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| Beckett, Jennifer. "Acting with Limited Oversight: S.h.i.e.l.d. and the role of intelligence and intervention in the marvel cinematic universe." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 203–18. |
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| Blum, Elizabeth D. "Tracing Views of Nature in the Marvel Cinematic Universe." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 127–40. |
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| Burke, Liam. "A bigger universe: Marvel studios and transmedia storytelling." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 32–51. |
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| Chambliss, Julian C., William Svitavsky, and Daniel Fandino, eds. Assembling the Marvel Cinematic Universe: Essays on the social, cultural and geopolitical domains. Jefferson: McFarland, 2018. |
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| Eccleston, Sasha-Mae. "Enemies, Foreign and Domestic Villainy and terrorism in thor." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 168–84. |
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| McGee, Masani. "Hooked on the Wrong Kind of Feeling: Popular music and nostalgia in the marvel cinematic universe." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 116–26. |
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| Mullen, Antony. "Bodies That Shatter: Violence and spectacle in the avengers." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 141–48. |
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| Nadkarni, Samira Shirish. "“To be the shield”: American imperialism and explosive identity politics in agents of s.h.i.e.l.d." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 218–36. |
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| Perdigao, Lisa K. "#ITSALLCONNECTED: assembling the marvel universe." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 52–63. |
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| Rea, Jennifer A. "More Than a Shield: Security and empire building in captain america: the winter soldier and vergil’s aeneid." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 185–202. |
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| Rovira, James. " Silly Love Songs, Gender, Guardians of the Galaxy and Avengers age of ultron." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 103–15. |
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| Svitavsky, William L. "“Your ancestors called it magic”: building coherence in the mcu through continuity with the past." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 76–88. |
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| Sweet, Derek R. "America Assemble: the avengers as therapeutic public memory." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 64–75. |
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| Zaidan, Sarah. "Stark Contrasts: Reinventing iron man for 21st century cinema." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 90–102. |
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