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Davis, Rocío G. "Autographics and the History of the Form: Chronicling Self and Career in Will Eisner’s Life, in Pictures and Yoshihiro Tatsumi’s A Drifting Life." Biography 34. (2011): 253–76. |
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Elmwood, Victoria A. "“Happy, Happy, Ever After”: The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." Biography 27. (2004): 691–720. |
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Gardner, Jared. "Autography’s Biography, 1972–2007." Biography 31. (2008): 1–26. |
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Jacobs, Dale. "Multimodal Constructions of Self: Autobiographical Comics and the Case of Joe Matt’s Peepshow." Biography 31. (2008): 59–84. |
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Nayar, Pramod K. "Radical Graphics: Martin Luther King., Jr., BR Ambedkar and Comics Auto/biography." Biography 39. (2016): 147–71. |
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Shannon, Edward A. "Shameful, Impure Art: Robert Crumb’s Autobiographical Comics and the Confessional Poets." Biography 35. (2012): 627–49. |
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Sperb, Jason. "Removing the Experience: Simulacrum as an Autobiographical Act in American Splendor." Biography 29. (2006): 123–39. |
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Tensuan, Theresa M. "Crossing the Lines: Graphic (Life) Narratives and Co-Laborative Political Transformations." Biography 32. (2009): 173–89. |
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Watson, Julia. "Autographic Disclosures and Genealogies of Desire in Alison Bechdel’s Fun Home." Biography 31. (2008): 27–58. |
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Whitlock, Gillian and Anna Poletti. "Self-Regarding Art." Biography 31. (2008): V–XXIII. |
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