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Michael, Olga. "Excavating Childhood: Fairy Tales, Monsters, and Abuse Survival in Lynda Barry’s What It Is." a/b: Auto/Biography Studies 32.(2017): 541–66.   
Last edited by: joachim 6/14/19, 4:02 PM
Michael, Olga. "Scrapbooking Caravaggio’s Medusa, Reconfiguring Blake: What It Is, One! Hundred! Demons! and Lynda Barry’s Feminist Intervention in the (Male) Artistic Canon." ImageTexT 9.2 2017. Accessed 7 Feb. 2018. <http://www.english.ufl. ... /archives/v9_2/michael/>.   
Last edited by: joachim 6/14/19, 4:03 PM
Michael, Olga. "Crossing, Conflict, and Diaspora in Cyprus and Beyond in Miranda Hoplaros and Lara Alphas’s The Sign-Maker." a/b: Auto/Biography Studies 35.(2020): 405–34.   
Last edited by: joachim 10/30/20, 3:13 PM
Michael, Olga. "Looking at the Perpetrator in Nina Bunjevac’s Fatherland." Journal of Perpetrator Research 4.2 2022. Accessed 24 Oct. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.111/>.   
Last edited by: joachim 10/24/22, 8:24 PM
Michael, Olga. Human Rights in Graphic Life Narrative: Reading and Witnessing Violations of the ‘Other’ in Anglophone Works. New Directions in Life Narrative. New York: Bloomsbury Academic, 2023.   
Last edited by: joachim 9/21/23, 12:14 PM
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