Agland, Jamie. "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 13/01/2024, 07:19 |
|
Casey, Jay. "‘What’s So Funny?’: The Finding and Use of Soldier Cartoons from the World Wars as Historical Evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 17:42 |
|
Deans Halloran, Fiona. "‘Oppose Everything, Propose Nothing’: Influence and Power in the Political Cartoons of Thomas Nast." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 17:39 |
|
Dobrivojevic, Ivana. "Cartoons as a Powerful Propaganda Tool: Creating the Images of East and West in the Yugoslav Satirical Press." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 17:21 |
|
Dyrenfurth, Nick and Marian Quartly. "‘All the World Over’: The Transnational World of Australian Radical and Labour Cartoonists." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 17:34 |
|
Hicks, Marianne. "‘Teh Futar’: The Power of the Webcomic and the Potential of Web 2.0." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. 11.1–20. |
|
Last edited by: joachim 12/02/2014, 17:38 |
|
Lim, Cheng Tju. "‘Forgotten Legacies’: The Case of Abdullah Ariff’s Pro-Japanese Cartoons during the Japanese occupation of Penang." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 17:52 |
|
Scully, Richard. "The Cartoon Emperor: The Impact of Louis Napoleon Bonaparte on European Comic Art, 1848–1870." European Comic Art 4.(2011): 147–80. |
|
Added by: joachim 04/07/2012, 22:38 |
|
Scully, Richard. British Images of Germany: Admiration, Antagonism and Ambivalence, 1860–1914. New York [etc.]: Palgrave Macmillan, 2012. |
|
Last edited by: joachim 12/01/2016, 12:42 |
|
Scully, Richard. "Constructing the Colossus: The Origins of Linley Sambourne’s Greatest Punch Cartoon." International Journal of Comic Art 14.(2012): 120–42. |
|
Last edited by: Deleted user 25/06/2013, 11:50 |
|
Scully, Richard. "The Lion and the Unicorn -- William Gladstone and Benjamin Disraeli through William Empson’s Looking-Glass." International Journal of Comic Art 15.(2013): 323–37. |
|
Last edited by: joachim 06/01/2015, 22:11 |
|
Scully, Richard. "A serious matter: Erwin D. Swann (1906–1973) and the collection of caricature and cartoon." Journal of the History of Collections 27.(2015): 111–22. |
|
Added by: joachim 12/01/2016, 12:51 |
|
Scully, Richard and Robert Phiddian. "The Australian Political Cartoon – An Historiographical Overwiew." International Journal of Comic Art 20.(2018): 367–83. |
|
Last edited by: joachim 03/11/2021, 12:55 |
|
Scully, Richard and Marian Quartly, eds. Drawing the Line: Using Cartoons as Historical Evidence. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 18:23 |
|
Scully, Richard and Marian Quartly. "Using Cartoons as Historical Evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 17:57 |
|
Scully, Richard and Joshua Santospirito. "An Australian Comic Breakthrough: Craig San Roque’s The Long Weekend in Alice Springs. Adapted and drawn by Joshua Santospirito." International Journal of Comic Art 17.(2015): 131–48. |
|
Added by: joachim 27/12/2015, 23:05 |
|
Scully, Richard. "‘A Pettish Little Emperor’: Images of Kaiser Wilhelm II in Punch, 1888–1901." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 17:55 |
|
Sleight, Simon. "Wavering between Virtue and Vice: Constructions of Youth in Australian Cartoons of the Late-Victorian Era." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 18:00 |
|
Wichhart, Stefanie. "Propaganda and Protest: Political Cartoons in Iraq during the Second World War." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
|
Last edited by: joachim 12/02/2014, 18:02 |
|