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Hescher, Achim: "Schrecken ohne Ende. Apokalyse(n) in englischsprachiger Narrativik und der Graphic Novel Watchmen." In: Untergangsszenarien. Apokalyptische Denkbilder in Literatur, Kunst und Wissenschaft. Hrsg. v. Lothar Blum et al. Berlin: Akademie Verl. 2013, S. 167–194.  
Last edited by: joachim 2014-01-27 00:05
Pape, Walter: "The Battle of the Signs. Robert Crumb’s Visual Reading of James Boswell’s “London Journal”." In: Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Hrsg. v. Peter Wagner. (European Cultures, 6.) Berlin: de Gruyter, 1996, S. 324–345.  
Last edited by: joachim 2015-05-18 23:59
Paulson, Ronald: "The Harlot, Her Father, and the Parson. Representing and Interpreting Hogarth in the Eighteenth Century." In: Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Hrsg. v. Peter Wagner. (European Cultures, 6.) Berlin: de Gruyter, 1996, S. 149–174.  
Added by: joachim 2009-10-23 16:49
Wagner, Peter: "Hogarth’s graphic palimpsests. Intermedial adaptation of popular literature." In: Word & Image 7.4 (1991), S. 329–347.  
Last edited by: joachim 2022-05-10 10:28
---: "The Nineteenth-century Illustrated Novel." In: Handbook of Intermediality. Literature – Image – Sound – Music. (Handbooks of English and American Studies, 1.) Berlin: de Gruyter, 2015, S. 378–400.  
Added by: joachim 2016-08-07 16:25
---: Reading Iconotexts. From Swift to the French Revolution. (Picturing History.) London: Reaktion Books, 1995. (211 S.)  
Added by: joachim 2014-03-17 18:56
WIKINDX 6.5.0 | Total resources: 13912 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)


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