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Displaying 1 - 21 of 21 (Bibliography: WIKINDX Master Bibliography)
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Gibson, Mel: "“Badgers? We don’t need no steenkin’ badgers!”. Talbot’s Grandville, Anthropomorphism and Multiculturalism." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 83–95.  
Last edited by: joachim 9/1/16, 4:37 PM
---: "Cultural Studies. British Girls’ Comics, Readers and Memories." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 267–279.  
Added by: joachim 3/11/14, 5:22 PM
---: "From ‘Susan of St. Brides’ to ‘Heartbreak Hospital’. Nurses and nursing in the girls’ comic from the 1950s to the 1980s." In: Journal of Children's Literature (2008), S. 104–126.  
Last edited by: joachim 5/28/12, 1:21 PM
---: "Graphic Novels, Comics and Picturebooks." In: Routledge Companion to Children’s Literature. Hrsg. v. David Rudd. London, New York: Routledge, 2010, S. 100–111.  
Added by: joachim 11/21/12, 11:43 PM
---: "Mehr als eine Heldin. Das Motiv der Clique im britischen Mädchencomic von 1950–1980." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 80–97.  
Last edited by: joachim 10/2/11, 12:47 PM
---: "Memories of Reading. British Girls and their Comics." In: Consuming for Pleasure. Selected Essays on Popular Fictions. Hrsg. v. Julia Hallam und Nickianne Moody. Liverpool: Media Critical and Creative Arts, John Moores Univ., Ass. for Research in Popular Fictions, 2000, S. 210–227.  
Last edited by: joachim 5/28/12, 11:59 AM
---: "Nobody, Somebody, Everybody. Ballet, Girlhood, Class, Femininity and Comics in 1950s Britain." In: Girlhood Studies 1.2 (2008), S. 108–128.  
Last edited by: joachim 11/14/09, 11:13 AM
---: "Reading as Rebellion. The Case of the Girls’ Comic in Britain." In: International Journal of Comic Art 2.2 (2000), S. 135–151.  
Last edited by: joachim 5/28/12, 11:47 AM
---: Remembered Reading. Memory, Comics and Post-War Constructions of British Girlhood. (Studies in European Comics and Graphic Novels, 3.) Leuven: Leuven Univ. Press, 2015. (223 S.)  
Added by: joachim 7/13/15, 9:23 AM
---: "Sick Fictions. Contamination, Infection and Addiction in Accounts of Young Peoples’ Reading of Comics." In: Cultures of Addiction. Hrsg. v. Jason Lee. New York: Cambria, 2012, S. 199–240.  
Added by: joachim 9/1/16, 10:54 AM
Gibson, Mel, David Huxley und Joan Ormrod (Hgg.): Superheroes and Identities. London: Routledge, 2014. (284 S.)  
Added by: joachim 2/5/16, 4:08 PM
Gibson, Mel: "The Tale of One Bad Rat. The Child Alone and the Alternative and Substitute Family." In: Expectations and Experiences. Children, Childhood & Children's Literature. Hrsg. v. Clare Bradford und Valerie Coghlan. Lichfield: Pied Piper, 2007, S. 250–258.  
Added by: joachim 1/7/10, 2:05 PM
Gibson, Mel, Golnar Nabizadeh und Kay Sambell: "Watch this space. Childhood, picturebooks and comics." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 241–244.  
Last edited by: Deleted user 9/11/14, 8:39 AM
Gibson, Mel: "“Wham! Bam! The X-Men Are Here”. The British Broadsheet Press and the X-Men Film and Comic." In: International Journal of Comic Art 3.2 (2001), S. 239–249.  
Last edited by: joachim 5/28/12, 1:22 PM
---: "“Wham! Bam! The X-Men are Here”. The British Broadsheet Press and the X-Men Films and Comic." In: Film and Comic Books. Hrsg. v. Ian Gordon, Mark Jancovich und Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007, S. 101–115.  
Last edited by: joachim 7/2/11, 4:50 PM
---: "‘What became of Bunty?’. The emergence, evolution and disappearance of the girls’ comic in post-war Britain." In: Art, Narrative and Childhood. Hrsg. v. Morag Styles und Eve Bearne. Stoke on Trent, Sterling: Trentham, 2003, S. 87–98.  
Added by: joachim 5/25/17, 4:38 PM
---: "What Bunty did next. Exploring some of the ways in which the British girls’ comic protagonists were revisited and revised in late twentieth-century comics and graphic novels." In: Journal of Graphic Novels and Comics 1.2 (2010), S. 121–135.  
Last edited by: joachim 10/28/16, 7:05 PM
---: "What you read and where you read it, how you get it, how you keep it. Children, comics and historical cultural practice." In: Popular Narrative Media 1 (2008), S. 151–167.  
Last edited by: joachim 8/2/10, 11:11 PM
---: "Who does she think she is? Female comic-book characters, second-wave feminism, and feminist film theory." In: Superheroes and Identities. Hrsg. v. Mel Gibson, David Huxley und Joan Ormrod. London, New York: Routledge, 2014, S. 135–146.  
Added by: joachim 2/15/16, 9:39 AM
---: "“Yeah, I Think There Is Still Hope”. Youth, Ethnicity, Faith, Feminism, and Fandom in Ms. Marvel." In: Gender and the Superhero Narrative. Hrsg. v. Michael Goodrum, Tara Prescott und Philip Smith. Jackson: Univ. Press of Mississippi, 2018, S. 23–44.  
Added by: joachim 9/22/20, 11:09 AM
---: ""You Can't Read Them, They're for Boys!" British Girls, American Superhero Comics and Identity." In: International Journal of Comic Art 5.1 (2003), S. 305–324.  
Added by: Deleted user 8/11/09, 1:34 PM
WIKINDX 6.4.14 | Total resources: 13587 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)


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