| Brunner, Edward. "“Shuh! Ain’t Nothin’ To It”: The Dynamics of Success in Jackie Ormes’s Torchy Brown." Melus 32. (2007): 23–49. |
 
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| Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." Melus 32. (2007): 175–200. |
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| Cole, Jean Lee. "Rising from the Gutter: Rudolph Block, the Comic Strip, and the Ghetto Fiction of Bruno Lessing." Melus 41. (2016): 27–54. |
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| Feuer, Menachem. "Everybody is a Star: The Affirmation of Freaks and Schlemiels through Caricature in the Comics of Drew and Josh Friedman." Melus 32. (2007): 75–101. |
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| Glaser, Jennifer. "An Imaginary Ararat: Jewish Bodies and Jewish Homelands in Ben Katchor’s The Jew of New York." Melus 32. (2007): 153–73. |
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| de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." Melus 29. (2004): 219–52. |
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| Oh, Sandra. "Sight Unseen: Adrian Tomine’s Optic Nerve and the Politics of Recognition." Melus 32. (2007): 129–51. |
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| Paparone, Lesley. "Art and Identity in Mark Kalesniko’s Mail Order Bride." Melus 32. (2007): 201–19. |
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| Rivera, Lysa. "Appropriate(d) Cyborgs: Diasporic Identities in Dwayne McDuffie’s Deathlok Comic Book Series." Melus 32. (2007): 103–27. |
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| Roth, Laurence. "Innovation and Orthodox Comic Books: The Case of Mahrwood Press." Melus 37. (2012): 131–56. |
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| Royal, Derek Parker. "Introduction: Coloring America: Multi-Ethnic Engagements with Graphic Narrative." Melus 32. (2007): 7–22. |
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| Royal, Derek Parker. "Palomar and Beyond: An Interview with Gilbert Hernandez." Melus 32. (2007): 221–46. |
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| Staub, Michael E. "The Shoah Goes On and On: Remembrance and Representation in Art Spiegelman’s Maus." Melus 20. (1995): 32–46. |
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| Zhou, Xiaojing. "Spatial Construction of the “Enemy Race”: Miné Okubo’s Visual Strategies in Citizen 13660." Melus 32. (2007): 51–73. |
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