, Shane und Ruth Mayer: "Bildstörung. Serielle Figuren und der Fernseher." In: Zeitschrift für Medienwissenschaft 7 (2012), S. 90–102. |
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Denson, Shane: "Frame, Sequence, Medium. Comics in Plurimedial and Transnational Perspective." In: Transnational American Studies. Hrsg. v. Udo J. Hebel. (American Studies.) Heidelberg: Winter, 2012, S. 561–580. |
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---: "Marvel Comics’ Frankenstein. A Case Study in the Media of Serial Figures." In: Amerikastudien 56.4 (2011), S. 531–554. |
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Denson, Shane, Christina Meyer und Daniel Stein (Hrsg.): Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. New York: Bloomsbury, 2013. (256 S.) |
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Ecke, Jochen: "Warren Ellis. Performing the Transnational Author in the American Comics Mainstream." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 163–179. |
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El Refaie, Elisabeth: "Transnational Identity as Shape-Shifting. Metaphor and Cultural Resonance in Gene Luen Yang’s American Born Chinese." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 33–47. |
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Etter, Lukas: "The “Big Picture” as a Multitude of Fragments. Jason Lutes’s Depiction of Weimar Republic Berlin." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 229–241. |
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Gabilliet, Jean-Paul: "A Disappointing Crossing. The North American Reception of Asterix and Tintin." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 257–270. |
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Groß, Florian: "Lost in Translation. Narratives of Transcultural Displacement in the Wordless Graphic Novel." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 197–210. |
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Laemmerhirt, Iris-Aya: "“Trying to Recapture the Front”. A Transnational Perspective on Hawaii in R. Kikuo Johnson’s Night Fisher." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 83–94. |
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Mehring, Frank: "Hard-Boiled Silhouettes. Transnational Remediation and the Art of Omission in Frank Miller’s Sin City." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 211–224. |
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Meier, Stefan: "“Truth, Justice, and the Islamic Way”. Conceiving the Cosmopolitan Muslim Superhero in The 99." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 181–194. |
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Stein, Daniel: "Of Transcreations and Transpacific Adaptations. Investigating Manga Versions of Spider-Man." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 145–162. |
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Wüllner, Daniel: "Folding Nations, Cutting Borders. Transnationalism in the Comics of Warren Craghead III." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 95–110. |
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