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Displaying 1 - 13 of 13 (Bibliography: WIKINDX Master Bibliography)
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Brunner, Edward: "“Shuh! Ain’t Nothin’ To It”. The Dynamics of Success in Jackie Ormes’s Torchy Brown." In: Melus 32.3 (2007), S. 23–49.  
Last edited by: joachim 05/10/2019 11:54:58 AM
Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." In: Melus 32.3 (2007), S. 175–200.  
Last edited by: joachim 11/03/2009 02:47:38 PM
Feuer, Menachem: "Everybody is a Star. The Affirmation of Freaks and Schlemiels through Caricature in the Comics of Drew and Josh Friedman." In: Melus 32.3 (2007), S. 75–101.  
Last edited by: joachim 03/09/2013 11:45:26 AM
Glaser, Jennifer: "An Imaginary Ararat. Jewish Bodies and Jewish Homelands in Ben Katchor’s The Jew of New York." In: Melus 32.3 (2007), S. 153–173.  
Last edited by: joachim 05/10/2019 12:22:49 PM
de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." In: Melus 29.1 (2004), S. 219–252.  
Last edited by: joachim 05/10/2019 12:24:19 PM
Oh, Sandra: "Sight Unseen. Adrian Tomine’s Optic Nerve and the Politics of Recognition." In: Melus 32.3 (2007), S. 129–151.  
Last edited by: joachim 05/10/2019 12:22:15 PM
Paparone, Lesley: "Art and Identity in Mark Kalesniko’s Mail Order Bride." In: Melus 32.3 (2007), S. 201–219.  
Last edited by: joachim 05/10/2019 12:13:54 PM
Rivera, Lysa: "Appropriate(d) Cyborgs. Diasporic Identities in Dwayne McDuffie’s Deathlok Comic Book Series." In: Melus 32.3 (2007), S. 103–127.  
Last edited by: joachim 05/10/2019 12:15:59 PM
Roth, Laurence: "Innovation and Orthodox Comic Books. The Case of Mahrwood Press." In: Melus 37.2 (2012), S. 131–156.  
Last edited by: joachim 07/09/2021 05:23:10 PM
Royal, Derek Parker: "Introduction: Coloring America. Multi-Ethnic Engagements with Graphic Narrative." In: Melus 32.3 (2007), S. 7–22.  
Last edited by: joachim 11/03/2009 02:58:53 PM
---: "Palomar and Beyond. An Interview with Gilbert Hernandez." In: Melus 32.3 (2007), S. 221–246.  
Last edited by: joachim 05/10/2019 12:20:10 PM
Staub, Michael E. "The Shoah Goes On and On. Remembrance and Representation in Art Spiegelman’s Maus." In: Melus 20.3 (1995), S. 32–46.  
Last edited by: joachim 05/10/2019 12:25:08 PM
Zhou, Xiaojing: "Spatial Construction of the “Enemy Race”. Miné Okubo’s Visual Strategies in Citizen 13660." In: Melus 32.3 (2007), S. 51–73.  
Last edited by: joachim 05/10/2019 12:14:41 PM
WIKINDX 6.4.10 | Total resources: 13536 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)


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