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| Round, Julia: "Anglo-American Graphic Narrative." In: From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Hrsg. v. Daniel Stein und Jan-Noël Thon. (Narratologia, 37.) Berlin u. Boston: de Gruyter, 2013, S. 325–345. |
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| ---: "“Be vewy vewy quiet. We’re hunting wippers”. A Barthesian Analysis of the Construction of Fact and Fiction in Alan Moore and Eddie Campbell’s From Hell." In: The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Hrsg. v. Joyce Goggin und Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010, S. 188–201. |
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| ---: "“Can I call you Mommy?”. Myths of the feminine and superheroic in Neil Gaiman and Dave McKean’s Black Orchid." In: Debating the Difference. Gender, Representation and Self-Representation. Hrsg. v. Rachel Jones. Dundee: Duncan of Jordanstone College, University of Dundee, 2010. |
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| ---: "Charlie Adlard on art and adaptation. Interview with Charlie Adlard." In: Studies in Comics 4.1 (2013), S. 5–14. |
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| ---: "Contrariwise!. Breaking rules in Bryan Talbot’s Alice in Sunderland." In: Critical Engagements 3.1 (2009), S. 180–201. |
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| ---: "Cryptomimetic tropes in Yoshinori Natsume’s Batman: Death Mask." In: Foundation 106 (2010), S. 41–52. |
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| ---: "Fantastic Alterities and The Sandman." In: Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres. Hrsg. v. Jake Jakaitis und James F. Wurtz. Jefferson, London: McFarland, 2012, S. 71–92. |
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| ---: "From Comic to Graphic and from Book to Novel. Sandman’s Invisible Authors and the Quest for Literariness." In: The Novel as Network. Forms, Ideas, Commodities. Hrsg. v. Tim Lanzendörfer und Corinna Norrick-Rühl. (New Directions in Book History.) New York [etc.]: Palgrave Macmillan, 2020, S. 137–162. |
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| ---: "From Hell." In: Icons of the American Comic Book. From Captain America to Wonder Woman. Hrsg. v. Randy Duncan und Matthew J. Smith. (Greenwood Icons.) Santa Barbara: Greenwood, 2013, S. 287–294. |
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| ---: "Gothic and the Graphic Novel." In: A New Companion to the Gothic. Hrsg. v. David Punter. Chichester: Wiley-Blackwell, 2012, S. 335–349. |
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| ---: Gothic for Girls. Misty™ and British Comics. Jackson: Univ. Press of Mississippi, 2019. (342 S.) |
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| ---: Gothic in Comics and Graphic Novels. A Critical Approach. Jefferson, London: McFarland, 2014. |
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| ---: "Horror Hosts in British Girl’s Comics." In: The Palgrave Handbook on Contemporary Gothic. Hrsg. v. Clive Bloom. New York [etc.]: Palgrave Macmillan, 2020, S. 623–642. |
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| ---: "The Horror of Humanity." In: The Walking Dead and Philosophy. Zombie Apocalypse Now. Hrsg. v. Wayne Yuen. (Popular Culture and Philosophy, 68.) Chicago: Open Court, 2012, S. 155–166. |
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| ---: "Interview with Henry Jenkins." In: Studies in Comics 3.2 (2012), S. 191–202. |
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| ---: "“Is this a book?”. DC Vertigo and the Redefinition of Comics in the 1990s." In: The Rise of the American Comics Artist. Creators and Contexts. Hrsg. v. Paul Williams und James Lyons. Jackson: Univ. Press of Mississippi, 2010, S. 14–30. |
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| ---: "It’s all relative. Breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher." In: Popular Narrative Media 4 (2010). |
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| ---: "London’s Calling. Alternate Worlds and the City as Superhero in Contemporary British-American Comics." In: International Journal of Comic Art 10.1 (2008), S. 24–31. |
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| ---: "Medium, Spirits and Embodiment in Voice of the Fire." In: Alan Moore and the Gothic Tradition. Hrsg. v. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013, S. 235–253. |
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| ---: "Misty, Spellbound and the lost Gothic of British girls’ comics." In: Palgrave Communications 3.17037 (2017), S. 1–11. |
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| ---: "Mutilation and Monsters. Transcending the Human in Garth Ennis/Steve Dillon’s Preacher." In: The Human Body in Contemporary Literatures in English. Cultural and Political Implications. Hrsg. v. Sabine Coelsch-Foisner und Marta Fernández Morales. (Salzburg Studies in English Literature and Culture, 5.) Frankfurt am Main [etc.]: Peter Lang, 2009, S. 109–128. |
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| ---: "Reconstructing Alice Cooper. ‘From the Inside’ to The Last Temptation." In: Journal of Graphic Novels and Comics 1 (2010), S. 151–169. |
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| ---: "Subverting Shakespeare? The Sandman #19: “A Midsummer Night’s Dream”." In: Sub/versions. Cultural Status, Genre and Critique. Hrsg. v. Pauline MacPherson et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008, S. 18–33. |
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| ---: "“The Apocalypse of Adolescence”. Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen." In: Graven Images. Religion in Comic Books & Graphic Novels. Hrsg. v. A. David Lewis und Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| ---: "The Transformations of Harvey Pekar’s American Splendor. “Ordinary Life Is Pretty Complex Stuff”." In: Real Lives, Celebrity Stories. Narratives of Ordinary and Extraordinary People Across Media. Hrsg. v. Thomas Bronwen und Julia Round. New York: Bloomsbury Academic, 2014, S. 95–110. |
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| ---: "Transforming Shakespeare. Neil Gaiman and The Sandman." In: Beyond Adaptation. Essays on Radical Transformations of Original Works. Hrsg. v. Phyllis Frus und Christy Williams. Jefferson, London: McFarland, 2010, S. 95–110. |
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| ---: "Visual Perspective and Narrative Voice in Comics. Redefining Literary Terminology." In: International Journal of Comic Art 9.2 (2007), S. 316–329. |
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| ---: "We Share Our Mothers’ Health. Temporality and the Gothic in Comic Book Landscapes." In: Comic Book Geographies. Hrsg. v. Jason Dittmer. (Media Geography at Mainz, 4.) Stuttgart: Franz Steiner, 2014, S. 127–140. |
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