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---: "Busch Abroad. How a German Caricaturist Willy Nilly Helped Launch the New Cheap Comic Magazines in Britain and the United States." In: Victorian Periodicals Review 25.3 (1992), S. 99–108. |
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---: Carl Barks. Dagobert und Donald Duck. Welteroberung aus der Entenperspektive. Frankfurt am Main: Fischer, 1990. (95 S.) |
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---: The Early Comic Strip. Narrative Strips and Picture Stories in the European Broadsheet from c. 1450 to 1825. (The History of the Comic Strip, 1.) Berkeley: Univ. of California Press, 1973. (471 S.) |
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---: Father of the Comic Strip. Rodolphe Töpffer. (Great Comics Artists.) Jackson: Univ. Press of Mississippi, 2007. (224 S.) |
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---: "The Gourary Töpffer Manuscript of Monsieur Jabot. A Question of Authenticity. With the Dating and Distribution of Rodolphe Töpffer's First Published Picture Story, and the World's First Modern Comic Strip." In: European Comic Art 2 (2009), S. 173–203. |
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---: The Nineteenth Century. (The History of the Comic Strip, 2.) Berkeley: Univ. of California Press, 1990. (391 S.) |
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---: "The Parts That Got Left Out of the Donald Duck Book, or: How Karl Marx Prevailed Over Carl Barks." In: ImageTexT 6.2 (2012). |
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---: "Precursors in American Weeklies to the American Newspaper Comic Strip. A Long Gestation and a Transoceanic Cross-breeding." In: Forging a New Medium. The Comic Strip in the Nineteenth Century. Hrsg. v. Charles Dierick und Pascal Lefèvre. Brussels: VUB Univ. Press, 1998, S. 157–186. |
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---: Rebirth of the English Comic Strip. A Kaleidoscope, 1847–1870. Jackson: University Pr. of Mississippi, 2021. (453 S.) |
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---: "Rodolphe Töpffer’s Aesthetic Revolution." In: A Comics Studies Reader. Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2009, S. 17–24. |
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---: "Róger Sánchez's “Humor Erótico” and the Semana Cómica. A Sexual Revolution in Sandinista Nicaragua?" In: Latin American Perspectives 25.4 (1998), S. 89–120. |
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---: "Róger Sánchez’s “Humor Erótico” and the Semana Cómica. A Sexual Revolution in Sandinista Nicaragua?" In: Cartooning in Latin America. Hrsg. v. John A. Lent. Cresskill: Hampton, 2005, S. 279–310. |
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---: "The Voices of Silence. Willette, Steinlen and the Introduction of the Silent Strip in the Chat Noir, with a German Coda." In: The Language of Comics. Word and Image. Hrsg. v. Robin Varnum und Christina T. Gibbons. (Studies in Popular Culture.) Jackson: Univ. Press of Mississippi, 2001, S. 3–39. |
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