| Baetens, Jan und Pascal Lefèvre: Pour une lecture moderne de la bande dessinée. Bruxelles: Centre Belge de la Bande Dessinée, 1993. (96 S.) |
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| ---: "Texts and Images." In: The French Comics Theory Reader. Hrsg. v. Ann Miller und Bart Beaty. (Studies in European Comics and Graphic Novels, 1.) Leuven: Leuven University Press, 2014, S. 183–190. |
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| ---: "The Work and its Surround." In: The French Comics Theory Reader. Hrsg. v. Ann Miller und Bart Beaty. (Studies in European Comics and Graphic Novels, 1.) Leuven: Leuven University Press, 2014, S. 191–202. |
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| Dierick, Charles und Pascal Lefèvre (Hrsg.): Forging a New Medium. The Comic Strip in the Nineteenth Century. Brussels: VUB Univ. Press, 1998. (214 S.) |
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| Gravett, Paul: "The Cartoonist's Progress. The Inventors of the Comics in Great Britain." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 79–104. |
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| Groensteen, Thierry: "Töpffer, the Originator of the Modern Comic Strip." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 105–114. |
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| Groensteen, Thierry et al. "Wörterbuch. Teil 2: Die wichtigsten Fachbegriffe aus Verlagsproduktion und Szene." . |
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| Added by: joachim 2014-09-17 11:30 |
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| Kunzle, David: "Precursors in American Weeklies to the American Newspaper Comic Strip. A Long Gestation and a Transoceanic Cross-breeding." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 157–186. |
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| Added by: joachim 2009-09-27 02:11 |
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| Lefèvre, Pascal: "The Battle over the Balloon. The conflictual institutionalization of the speech balloon in various European cultures." In: Image [&] Narrative 7.1 (2006). |
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| ---: Beeld en visuele waarneming. Een interdisciplinaire benadering. Tielt: Lannoo, 2018. (215 S.) |
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| Added by: joachim 2018-02-23 19:19 |
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| ---: "Belgische Comics und der Kalte Krieg, 1945–1990." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 98–108. |
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| Last edited by: joachim 2011-10-02 17:11 |
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| ---: "The Cold War and Belgian Comics." In: International Journal of Comic Art 6.2 (2004), S. 195–204. |
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| Added by: joachim 2009-11-29 15:25 |
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| ---: "The Congo Drawn in Belgium." In: History and Politics in French-Language Comics and Graphic Novels. Hrsg. v. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008, S. 166–185. |
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| ---: "The Conquest of Space. Evolution of Panel Arrangements and Page Layouts in Early Comics Published in Belgium (1880–1929)." In: European Comic Art 2.2 (2009), S. 227–252. |
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| ---: "The construction of national and foreign identities in French and Belgian postwar comics (1939–1970)." In: Comicalités (11. Mai 2012). |
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| Added by: joachim 2012-11-09 21:32 |
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| ---: "The construction of space in comics." In: Image [&] Narrative 7.3 (2006). |
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| Last edited by: joachim 2013-03-14 13:11 |
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| ---: "The Construction of Space in Comics." In: A Comics Studies Reader. Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2009, S. 157–162. |
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| Added by: joachim 2011-01-03 02:09 |
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| ---: "Coping with the Visual Ontology of Drawings and Revitalizing Cinema by an Aesthetic of Artifice." In: Cinema e fumetto. Cinema and comics. Hrsg. v. Leonardo Quaresima, Laura Ester Sangalli und Federico Zecca. Udine: Forum Edizioni, 2009, S. 551–554. |
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| Lefèvre, Pascal und Morgan Di Salvia: "A Creative Culture Where It Is Hard to Make a Living. The Socio-Economic Situation of Comics Authors and Illustrators in Belgium." In: European Comic Art 4.1 (2011), S. 59–80. |
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| Added by: joachim 2012-07-05 08:17 |
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| Lefèvre, Pascal: "Einde van het papier, lang leve digitale strips en prentenboeken?" In: Strip en illustratie in België. Een stand van zaken en de sociaaleconomische situatie van de sector. Hrsg. v. Pascal Lefèvre und Morgan Di Salvia. Brussel: SMartBe, 2010, S. 87–95. |
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| Added by: joachim 2014-11-15 17:32 |
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| ---: "An Empirical Study of the Publication Format and Beginnings in the Belgian Francophone Weeklies, Spirou and Tintin, in the 1950s." In: Closure 4 (2017), S. 47–67, . |
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| Added by: joachim 2017-12-08 18:38 |
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| ---: "Flemish Comic Strips Today." In: The Low Countries 5 (1998), S. 247–252. |
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| Added by: joachim 2009-08-09 15:22 |
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| ---: "From Panel to Poster." In: Comix! Hrsg. v. Museum für Gestaltung Zürich. (Poster Collection, 16.) Zürich: Museum für Gestaltung Zürich, 2007, S. 43–47. |
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| Added by: joachim 2016-10-03 11:34 |
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| ---: "Gatekeeping at two main Belgian comics publishers, Dupuis and Lombard, at a time of transition (in the 1980s)." In: Studies in Comics 6.1 (2015), S. 109–119. |
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| Added by: joachim 2017-01-19 09:42 |
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| ---: "Gatekeeping in Comics Publishing. A Practical Guide to Gatekeeping Research." In: Cultures of Comics Work. Hrsg. v. Casey E. Brienza und Paddy Johnston. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2016, S. 205–218. |
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| Added by: joachim 2018-06-07 11:07 |
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| ---: "The Importance of Being ‘Published’. A Comparative Study of Different Comics Formats." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 91–105. |
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| ---: "Incompatible Visual Ontologies? The Problematic Adaptation of Drawn Images." In: Film and Comic Books. Hrsg. v. Ian Gordon, Mark Jancovich und Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007, S. 1–12. |
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| Last edited by: joachim 2011-08-30 14:39 |
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| Lefèvre, Pascal und Gert Meesters: "Interpretation of an Evolving Line Drawing." In: Empirical Comics Research. Digital, Multimodal, and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. London, New York: Routledge, 2018, S. 197–214. |
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| Added by: joachim 2020-02-07 19:59 |
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| Lefèvre, Pascal: "Intertwining verbal and visual elements in printed narratives for adults." In: Studies in Comics 1.1 (2010), S. 35–52. |
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| Lefèvre, Pascal und Patrick Van Gompel: "Introduction: Comics in Flanders." In: New Flemish Comics. Antwerpen: Vlaams Fonds voor de Letteren, 2003. |
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| Lefèvre, Pascal: "Kawaguchi’s Zipang, an alternate Second World War." In: Quaderns de Filologia 14 (2009), S. 61–71, . |
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| ---: "L’utopie en question(s) dans la bande dessinée francophone de Belgique (1945–1989)." In: Textyles 48 (2016), S. 123–136. |
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| ---: "Meno è piu. Una lectura ravvicinata di un manga alternativo, Kuchizuke (Baci) di Kiriko Nananan." In: La linea inquieta. Emozioni e ironia nel fumetto. Hrsg. v. Daniele Barbieri. Roma: Meltemi, 2005, S. 107–124. |
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| ---: "Mise en scene and Framing. Visual Storytelling in Lone Wolf and Cub." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 71–83. |
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| ---: "Mixed Visual Media from the Standpoint of the Reader/Spectator." In: ImageTexT 9.2 (2017). |
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| Added by: joachim 2017-10-14 14:24 |
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| ---: "The Modes of Documentary Comics." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 50–60. |
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| ---: "Die Modi dokumentarischer Comics." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 31–49. |
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| Last edited by: joachim 2018-12-20 11:57 |
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| ---: "Narration in Comics." In: Image [&] Narrative 1.1 (2000). |
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| Last edited by: joachim 2009-07-27 20:03 |
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| ---: "Narration in the Flemish Dual Publication System. The Crossover Genre of the Humoristic Adventure." In: From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Hrsg. v. Daniel Stein und Jan-Noël Thon. (Narratologia, 37.) Berlin u. Boston: de Gruyter, 2013, S. 255–269. |
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| Last edited by: joachim 2013-10-14 01:46 |
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| ---: "Newspaper Comics." In: The Routledge Companion to Comics. Hrsg. v. Frank Bramlett, Roy T. Cook und Aaron Meskin. London, New York: Routledge, 2016, S. 16–24. |
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| Added by: joachim 2018-04-07 12:24 |
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| ---: "No Content without Form. Graphic Style as the Primary Entrance to a Story." In: The Visual Narrative Reader. Hrsg. v. Neil Cohn. New York: Bloomsbury, 2016, S. 67–88. |
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| Added by: joachim 2017-06-28 10:48 |
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| ---: "Not just Black and White. Divergent Colonial Period Representations of Africans in French and Belgian Broadsheets (1880–1914)." In: SIGNs. Studies in Graphic Narratives 2 (2011), S. 3–14. |
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| ---: "Of Savages and Wild Children. Contrasting Representations of Foreign Cultures and Disobedient White Children During the Belle Époque." In: The Child Savage, 1890–2010. From Comics to Games. Hrsg. v. Elisabeth Wesseling. (Ashgate Studies in Childhood, 1700 to the Present.) London, New York: Routledge, 2016, S. 55–70. |
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| ---: "Overlooked by Comic Experts. The Artistic Potential of Manga as Revealed by a Close Reading of Nananan Kiriko's Kuchizuke." In: Reading Manga. Local and Global Perceptions of Japanese Comics. Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 179–192. |
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| Last edited by: joachim 2010-05-14 20:39 |
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| ---: "Plagiaat in de strip." In: Yang 4 (1990), S. 41–47. |
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| Added by: joachim 2015-07-08 09:55 |
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| ---: "Recovering Sensuality in Comic Theory." In: International Journal of Comic Art 1.1 (1999), S. 140–149. |
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| ---: "Researching comics on a global scale." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 85–95. |
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| Added by: joachim 2011-01-25 02:16 |
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| ---: "The shifting representation of Japan in Belgian comics, in fifteen years after WWII (1945–1960)." In: Mutual Images 1 (2016), S. 123–153, . |
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| Added by: joachim 2018-02-12 15:56 |
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| ---: "Situation contemporaine de la bande dessinée en Belgique." In: Études Francophones 20.1 (2005), S. 1–11. |
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| Added by: joachim 2013-03-31 11:24 |
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| ---: "Some Medium-Specific Qualities of Graphic Sequences." In: SubStance 40.1 (2011), S. 14–33. |
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| Added by: joachim 2011-04-08 18:47 |
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| ---: "Sports Most Prominently Featured in Belgian Graphic Narratives and in Belgian Society (1954–1964)." In: European Studies in Sports History 11 (2018), S. 99–122. |
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| Added by: joachim 2020-12-29 14:48 |
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| Lefèvre, Pascal und Morgan Di Salvia: Strip en illustratie in België. Een stand van zaken en de sociaaleconomische situatie van de sector. Brussel: SMartBe, 2010. (147 S.) |
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| Added by: joachim 2014-11-14 10:31 |
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| Lefèvre, Pascal: "Het striplabyrint. Over onduidelijke leeftijdsprofielen en meervoudige adressering." In: Literatuur zonder leeftijd 24.83 (2010), S. 81–91. |
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| Added by: joachim 2015-06-08 10:36 |
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| ---: Tools for Analyzing Graphic Narratives & Case Studies. 2014. (13. Febr. 2014) . |
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| Added by: joachim 2014-02-13 14:50 |
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| ---: "The Unresolved Past. Repercussions of World War II in Belgian Comics." In: International Journal of Comic Art 9.1 (2007), S. 296–310. |
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| ---: "Vom Panel zum Plakat." In: Comix! Hrsg. v. Museum für Gestaltung Zürich. (Poster Collection, 16.) Zürich: Museum für Gestaltung Zürich, 2007, S. 13–18. |
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| Added by: joachim 2016-10-03 12:40 |
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| ---: "Von Experten und Expertinnen übersehen. Das künstlerische Potential des Manga aufgezeigt anhand eines close reading von Kiriko Nananan’s Kuchizuke." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 203–218. |
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| Added by: joachim 2011-09-30 19:04 |
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| ---: "“What if the Japanese could alter WW2?”. A Case Study of Kawaguchi’s Manga Series Zipang." In: Scandinavian Journal of Comic Art 3.1 (2016), S. 3–27, . |
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| ---: "Die Wiederentdeckung der Sinnlichkeit in der Comictheorie." In: Ästhetik des Comic. Hrsg. v. Michael Hein, Michael Hüners und Torsten Michaelsen. Berlin: Erich Schmidt, 2002, S. 171–181. |
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| Last edited by: joachim 2011-02-05 17:51 |
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| ---: "Wörterbuch. Teil 1: Die literaturwissenschaftlichen Fachbegriffe." . |
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| Added by: joachim 2014-09-17 11:25 |
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| Maas, Nop: "The Archaeology of the Dutch Comic Strip." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 49–78. |
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| Added by: joachim 2009-11-12 18:02 |
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| Martin, Antonio: "Notes on the Birth of the Comics in Spain, 1873–1900." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 129–156. |
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| Added by: joachim 2009-11-12 18:09 |
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| Nakano, Haruyuki: "De Japanse markt voor digitale manga, gedragen door mobiele telefoons." In: Strip en illustratie in België. Een stand van zaken en de sociaaleconomische situatie van de sector. Hrsg. v. Pascal Lefèvre und Morgan Di Salvia. Brussel: SMartBe, 2010, S. 96–109. |
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| Added by: joachim 2014-11-15 17:21 |
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| Ries, Hans: "Comic Strips in the Work of Wilhelm Busch." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 115–128. |
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| Added by: joachim 2009-11-12 18:07 |
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| Vansummeren, Patricia: "From “Mannekensblad” to Comic Strips." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 37–48. |
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