Ahmed, Maaheen: "Reading (and looking at) Mariko Parade . A methodological suggestion for understanding contemporary graphic narratives." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 119–133.
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Balzer, Jens: "The Roses of Coconino. Reading the shōjo in Krazy Kat ." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 167–177.
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Becker, Thomas: "Cool premedialisation as symbolic capital of innovation. On intercultural intermediality between comics, literature, film, manga, and anime." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 107–117.
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---: "Fieldwork in aesthetics. On comics’ social legitimacy." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 110–122.
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Berndt, Jaqueline: "‘Adult’ Manga. Maruo Suehiro's Historically Ambiguous Comics." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 107–125.
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---: "Anime in Academia. Representative Object, Media Form, and Japanese Studies." In: Arts 7.4 (2018), (30. Aug. 2020)
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---: "Beweglich, flächig, glatt. »Japan« und »Manga« in den Arbeiten des Künstlers Murakami Takashi." In: Facetten der japanischen Populär- und Medienkultur 1 (2005), S. 5–36.
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---: "Bilderwelten. Popularität des Manga und Visualitätskultur." In: Ästhetik und Ästhetisierung in Japan . Hrsg. v. Werner Schaumann. München: iudicium, 1993, S. 41–53.
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---: "'Comfort Women' Comics, Multifaceted. Revisiting the 2014 Manhwa Exhibit in Angoulême from the Perspective of Manga Studies." In: Orientaliska Studier 147 (2016), S. 143–169.
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---: "Comics an der Uni. Japanisch-deutsche Erfahrungen mit Japanologie und Kunstwissenschaft. Erfahrungsbericht zur DAAD-Gastdozentur, Universität Leipzig/Japanologie, SS 2005." (2005), (4. Aug. 2011)
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---: "Considering Manga Discourse. Location, Ambiguity, Historicity." In: Japanese Visual Culture. Explorations in the World of Manga and Anime . Hrsg. v. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008, S. 351–369.
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---: El fenómeno manga . Ediciones Martínez Roca, 1996. (204 S.)
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---: "Etikett »Manga«. Comics als Alltagsreferenz und Exotikum bei gegenwärtigen japanischen Künstlern." In: Ostasiatische Zeitschrift 11 (2006), S. 19–28.
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---: "Facing the Nuclear Issue in a “Mangaesque” Way. The Barefoot Gen Anime." In: Cinergie 2 (2012), (20. Apr. 2013)
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---: "Ghostly. ‘Asian Graphic Narratives,’ Nonnonba , and Manga." In: From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative . Hrsg. v. Daniel Stein und Jan-Noël Thon. (Narratologia, 37.) Berlin u. Boston: de Gruyter, 2013, S. 363–384.
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---: "Hand in Hand. Kouno Fumiyos Mangaserie Kono sekai no katasumi ni (In This Corner of the World ) im Vergleich zur Anime-Adaptation durch Katabuchi Sunao." In: Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung . Hrsg. v. Hans-Joachim Backe et al. Berlin u. Boston: de Gruyter, 2018, S. 53–84.
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---: "Historical Adventures of a Posthistorical Medium. Japan's Wartime Past as Represented in Manga." In: Contested Views of a Common Past. Revisions of History in Contemporary East Asia . Hrsg. v. Steffi Richter. (Globalgeschichte, 3.) Frankfurt am Main: Campus, 2008, S. 287–320.
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---: "The Intercultural Challenge of the “Mangaesque”. Reorienting Manga Studies after 3/11." In: Manga’s Cultural Crossroads . Hrsg. v. Jaqueline Berndt und Bettina Kümmerling-Meibauer. (Routledge Advances in Art and Visual Studies, 5.) London, New York: Routledge, 2013, S. 65–84.
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---: "Introduction. Attempts at cross-cultural comics studies." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 5–16.
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---: "Japanische Bilderwelten. Popularität des Manga und Visualitätskultur." In: Comics Anno 3 (1995), S. 228–240.
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---: Japanische Massenkultur im Wandel. Ästhetisch-kulturelle Prozesse im gegenwärtigen Japan am Beispiel massenliterarischer Bestseller und Manga . Dr. phil. (Dissertation), Humboldt-Universität zu Berlin, Seminar für Ästhetik 1990 (170 S.).
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---: "Manga als Kunst. Zur Sprache des Comic in der Bildenden Kunst der 90er Jahre." In: Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München . Hrsg. v. Ulrich Apel, Josef Holzapfel und Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997, S. 336–341.
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---: "Manga and ‘Manga’. Contemporary Japanese Comics and their Dis/similarities with Hokusai Manga ." In: Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000 . Hrsg. v. Arkadiusz Jabłoński, Stanisław Meyer und Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009, S. 210–222.
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---: "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit . Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 128–142.
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---: "Manga ist nicht gleich Manga. Plädoyer für eine Differenzierung." In: Aus Politik und Zeitgeschichte 64.33–34 (2014), S. 49–54.
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---: Manga: Medium, Kunst und Material. Manga: Medium, Art and Material . Leipzig: Leipziger Universitätsverlag, 2015. (245 S.)
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---: "Manga x Museum in Contemporary Japan." In: Manhwa, Manga, Manhua. East Asian Comics Studies . Hrsg. v. Jaqueline Berndt. (Leipziger Ostasien-Studien, 14.) Leipzig: Leipziger Universitätsverlag, 2012, S. 141–150.
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---: "Mangamania. Dis/Continuities, Perspective Changes and Diversity." In: Ga-netchū! The Manga Anime Syndrome . Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 12–23.
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---: "Mangamania. Dis/kontinuitäten, Perspektivenwechsel, Vielfalt." In: Ga-netchū! Das Manga Anime Syndrom . Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 12–23.
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Berndt, Jaqueline und Bettina Kümmerling-Meibauer (Hgg.): Manga’s Cultural Crossroads . (Routledge Advances in Art and Visual Studies, 5.) London, New York: Routledge, 2013. (272 S.)
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Berndt, Jaqueline (Hg.): Manhwa, Manga, Manhua. East Asian Comics Studies . (Leipziger Ostasien-Studien, 14.) Leipzig: Leipziger Universitätsverlag, 2012. (150 S.)
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---: "A Manifold ‘Flat Battlefield’. The Critical Potential of Manga as Seen through Okazaki Kyoko’s Works." In: LIFE, English Supplement to Exhibition Catatalogue . Hrsg. v. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006, S. 23–26.
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---: "Permeability and Othering. The Relevance of “Art” in Contemporary Japanese Manga Discourse." In: Critical Perspectives on Twentieth Century Japanese Thought . Hrsg. v. Livia Monnet. Montreal: Montreal Univ. Press, 2001, S. 349–375.
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---: Phänomen Manga. Comic-Kultur in Japan . (Japan-Edition.) Berlin: edition q, 1995. (200 S.)
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Berndt, Jaqueline und Steffi Richter (Hgg.): Reading Manga. Local and Global Perceptions of Japanese Comics . (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006. (218 S.)
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Berndt, Jaqueline: "‘Real’ Manga. Diversity, Hybridity, Relationalities." In: Shinjigen. Manga hyōgen no genzai. Manga Realities. Exploring the Art of Japanese Comics Today . Hrsg. v. Yasuko Furuichi und Mito Geijutsukan. Tōkyō: Kokusai Kōryū Kikin, 2010, S. 203–209.
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---: "Reflections. Writing Comics into Art History in Contemporary Japan." In: Konsthistorisk tidskrift/Journal of Art History 86.1 (2017), S. 67–74.
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---: "Shōjo global. Japanische Mädchenmanga zwischen Kitsch und Kritik." In: kjl&m 61.3 (2009), S. 32–38.
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---: "Skim as Girl . Reading a Japanese North American Graphic Novel through Manga Lenses." In: Drawing New Color Lines. Transnational Asian American Graphic Narratives . Hrsg. v. Monica Chiu. (Global Connections.) Hong Kong: Hong Kong Univ. Press, 2015, S. 257–278.
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---: "Studying Comics From Southeast Asia." In: Kyoto Review of Southeast Asia 16 (2014),
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---: "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." In: Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54 (2006), S. 28–41.
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---: "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." In: Aesthetics 11 (2004), S. 13–19.
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---: "Traditions of Contemporary Manga (1). Relating Comics to Premodern Art." In: SIGNs. Studies in Graphic Narratives 1 (2008), S. 33–47.
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---: "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." In: Nacktheit. Ästhetische Inszenierungen im Kulturvergleich . Hrsg. v. Kerstin Gernig. (Literatur – Kultur – Geschlecht. Kleine Reihe, 17.) Köln, Weimar, Wien: Böhlau, 2002, S. 327–348.
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---: "»Verkunstung« des Comics. Wo japanische Kunstwissenschaft und Mangastudien sich bislang begegnen." In: Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar 6 (1998), S. 52–73.
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---: "Von Japan aus gesehen: Comics und Ästhetik." In: Ästhetik. Aufgabe(n) einer Wissenschaftsdisziplin . Hrsg. v. Karin Hirdina und Renate Reschke. Freiburg im Breisgau: Rombach, 2004, S. 135–144.
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---: "Eine zeitlos schöne Nation. Das Neue Geschichtslehrbuch als Bildergeschichte." In: Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan . Hrsg. v. Steffi Richter. 2003, S. 191–217.
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Bolałek, Radosław: "The NARUTO fan generation in Poland. An attempt at contextualization." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 33–48.
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Bouissou, Jean-Marie: "Japan’s Growing Cultural Power. The Example of Manga in France." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 149–165.
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Fiedler, Sabine: "Nudpieda Gen – Hadashi no Gen in an International Speech Community." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 59–76.
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Giesa, Felix und Jens Meinrenken: "The Eye of the Image. Transcultural characteristics and intermediality in Urasawa Naoki’s transcultural narrative 20th Century Boys ." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 93–106.
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Gildenhard, Bettina: "History as Faction. Historiography within Japanese Comics as seen through Tezuka Osamu's Manga Adolf ." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 95–106.
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Groensteen, Thierry: "Challenges to international comics studies in the context of globalization." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 19–30.
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Inomata, Noriko: "BD in young girl-oriented magazines in France." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 176–188.
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Itō, Yū und Tomoyuki Omote: "Barefoot Gen in Japan. An Attempt at Media History." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 21–38.
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Itō, Gō: "Particularities of boys’ manga in the early 21st century. How NARUTO differs from DRAGON BALL ." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 9–16.
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Itō, Kimio: "When a “male” reads shōjo manga." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 169–175.
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Kacsuk, Zoltan: "Subcultural entrepreneurs, path dependencies and fan reactions. The case of NARUTO in Hungary." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 17–32.
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Kajiya, Kenji: "How emotions work. The politics of vision in Nakazawa Keiji’s Barefoot Gen." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 245–261.
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Kawaguchi, Takayuki: "Barefoot Gen and “A-bomb literature”. Re-recollecting the nuclear experience." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 234–244.
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Köhn, Stephan: "Glimpses of the Past. The Allegedly Authentic Samurai Spirit as seen through Kozure ôkami (Lone Wolf and Cub )." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 127–146.
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Lamarre, Thomas: "Manga Bomb. Between the lines of Barefoot Gen." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 262–307.
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Leem, Hye-Jeong: "Koo Woo-Young’s “Lim Kok-Jeong” (1972–73), a Dramatic Graphic Narrative (geukhwa ) Serialized in a Newspaper." In: Manhwa, Manga, Manhua. East Asian Comics Studies . Hrsg. v. Jaqueline Berndt. (Leipziger Ostasien-Studien, 14.) Leipzig: Leipziger Universitätsverlag, 2012, S. 11–31.
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Lefèvre, Pascal: "Overlooked by Comic Experts. The Artistic Potential of Manga as Revealed by a Close Reading of Nananan Kiriko's Kuchizuke ." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 179–192.
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---: "Researching comics on a global scale." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 85–95.
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Lim, Cheng Tju: "Lest we forget. The importance of history in Singapore and Malaysia Comics Studies." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 199–211.
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Luo, Rong Rong: "“Independent Manhua” (duli manhua ) in China. Some Thoughts on Alternative Comics in Times of Globalization." In: Manhwa, Manga, Manhua. East Asian Comics Studies . Hrsg. v. Jaqueline Berndt. (Leipziger Ostasien-Studien, 14.) Leipzig: Leipziger Universitätsverlag, 2012, S. 79–106.
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Malone, Paul M. "Transcultural Hybridization in Home-Grown German Manga." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 49–60.
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Maser, Verena: "On the depiction of love between girls across cultures. Comparing the U.S.-American webcomic YU+ME: dream and the yuri manga “Maria-sama ga miteru”." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 61–71.
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Mizoguchi, Akiko: "Theorizing comics/manga genre as a productive forum. Yaoi and beyond." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 143–168.
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Morita, Naoko: "Cultural recognition of comics and comics studies. Comments on Thierry Groensteen’s keynote lecture." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 31–39.
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Natsume, Fusanosuke: "Pictotext and panels. Commonalities and differences in manga, comics and BD." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 40–54.
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Noppe, Nele: "Dōjinshi research as a site of opportunity for Manga Studies." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 123–142.
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Odagiri, Hiroshi: "Manga truisms. On the insularity of Japanese manga discourse." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 55–67.
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Ōgi, Fusami: "Barefoot Gen and MAUS . Performing the Masculine, Reconstructing the Mother." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 77–91.
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Ribbens, Kees: "War comics beyond the battlefield. Anne Frank’s transnational representation in sequential art." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 219–233.
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Richter, Steffi: "Reading Reading Manga . Personal Reflections by a Japanologist." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 205–213.
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---: "“Trans” and “Inter”. An Attempt at Definition." In: Manhwa, Manga, Manhua. East Asian Comics Studies . Hrsg. v. Jaqueline Berndt. (Leipziger Ostasien-Studien, 14.) Leipzig: Leipziger Universitätsverlag, 2012, S. 117–129.
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Rosenbaum, Roman: "Gekiga as a site of intercultural exchange. Tatsumi Yoshihiro’s A Drifting Life ." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 73–92.
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Sabin, Roger: "Barefoot Gen in the US and UK. Activist Comic, Graphic Novel, Manga." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 39–57.
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Saika, Tadahiro: "How creators depict creating manga. Mangaka manga as authenticating discourse." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 99–109.
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Suzuki, Shige (CJ): "Manga/Comics Studies from the perspective of Science Fiction research. Genre, transmedia, and transnationalism." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 68–84.
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Wong, Wendy Siuyi: "Drawing the ideal modern woman. Ms. Lee Wai-Chun and her Ms. 13-Dot." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 189–196.
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Yamanaka, Chie: "Domesticating Manga? National Identity in Korean Comics Culture." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 193–204.
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Yoo, Soo-Kyung: "On Differences between Japanese and Korean Comics for Female Readers. Comparing “Boys Over Flowers” to “Goong”." In: Manhwa, Manga, Manhua. East Asian Comics Studies . Hrsg. v. Jaqueline Berndt. (Leipziger Ostasien-Studien, 14.) Leipzig: Leipziger Universitätsverlag, 2012, S. 43–64.
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Yoshimura, Kazuma: "Afterword. Intentions and methods behind my proposal for Barefoot Gen remakes abroad." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 308–317.
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