| Andersson, Fred: "An Artist, a Cowboy and Some Ontological Jokes. A Nordic Contribution to the Understanding of Comics in Art." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 44–71. |
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| Arnerud Mejhammar, Kristina: "On Politics, Everyday Life, and Humor in Cecilia Torudd’s Comic Strip Ensamma mamman." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 131–153. |
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| Ault, Donald: "“Cutting Up” Again Part II. Lacan on Barks on Lacan." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 123–140. |
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| Borggreen, Gunhild: "Drawing Disaster. Manga Response to the Great Eastern Japan Earthquake." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 263–284. |
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| Christiansen, Steen: "Between Media. David Mack’s Kabuki." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 72–88. |
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| Christiansen, Hans-Christian: "Comics and Film. A Narrative Perspective." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 107–121. |
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| Christiansen, Hans-Christian und Anne Magnussen: "Tegneserieanalyse." In: Analyse af billedmedier – en introduktion. Hrsg. v. Gitte Rose und Hans-Christian Christiansen. Frederiksberg: Samfundslitteraturs, 2006, S. 103–143. |
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| Cortsen, Rikke Platz et al. "Between Propaganda and Entertainment. Nordic Comics 1930s–1950s." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 111–132. |
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| Cortsen, Rikke Platz, Erin La Cour und Anne Magnussen (Hrsg.): Comics and Power. Representing and Questioning Culture, Subjects and Communities. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. (301 S.) |
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| Cortsen, Rikke Platz und Erin La Cour: "Opening a Thirdspace. The Unmasking Effects of Comics." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 110–130. |
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| Frahm, Ole: "Weird Signs. Comics as Means of Parody." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 177–191. |
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| Gregersen, Andreas: "“You Wouldn’t Get It”. “Penny Arcade” as Gaming Communication Hub and Webcomic." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 23–43. |
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| Groensteen, Thierry: "Why are Comics Still in Search of Cultural Legitimization?" In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 29–41. |
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| How, James: "2000AD and Hollywood. The Special Relationship between a British Comic and American Film." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 225–241. |
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| Inge, M. Thomas: "From Ahab to Peg-Leg Pete. A Comic Cetology." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 157–176. |
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| Kauranen, Ralf: "Transnationalism in the Finnish 1950s Debate on Comics." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 218–243. |
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| Kawa, Abraham: "What if the Apocalypse Never Happens. Evolutionary Narratives in Contemporary Comics." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 209–224. |
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| Kontturi, Katja: "“Shades of Conan Doyle! A lost world!”. Fantasy and Intertextuality in Don Rosa’s “Escape from Forbidden Valley”." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 89–109. |
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| Lefèvre, Pascal: "The Importance of Being ‘Published’. A Comparative Study of Different Comics Formats." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 91–105. |
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| Legrady, Georges: "Modular Structure and Image/Text Sequences. Comics and Interactive Media." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 79–90. |
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| Lund, Martin: "“[A] matter of SAVED or LOST”. Difference, Salvation, and Subjection in Chick Tracts." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 173–192. |
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| Magnussen, Anne: "Bill Davis og den fiktive erindring." In: MedieKultur 30 (1999), S. 36–50, . |
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| Magnussen, Anne und Hans-Christian Christiansen (Hrsg.): Comics & Culture. Analytical and Theoretical Approaches to Comics. Copenhagen: Museum Tusculanum, 2000. (247 S.) |
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| Magnussen, Anne: "Comics as historical source material. Race, ethnicity and power according to Texas History Movies." In: Studies in Comics 7.1 (2016), S. 99–126. |
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| ---: "Det perverse artefakt. Konflikt og erindringer i spanske tegneserier." In: Kultur & klasse 111 (2011), S. 97–111. |
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| ---: "El cómic como texto. Una lectura de Crónicas Incongruentes 7 de Miguelanxo Prado." In: La langue, les signes et les êtres. Actes du colloque de l'Institut d'Etudes Romanes de l'Université de Copenhague, le 3 octobre 1998. Hrsg. v. Hans Peter Lund. (Etudes Romanes, 44.) Copenhagen: Museum Tusculanum, 1999, S. 111–125. |
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| ---: "Imagining the dictatorship, Argentina 1981 to 1982." In: Visual Communication 5 (2006), S. 323–344. |
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| ---: "Mara and Paracuellos – Interpretations of Spanish Politics from the Perspective of the Comics." In: Scandinavian Journal of Comic Art 1.1 (2012), S. 27–44, . |
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| ---: "The New Spanish Memory Comics. The Example of Cuerda de presas." In: European Comic Art 7.1 (2014), S. 56–84. |
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| ---: "The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 193–207. |
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| ---: "Die Semiotik von C.S. Peirce als theoretisches Rahmenwerk für das Verstehen von Comics." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 171–185. |
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| ---: "Spanish Comics and Family." In: International Journal of Comic Art 5.2 (2003), S. 66–84. |
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| ---: "Spanish Comics and Politics. From Propaganda and Censorship through Political Activism to Cultural Reflections." In: Comics & Politik. Comics & Politics. Hrsg. v. Stephan Packard. Bochum: Ch.A. Bachmann, 2014, S. 157–178. |
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| --- (Hrsg.): Spanish Comics. Historical and Cultural Perspectives. Oxford, New York: Berghahn Books, 2021. (268 S.) |
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| ---: Spanish Comics Semiotics and Society. Comics as representations of social reality 1975–1990. PhD (Ph.d.-afhandling), Københavns Universitet, Romansk Institut 2001 (345 S.). |
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| ---: "Spanish Underground Comics and Society." In: Reading the Popular in Contemporary Spanish Texts. Hrsg. v. S. Godsland und Nickianne Moody. Newark: Univ. of Delaware Press, 2004, S. 100–112. |
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| ---: "Spanske tegneserier i 1970erne og 1980erne. Fra politiske budskaber til europæisk integration." In: Den jyske historiker 91/92 (2001), S. 207–230. |
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| Meyhoff Brink, Dennis: "Fearing Religious Satire. Religious Censorship and Satirical Counter-Attacks." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 194–217. |
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| Miettinen, Mervi: "All Men Are Not Created Equal. Identity, Power, and Resistance in Superman: Red Son." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 285–299. |
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| Murray, Christopher: "Popaganda. Superhero Comics and Propaganda in World War II." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 141–155. |
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| Nielsen, Jesper und Søren Wichmann: "America’s First Comics? Techniques, Contents, and Functions of Sequential Text-Image Pairing in the Classic Maya Period." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 59–77. |
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| Sabin, Roger: "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 43–57. |
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| Sjåstad, Øystein: "Comics: This Bitter Art." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 2–22. |
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| Vågnes, Øyvind: "Comics Reenactment. Joe Sacco’s Footnotes in Gaza." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 154–172. |
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| Wallin Wictorin, Margareta: "Comics in Postcolonial Senegal. Suggesting and Contesting National Identity." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 244–262. |
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