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Displaying 1 - 13 of 13 (Bibliography: WIKINDX Master Bibliography)
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Brunner, Edward: "“Shuh! Ain’t Nothin’ To It”. The Dynamics of Success in Jackie Ormes’s Torchy Brown." In: Melus 32.3 (2007), S. 23–49.  
Last edited by: joachim 2019-05-10 11:54
Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." In: Melus 32.3 (2007), S. 175–200.  
Last edited by: joachim 2009-11-03 14:47
Feuer, Menachem: "Everybody is a Star. The Affirmation of Freaks and Schlemiels through Caricature in the Comics of Drew and Josh Friedman." In: Melus 32.3 (2007), S. 75–101.  
Last edited by: joachim 2013-03-09 11:45
Glaser, Jennifer: "An Imaginary Ararat. Jewish Bodies and Jewish Homelands in Ben Katchor’s The Jew of New York." In: Melus 32.3 (2007), S. 153–173.  
Last edited by: joachim 2019-05-10 12:22
de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." In: Melus 29.1 (2004), S. 219–252.  
Last edited by: joachim 2019-05-10 12:24
Oh, Sandra: "Sight Unseen. Adrian Tomine’s Optic Nerve and the Politics of Recognition." In: Melus 32.3 (2007), S. 129–151.  
Last edited by: joachim 2019-05-10 12:22
Paparone, Lesley: "Art and Identity in Mark Kalesniko’s Mail Order Bride." In: Melus 32.3 (2007), S. 201–219.  
Last edited by: joachim 2019-05-10 12:13
Rivera, Lysa: "Appropriate(d) Cyborgs. Diasporic Identities in Dwayne McDuffie’s Deathlok Comic Book Series." In: Melus 32.3 (2007), S. 103–127.  
Last edited by: joachim 2019-05-10 12:15
Roth, Laurence: "Innovation and Orthodox Comic Books. The Case of Mahrwood Press." In: Melus 37.2 (2012), S. 131–156.  
Last edited by: joachim 2021-07-09 17:23
Royal, Derek Parker: "Introduction: Coloring America. Multi-Ethnic Engagements with Graphic Narrative." In: Melus 32.3 (2007), S. 7–22.  
Last edited by: joachim 2009-11-03 14:58
---: "Palomar and Beyond. An Interview with Gilbert Hernandez." In: Melus 32.3 (2007), S. 221–246.  
Last edited by: joachim 2019-05-10 12:20
Staub, Michael E. "The Shoah Goes On and On. Remembrance and Representation in Art Spiegelman’s Maus." In: Melus 20.3 (1995), S. 32–46.  
Last edited by: joachim 2019-05-10 12:25
Zhou, Xiaojing: "Spatial Construction of the “Enemy Race”. Miné Okubo’s Visual Strategies in Citizen 13660." In: Melus 32.3 (2007), S. 51–73.  
Last edited by: joachim 2019-05-10 12:14
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